Consider the frame as a work of art itself. This in-depth examination of the beauty and diversity of antique American frames is comprised of diverse essays by curators, scholars, artists, and art lovers. The craft of matching frame to work is beautifully illustrated in the 150 images.

As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.

Introduction to Trace Mayer's Museum Bees: Including an overview of his work, the history, methodology, and variety of pieces created as well as interior design installations in clients homes.

The Robert Lehman Collection at The Metropolitan Museum of Art houses one of the finest collections of frames in the world. The collection Robert Lehman bequeathed to the Museum includes nearly 400 frames, most of them Italian and French and dating from the 14th to the 18th century. Although he bought most of these frames to display his paintings and drawings, a number of them were acquired as works of art in their own right. Using the documentary evidence that survives, this volume attempts to place these frames on the pictures and in the interiors for which they were intended. For each frame, the author has provided a profile drawing that is a key to its design, origin, date, and application. This volume is the 13th in a series of 16 on the Robert Lehman Collection. -- Metropolitan Museum of Art website.

Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert Lehman Collection at the Metropolitan Museum. It includes paintings by Ingres, Theodore Rousseau, and Corot among other early 19th-century artists. In addition to a group of early German drawings, this collection includes a Saint Paul from a series associated with Jan van Eyck and the famous Scupstoel from the circle of Rogier van der Weyden. It discusses all drawings, placing each in its art historical setting and complementing it with comparative illustrations of related works.

"Since the turn of the millennium, artists have been writing, and circulating their writing, like never before. The seventy-five texts gathered here--essays, criticism, manifestos, fiction, diaries, scripts, blog posts, and tweets--chart a complex era in the art world and the world at large, weighing in on the exigencies of our times in unexpected and inventive ways." -- Publisher's description.

This long awaited English edition of Manuale per la conservazione e il restauro di disegni e stampe antichi (1991) offers a clear and complete manual for the preservation and conservation of old master prints and drawings. The authors throw light on the historical and scientific backgrounds concerning the problems of restoration techniques of arts on paper, from 1150, when paper was first introduced in Europe, until the middle of the nineteenth century. The book is indispensable for anyone occupied with the study and conservation of old prints and drawings. This richly illustrated, first English edition is revised and brought fully up to date.