This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An account of the different styles of lace, their history, characteristics manufacture

This vintage book contains a comprehensive manual of hand-made bobbin lace work, with information on techniques, details on measurements, simple instructions, and a wealth of handy tips. Written in plain language and profusely illustrated, this volume is ideal for the beginner, and is not to be missed by collectors of vintage literature of this ilk. Contents include: “Lace”, “Preface”, “Foreword”, “Egyptian Twisted of Plaited Lace”, “Materials”, “General Methods”, “Stitches”, “Torchon Lace”, “Torchon Corners”, “Embroidery Finishings”, “Cluny and Beds-Maltese”, “Honiton Lace”, and “Bucks 'Pointed Ground'”. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on lace.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Excerpt from Old Lace, a Handbook for Collectors: An Account of the Different Styles of Lace; Their History, Characteristics Manufacture It may, perhaps, seem necessary to give some reason for the appearance of a new work dealing with hand-made lace, especially as two books on this subject have appeared in England alone in the course of the year. It has been suggested to me, however, by many collectors, that the historical aspect of lace has been dealt with in previous works, almost to the exclusion of its technical and artistic side. Mrs Palliser's history (first issued in 1865), which I re-edited in 1902, is almost exhaustive in certain aspects, and a storehouse of valuable material collected by the author relative not only to the history of lace, but of embroidery and costume. But even since 1902 new material, new facts have come to light in works dealing with lace of various countries. I have, therefore, in this book, while giving the chief landmarks in the history of each lace in each important centre of production - especially those that affected the quality and design of the lace produced - included or referred to these fresh facts and information. The French have been especially diligent in investigating the origins and development of their national industries. I have also been interested in tracing, where possible, the influence of contemporary art and design upon the development of lace, which is, naturally, largely subject to the influences of and fashions in textiles, as may be seen by a comparison of French patterned textiles with laces of the three great periods which correspond roughly to the reigns of Louis XIV., XV., and XVI. As the very large number of illustrations in each chapter are arranged in order of date, it will be easy for readers to follow this progress. For this reason, dated pieces - though these are naturally rare - have been illustrated wherever possible. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.