Quantum mechanics dates its anniversaries from 1925, the year when its first versions, matrix and wave mechanics, were born. The quan tum itself had by that time reached the age of 25, having first seen the light of day on the eve of the nativity of the 20th century itself. Either shunned or completely unnoticed, the quantum seemed for a long time to be an illegitimate child. Even Max Planck himself, its own father, could not bring himself to accept his monstrous child until he was forced to do so -that is, until it became clear that the problems which were arising in physics could not be solved without the quantum. At first the quantum "like a greasy stain, soaked through all the different branches of physics" and then, like an explosion, came the creation of quantum mechanics. The overwhelming majority of those who first created quantum mechanics were just about of an age with the quantum itself. These were very young people, born as the new century was born, give or take a year or so. Hence the phrase was coined - "the quantum generation". At that time there was quantum everything - towns, steps, park benches, lodging houses and so, natu rally, the quantum generation.

Selling Russia's Treasures documents one of the great cultural dramas of the twentieth century: the sale, by a cash-hungry Soviet government, of the artistic treasures accumulated by the Russian aristocracy over the centuries and nationalized after the October 1917 revolution. An astonishing variety of objects, from icons and illuminated manuscripts to Fabergé eggs and Old Master paintings, entered the collections of wealthy Westerners like Andrew Mellon and Armand Hammer in the 1920s and 30s. Written by the leading experts in the field and long regarded as the definitive book on the subject, the original Russian edition of Selling Russia's Treasures is sought after scholars and laymen alike. Now, for the first time, it is made available in English, in a revised and expanded edition that includes a new chapter on the secret files of the Hermitage, previously considered lost, as well as new research on the sale of religious art, and of twentieth-century French masterworks from the Museum of New Western Art. Numerous color plates reunite long-dispersed works in a virtual museum that illustrates the powerful blow inflicted on Russia's cultural heritage by these secretive sales, and rare photographs and archival documents help bring this buried history to light.

Imaginations of female rule and the imaginative strategies of women rulers What is the gender of political power ? What happens to the history of sovereignty when we reconsider it from a gender perspective ? Political sovereignty has been a major theme in European thought from the very beginning of intellectual reflection on community. Philosophy and political theory, historiography, theology, and literature and the arts have, often in dialogue with one another, sought to represent or recalibrate notions of rule. Yet whatever covenant was imagined, sovereign rule has consistently been figured as a male prerogative While in-depth studies of historical women rulers have proliferated in the past decades, these have not systematically explored how all women rulers throughout the entirety of European culture have had to operate in a context that could not think power as female – except in grotesque terms. Strategic Imaginations demonstrates that this constitutive tension can only be brought out by studying women’s political rule in a comparative and longue durée manner. The book offers a collection of essays that brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the genesis of modern democracy. It addresses historical figures and takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history. For all the variety of geographical, social, and historical contexts it engages, the book reveals surprising resonances between the strategies women rulers used and the images and practices they adopted in the context of an all-pervasive skepticism toward female rule.

A unique volume that brings together contributors from all over the world to provide the first truly global perspective on archaeological theory, and tackle the crucial questions facing archaeology in the 1990s. Can one practice without theory?

This volume examines the practice of memory in early modern Europe, showing that this was already a multimedia affair with many political uses, and affecting people at all levels of society; many pre-modern memory practices persist until today.