'Engaging, modern fables with a feminist tang' Sunday Times DARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID. Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men. From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today. 'A thoroughly original package that has a hint of Angela Carter' The Times 'Sharp writing and cleverly done' Spectator

Old Stories Retold explores the ways modern Chinese narratives dramatize and embody the historical sense that links them to the past and to the Chinese literary tradition. Largely guided by Walter Benjamin’s discussions of history, G. Andrew Stuckey looks at the ways Chinese narrative engages a historical process that pieces together fragments of the past into new configurations to better serve present needs. By examining intertextual connections between separate texts, Stuckey seeks to discover traces of an “original,” whether it be thought of as the past, history, or tradition, when it has been rewritten in modern and contemporary Chinese fiction. Old Stories Retold shows how the articulation of the past into new historical configurations disrupts accepted understandings of the past, and as such, can be intentionally pitted against modernist historical knowledge to resist the modernist ends that this knowledge is mobilized to achieve.

Thirteen tales are unspun from the deeply familiar, and woven anew into a collection of fairy tales that wind back through time. Acclaimed Irish author Emma Donoghue reveals heroines young and old in unexpected alliances--sometimes treacherous, sometimes erotic, but always courageous. Told with luminous voices that shimmer with sensuality and truth, these age-old characters shed their antiquated cloaks to travel a seductive new landscape, radiantly transformed.Cinderella forsakes the handsome prince and runs off with the fairy godmother; Beauty discovers the Beast behind the mask is not so very different from the face she sees in the mirror; Snow White is awakened from slumber by the bittersweet fruit of an unnamed desire. Acclaimed writer Emma Donoghue spins new tales out of old in a magical web of thirteen interconnected stories about power and transformation and choosing one's own path in the world. In these fairy tales, women young and old tell their own stories of love and hate, honor and revenge, passion and deception. Using the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin. 2000 List of Popular Paperbacks for YA

A collection of five stories relating to the wild West. The last story, "The pimienta pancakes" is also presented in a play format.

A stunning collection of English folklore featuring stories of beasts, giants, ghosts, saints, and the Devil, as well as moral tales and tales of origins. Master storyteller, social historian, and folklorist Sybil Marshall scoured English history to bring together a fascinating collection of folk tales in one glorious edition. Out-of-print for over thirty years, Overlook is re-issuing this bewitching book to enchant a new audience. From the great mass of folk tales that exists, Sybil Marshall has chosen a wide variety of stories, retelling them with wit and suspense. We have her tales of the little people and of giants, of the Devil and the saints, and supernatural and moral tales. Let Sybil Marshall lead you through the old English countryside, exploring the beliefs and legends of time gone by. This beautiful edition, complete with wood engraved illustrations by John Lawrence, will entertain, educate, and ensnare audiences of all ages. “A compilation of vivid, sometimes fearsome stories . . . The England we visit here has no afternoon teas or jolly rounds of cricket on lovely green lawns. In these pages, the sophisticated reader steps onto older, darker soil half-soaked in blood, superstition, and magic. . . . Wood engravings by John Lawrence deepen our sense of the blackened accretion of centuries in this fascinating collection.” —Meghan Cox Gurdon, The Wall Street Journal