Simon Jenkins has travelled the length and breadth of England to select his thousand best churches. Organised by county, each church is described - often with delightful asides - and given a star-rating from one to five. All of the county sections are prefaced by a map locating each church, and lavishly illustrated with colour photos from the Country Life archive. Jenkins contends that these churches house a gallery of vernacular art without equal in the world. Here, he brings that museum to public attention.

The annual Lenten pilgrimage to dozens of Rome’s most striking churches is a sacred tradition dating back almost two millennia, to the earliest days of Christianity. Along this historic spiritual pathway, today’s pilgrims confront the mysteries of the Christian faith through a program of biblical and early Christian readings amplified by some of the greatest art and architecture of western civilization. In Roman Pilgrimage, bestselling theologian and papal biographer George Weigel, art historian Elizabeth Lev, and photographer Stephen Weigel lead readers through this unique religious and aesthetic journey with magnificent photographs and revealing commentaries on the pilgrimage’s liturgies, art, and architecture. Through reflections on each day’s readings about faith and doubt, heroism and weakness, self-examination and conversion, sin and grace, Rome’s familiar sites take on a new resonance. And along that same historical path, typically unexplored treasures—artifacts of ancient history and hidden artistic wonders—appear in their original luster, revealing new dimensions of one of the world’s most intriguing and multi-layered cities. A compelling guide to the Eternal City, the Lenten Season, and the itinerary of conversion that is Christian life throughout the year, Roman Pilgrimage reminds readers that the imitation of Christ through faith, hope, and love is the template of all true discipleship, as the exquisite beauty of the Roman station churches invites reflection on the deepest truths of Christianity.

An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they--not merely the clergy--affected how worship was staged. The book provides an accessible account of what happened in the daily and weekly services, and how churches marked the seasons of Christmas, Lent, Easter, and summer. It describes how they celebrated the great events of life: birth, coming of age, and marriage, and gave comfort in sickness and death. A final chapter covers the English Reformation in the sixteenth century and shows how, alongside its changes, much that went on in parish churches remained as before.

The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.