A sensory narrative poem capturing the rhythms of the universe and secrets of the subconscious with stunning linguistic dexterity from the author of On the Road A spontaneous writing project in the form of an extended prose poem, this sonorous and spiritually playful book is one of Jack Kerouac’s most boldly experimental works. Collected from five notebooks dating from 1956 to 1959—a time in which Kerouac was immersed in Buddhist theory—Old Angel Midnight is comprised of sixty-seven short sections unified by an unwavering dedication to sounds, the subconscious, and verbal ingenuity. Friday Afternoon in the Universe, in all directions in & out you got your men women dogs children horses pones tics perts parts pans pools palls pails parturiences and petty Thieveries that turn into heavenly Buddha. Thus begins Kerouac’s Joycean language dance. From birdsong to dharmic verse, street jargon to French slang, the resonances of the universe come blaring in though the windows, unfurling their meaning as the mind lets go and listens.

The only book I've ever written in which I've allowed myself to say absolutely anything I want... Jack Kerouac

A noblewoman of frail beauty and exotic mystery fakes her own death to escape the gallows. And now she must flee. In disguise and under a false identity, she finds unexpected sanctuary in the arms of a handsome and arrogant yet gallant British lord—who must defy society to keep her safe . . . and overcome a tragic past to claim her as his own.

Kate Westcott, a gifted American art student, has come to Florence to study Michelangelo. Exploring the cobbled streets of the Renaissance city with her fellow student Marco, Kate feels the pull of destiny. And when the two uncover a chamber in a corridor sealed since the time of the Medicis, they make a stunning discovery: Michelangelo’s Midnight Angels—three small, exquisite sculptures long rumored to exist but never before seen. It is the find of a lifetime—and the beginning of a nightmare. Pursued by criminals, suspected by the Rome Art Squad, and navigating the underground network of a secret society, Kate and Marco must use all their cunning to protect Michelangelo’s work—and their lives.

"In the Book of Dreams I just continue the same story but in the dreams I had of the real-life characters I always write about." Excerpt: WALKING THROUGH SLUM SUBURBS of Mexico City I'm stopped by smiling threesome of cats who've disengaged themselves from the general fairly crowded evening street of brown lights, coke stands, tortillas-Unmistakably going to steal my bag-I struggled a little, gave up-Begin communicating with them my distress and in fact do so well they end up just stealing parts of my stuff…. We walk off leaving the bag with someone-arm in arm like a gang to the downtown lights of Letran, across a field- Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Roa, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Scattered Poems, Visions of Cody, Pomes All Sizes, and Scripture of the Golden Eternity.

Poetic meditations on joy, consciousness, and becoming one with the infinite universe from the author of On the Road During an unexplained fainting spell, Beat Generation writer Jack Kerouac experienced a flash of enlightenment. A student of Buddhist philosophy, Kerouac recognized the experience as “satori,” a moment of life-changing epiphany. The knowledge he gained in that instant is expressed in this volume of sixty-six prose poems with language that is both precise and cryptic, mystical and plain. His vision proclaims, “There are not two of us here, reader and writer, but one golden eternity.” Within these meditations, haikus, and Zen koans is a contemplation of consciousness and impermanence. While heavily influenced by the form of Buddhist poems or sutras, Kerouac also draws inspiration from a variety of religious traditions, including Taoism, Native American spirituality, and the Catholicism of his youth. Far-reaching and inclusive, this collection reveals the breadth of Kerouac’s poetic sensibility and the curiosity, word play, and fierce desire to understand the nature of existence that make up the foundational concepts of Beat poetry and propel all of Kerouac’s writing.

Stanley is almost fifty. He hates his job, has an overbearing mother, and is in a failed relationship. Then he meets Asher, the man of his dreams, literally in his dreams. Asher is young, captivating, and confident about his future—everything Stanley is not. So, Asher gives Stan a gift. The chance to be an extra five years younger each time they meet. Some of their adventures are whimsical. A few are challenging. Others are totally surreal. All are designed to bring Stan closer to the moment his joyful childhood turned to tears. But when they fall in love, Stan knows he can’t live in Asher’s dreamworld. Yet he is haunted by Asher’s invitation to “slip into eternal sleep.”