This guide is a leaflet and not a book. https://www.tate.org.uk/whats-on/tate-modern/exhibition/olafur-eliasson/exhibition-guide. Olafur Eliasson In Real Life Tate Modern 2019-20 Exhibition Booklet / guide / leaflet. Folds out to a plan of the exhibition layout. Approximate size 15cm by 10.5cm.

Green Light is a project initiated by artist Olafur eliasson in collaboration with Thyssen-Bornemisza Art Contemporary, vienna. Conceived as a field of production and mutual learning, Green Light works with refugees, asylum seekers, migrants, and nGOs to fabricate an unlimited edition of fully functional lamps, which are geometric, stackable modules made from recyclable materials that are fitted with a welcoming green light. Providing fundraising and education opportunities, Green Light workshops first took place in vienna in 2016, and have since been hosted at the Moody Center for the Arts (Houston) and the 57th venice Biennale. The publication seeks to question and reflect on the project through testimonies, stories, and memories by the participants and founders as well as reflect on the relationship between culture and migration today. With more than twenty contributors including Atif Akin, Anas Aljajeh, Tarek Atoui, Tawab Baran, Ian Cion, Angela Dimitrakaki, and Olafur Green Light participants, among others.

A collection of 100 vegetarian recipes for the home cook that celebrates the communal spirit of cooking from the kitchen of internationally renowned artist Olafur Eliasson - who gathers his studio together every day for lunch to fuel the creative process. Beyond inspiration for shared meals, this book offers a glimpse into the work of his studio kitchen and its many visitors over the years. This is a wonderful book to sit with, page through, and be inspired by. It is also a book that chronicles the very real culinary experiences that take place in Olafur's studio on a daily basis. It is full of approachable recipes to make delicious, local, and seasonal food - whether for yourself, your family, a school, or even a ninety-person studio. Olafur implores us all do so, helping us to come back to our senses. Alice Waters.

This text looks at Scandinavian artist Olafur Eliasson's approach to the cavernous space of the Turbine Hall at Tate Modern. His work explores human perception of the world and the boundaries between nature, art and technology, and often combines elemental materials with modern technology.

An arresting volume to commemorate Olafur Eliasson’s latest work of installation art, featuring lush illustrations and unique insights from participating writers, photographers, and artists One of the most wide-ranging and ambitious creative minds of his generation, Icelandic-Danish artist Olafur Eliasson has produced a dizzying spectrum of work around the world. Perhaps best known in the United States for his 2008 New York City Waterfalls installation, his constant inventiveness and public projects have entranced huge numbers of people. Working in a variety of fields and media, there is no end to his creative ambition and the delight his works elicit. The title of the book and accompanying exhibition refers to the glaciers that formed the landscape around the installation’s site in Denmark, their traces still evident in the site’s topography and geology. The project does not end at the property boundaries, but incorporates the entire surrounding landscape. Five mirrors, ranging from a perfect circle to elongated ellipses, reflect the changing sky above and the contemplator’s own gaze as though in the surfaces of glacial pools. This publication offers a unique and highly detailed insight, captured over the course of four seasons, of this singular landscape. Working with geologists, landscape architects, and other specialists, Eliasson has created an outdoor space only a privileged few will ever see. This publication documents and enhances the work through photographs, essays, and collaborators who render the power of the project in images and words.

A masterful work of storytelling, a unique sculptural object created through a collaborative process between Visual Editions and author. A curiosity with the die-cut technique was combined with the pages' physical relationship to one another and how this could somehow be developed to work with a meaningful narrative. This led to Jonathan deciding to use an existing piece of text and cut a new story out of it - his favourite book, The Street of Crocodiles by Bruno Schulz. Writing, cutting and proto-typing has created a new story cut from the words of an old favourite.