In this biography of Max Evans, learn why Charles Champlin, Entertainment Arts editor emeritus, Los Angeles Times said, "Max Evans is one of these guys you can take anywhere . . . and still be ashamed of him."

The underground world of con men, winos, prostitutes, laborers, and artists has been an abundant source of material for great writers from Dickens to Bukowski. The underground world of Taos, New Mexico, is no different. In the late 1950s this mountain town was higher, brighter, poorer, and farther removed than London, Paris, or Los Angeles, but it was every bit as rich for the explorations of a young writer. Max Evans, the beloved New Mexican writer of such enduring classics of Western fiction as The Rounders and The Hi-Lo Country, returns to form with The King of Taos. Set in the late 1950s, the novel tells the stories of sharp-witted Zacharias Chacon, aspiring artist Shaw Spencer, and a circle of characters who drink, fight, love, argue, and—mostly—talk. Readers will enjoy this witty and moving evocation of unforgettable characters as they look for work, love, comfort, dignity, and bottomless oblivion.

A forgotten secret. A shocking discovery. A sacrifice of love that will bring Connor Evans to his knees. A story of hope and redemption from #1 New York Times bestselling author Karen Kingsbury. Airline pilot Connor Evans and his wife, Michele, seem to be the perfect couple living what looks like a perfect life. Then a plane goes down in the Pacific Ocean. One of the casualties is Kiahna Siefert, a flight attendant Connor knew well. Too well. Kiahna’s will is very clear: before her seven-year-old son, Max, can be turned over to the state, he must spend the summer with the father he’s never met, the father who doesn’t know he exists: Connor Evans. Now will the presence of one lonely child and the truth he represents destroy Connor’s family? Or is it possible for healing and hope to appear in the shape of a seven-year-old boy? “[Kingsbury’s] ability to accurately express life’s sorrows and grief through her characters’ inner dialogue rings true time and again.” —Publishers Weekly on Every Now & Then “Her emotionally charged novels often contain a strong romantic component and feature Christians at odds with their everyday world. This title is no exception. Recommend this one to readers who enjoy well-drawn characters and contemporary settings.” —Library Journal on The Baxters Take Four

Almost as famous for the legendary excesses of his personal life as for his films, Sam Peckinpah (1925–1984) cemented his reputation as one of the great American directors with movies such as The Wild Bunch and Pat Garrett and Billy the Kid. Max Evans, one of Peckinpah’s best friends, experienced the director’s mercurial character and personal demons firsthand. In this enthralling memoir we follow Evans and Peckinpah through conversations in bars, family gatherings, binges on drugs and alcohol, struggles with film producers and executives, and Peckinpah’s abusive behavior—sometimes directed at Evans himself. Evans’s stories—most previously unpublished—provide a uniquely intimate look at Peckinpah, their famous friends (including Lee Marvin, Brian Keith, Joel McCrea, and James Coburn), and the business of Hollywood in the 1960s and 1970s.

Madam Millie contains sordid details and frank language that will make many readers blush. It is unvarnished language, as recorded directly from Millie by Max Evans over a period of almost twenty years. It presents a complete picture of the business of prostitution as it was practiced in the west from the late 1920s to the mid 1970s, told by the most successful madam in the business.

Legendary western author Max Evans has spent his entire life working with cows and horses. These rangeland animals, and other creatures both domestic and wild, play pivotal roles in his stories. This magnificent collection, beautifully illustrated by cowboy artist Keith Walters, showcases twenty-six animal tales penned by Evans during his long and celebrated career. Both fiction and nonfiction, the stories in this collection get us inside the heads and hearts of numerous four-legged critters—dogs, horses, burros, goats, cattle, deer, coyotes, and more. “The Old One,” for example, shows us the world through the eyes of a prairie dog as she watches her latest litter of pups rolling and tumbling around the mound and thinks of all the things she will need to teach them. And in “The One-Eyed Sky,” an aging cow with a new calf and an old coyote with a litter to feed circle each other warily, trying to protect their young, until a rancher intervenes. Not one to shy away from difficult subjects, Evans also delves into the “animal nature” of human beings, as in “The Heart of the Matter,” where two Vietnam vets and friends kill a deer and then turn their rifles on each other. These captivating tales display Evans’s trademark mix of raucous humor and vivid, poetic descriptions of the high plains of West Texas and his beloved Hi-Lo Country in northeastern New Mexico. He reminds his readers of simpler times and more honorable people even as he evokes the merciless environment in which his characters, both animal and human, struggle to survive.

A memoir written by one of Edward Abbey's closest friends explores the life of the influential author and environmental activist.