The true story of two women who found meaning, strength, and friendship in one of the most punishing and magnificent landscapes on earth. Amy Butcher was an accomplished college professor, mentor, and writer, but in her own home, she was embarrassed and emotionally burdened by an increasingly abusive relationship. Exhausted and terrified of the ways her partner's behavior could escalate, Amy reached out to Instagram celebrity Joy "Mothertrucker" Wiebe. Joy was a fifty-year-old wife and mother and the nation's only female ice road trucker, a woman who maneuvered big rigs through the Alaskan wilderness along the deadliest road in America. Joy was everything Amy wanted to be: independent, fearless, and in charge of her life in a landscape dominated by men. Invited by Joy to ride shotgun, Amy found her escape on a road that was treacherous, beautiful, and exhilarating--an adventurous ride through the Alaskan wilderness that was profoundly life changing. Mothertrucker is the story of that bracing four-hundred-mile journey navigating snow-glazed overpasses, ice-blue curves, and near plummets. It's also the stories that led them both to Alaska--an interrogation of the reality of female fear, domestic violence, and how to overcome--and an exploration into just how galvanizing friendships between women can be.

The distinctive group of forty colleges profiled here is a well-kept secret in a status industry. They outdo the Ivies and research universities in producing winners. And they work their magic on the B and C students as well as on the A students. Loren Pope, director of the College Placement Bureau, provides essential information on schools that he has chosen for their proven ability to develop potential, values, initiative, and risk-taking in a wide range of students. Inside you'll find evaluations of each school's program and personality to help you decide if it's a community that's right for you; interviews with students that offer an insider's perspective on each college; professors' and deans' viewpoints on their school, their students, and their mission; and information on what happens to the graduates and what they think of their college experience. Loren Pope encourages you to be a hard-nosed consumer when visiting a college, advises how to evaluate a school in terms of your own needs and strengths, and shows how the college experience can enrich the rest of your life.

Confederate Currency Exhibition Catalogue is the companion book to the nationally acclaimed traveling exhibition by John W. Jones. The exhibition pairs images of enslaved Africans engraved on Confederate money with paintings inspired by the engravings.The popular exhibition has broken museum attendance records and has been critiqued and described in articles in 456 publications, including The New York Times, the Wall Street Journal and Time magazine. CNN, PBS and NPR.In the book, slaves are shown clearing farmlands, planting cotton, hoeing fields, picking cotton, baling cotton, carrying cotton, bringing cotton bales to the market, steamboats and trains. There are bank notes showing slaves cooking for their white masters in SC, picking sugar cane in Tennessee and Alabama, harvesting turpentine in Georgia, carrying tobacco in Texas, feeding a horse in Virginia, harvesting corn in Missouri, working in a factory in NC, and even working on a wheat farm for George Washington.This book is the first documentation of slavery on Confederate and Southern money in one collection, and is sure to become an indispensable reference work for paper money collectors. The introduction, five scholarly essays and time-line will interest historians, museum professional, students and general readers. It includes a free CD-ROM with images of hundreds of additional currencies that show depictions of slavery.

Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times, and as “the foremost poet-critic of our time” by Craig Dworkin, Charles Bernstein is a leading voice in American poetry. Near/Miss, Bernstein’s first poetry collection in five years, is the apotheosis of his late style, thick with off-center rhythms, hilarious riffs, and verbal extravagance. This collection’s title highlights poetry’s ability to graze reality without killing it, and at the same time implies that the poems themselves are wounded by the grief of loss. The book opens with a rollicking satire of difficult poetry—proudly declaring itself “a totally inaccessible poem”—and moves on to the stuff of contrarian pop culture and political cynicism—full of malaprops, mondegreens, nonsequiturs, translations of translations, sardonically vandalized signs, and a hilarious yet sinister feed of blog comments. At the same time, political protest also rubs up against epic collage, through poems exploring the unexpected intimacies and continuities of “our united fates.” These poems engage with works by contemporary painters—including Amy Sillman, Rackstraw Downes, and Etel Adnan—and echo translations of poets ranging from Catullus and Virgil to Goethe, Cruz e Souza, and Kandinsky. Grounded in a politics of multiplicity and dissent, and replete with both sharp edges and subtle intimacies, Near/Miss is full of close encounters of every kind.