Ohio in Photographs is a collection of stunning images that capture the texture of life in the Buckeye State. Two of the region's's leading landscape photographers, Ian Adams and Randall Lee Schieber, present a rich array of places and people from each of Ohio's eighty-eight counties. Divided into five regional chapters, the book includes scenes from urban and rural environments, from natural areas, historical sites, public gardens, cultural and sporting events, workplaces, and more. With chapter introductions by author John Fleischman, Ohio in Photographs is a can't-miss for any Ohioan at home or away.

Some buildings are famous. Others deserve to be, but in their modesty remain satisfied to stand simply as excellent works of architecture. Such is the case with Ohio State University School or Architecture's recently completed Knowlton School of Architecture. Designed by the internationally respected firmMack Scogin Merrill Elam, Knowlton manages to project both a monumental physicality and a sense of subdued elegance. Mack Scogin Merrill Elam Architects/Knowlton Hall provides acomprehensive look at this impressive new work using sketches, models, renderings, working drawings, and photographs. As with all of the books in the Source Books in Architecture series, it is accompanied by commentaries from the architects and critics who explore both the technical andcontextual elements of the work.

At the height of his career as the leader of the Hudson River School of American landscape painting, Thomas Cole listed himself in the New York City Directory as an architect. Why would this renowned painter, who had never before designed a building, advertise himself as such? The importance of Cole’s paintings and the significance of his essays, poems, and philosophy are well established, yet an analysis of his architectural endeavors and their impact on his painting has not been undertaken—until now. In celebration of the recreation of the artist’s self-designed Italianate studio at Cedar Grove in Catskill, New York, now the Thomas Cole National Historic Site, this book focuses on Cole’s architectural interests through architectural elements found in his paintings and drawings as well as in his realized and visionary projects, expanding our understanding of the breadth of his talents and interests. An essay by noted art historian Annette Blaugrund and a contribution by Franklin Kelly, illustrated with Cole’s famous works, sketches, and architectural renderings, reveal an unexplored, yet fascinating, aspect of the career of this beloved artist—and thus, a crucial moment in the development of the Hudson River School and American art. Published to coincide with the exhibition “Thomas Cole: The Artist as Architect” at the Thomas Cole National Historic Site and travelling to the Columbus Art Museum, the book adds a new dimension to scholarship on the artist.

The last place most 19th-century settlers wanted to move was the swampy, fever-ridden Toledo area. However, with the assistance of Irish and German immigrants, among others, Toledo was transformed from a village into a thriving city within 50 years. Captured here is the growth and expansion of the area through the indelible contributions of Toledo's architects. In 1850, Toledo had only 3,800 residents, but the introduction of canals and railroads quadrupled the population. Designated as the new county seat, major public buildings and hotels were built. Isaiah Rogers, one of the most famous architects in the nation, designed the Oliver House Hotel; Toledo's first architect, Frank Scott, planned many notable landscapes in the city as well as some of the most interesting houses; and designing almost every major commercial building in the city was Charles Crosby Miller. All of these, as well as David Stine and Edward Fallis, infused Toledo's pride into local landmarks of the past and present, including the Boody House, the Wheeler Opera House, the mansions of Collingwood Avenue, and the churches and breweries that complete Toledo's neighborhoods and downtown.