Part bestiary, part litany, part elegy, Rebecca Morgan Frank's Oh You Robot Saints! is populated by a strange menagerie of early automata and robots, including octobots and an eighteenth-century digesting duck, set alongside medieval mechanical virgins and robot priests. From a riveting robobee sonnet sequence that links weapons of war and industrial fixes for infertility to a microdrama sketching out a missing Sophocles play on the mythical bronze man, Talos, these muscular poems blur and sing the lines between machines and the divine. This lyrical exploration of the ongoing human desire to create life navigates wonder and grief, joining the uncanny investigation of what it is to be, to make, and to be made.

Poems from Rebecca Morgan Frank that show what can still be done with the bittersweet stuff of longing that gave the art of the lyric its original reason for being.

These masterful elegies follow the contours of a troubled mother-daughter relationship, explore the paradoxes of mourning, and relish the complicated joys of perseverance to map not only how one makes sense of the world but also how one reenters it after experiencing a transformative loss. Divided into four sections, this poignant collection begins with “Terra Inferna,” which chronicles a single mother’s attempt to raise her daughter in 1980s rural Georgia. “Terra Incognita” follows the daughter’s journey across states, out of devastating poverty, and into a loving marriage, as her mother loses her battle with colon cancer. In “Terra Nova,” the speaker meditates on her mother’s passing, her crisis of meaning turning to revelation of legacy’s love. “Terra Firma” brings closure, as the speaker reconciles her grief while rediscovering how to find joy in life’s small moments.

All Heathens is a declaration of ownership—of bodies, of histories, of time. Revisiting Magellan’s voyage around the world, these poems explore the speaker’s Filipino American identity by grappling with her relationship to her family and notions of diaspora, circumnavigation, and discovery. Whether rewriting the origin story of Eve (“I always imagined that the serpent had the legs of a seductive woman in black nylons”), or ruminating on what-should-have-been-said “when the man at the party said he wanted to own a Filipino,” Chan paints wry, witty renderings of anecdotal and folkloric histories, while both preserving and unveiling a self-identity that dares any other to try and claim it.

A heartwarming collection of short verse celebrating our beloved pets and the wonder of life Daniel Ladinsky is the internationally acclaimed poet known for his inspired, contemporary renderings of works by Hafiz, Rumi, St. Francis of Assisi, and poet-saints East and West. Patrick McDonnell is the venerated author, artist, and creator of the beloved MUTTS comic strip. In Darling, I Love You! these two artists have collaborated for the first time to create a delightful, universal collection of sweet, welcome-to-the-moment poems about the essential places animals and wonder hold in our lives and in our hearts, accompanied by line drawings of the illustrious MUTTS characters that readers have come to know and love. “Pet owners will chuckle knowingly about the way the speakers shift between simple observations and deeper statements . . . that remind us why humans need animals as much as they need us.” —The Washington Post

New Poetry

The vividly told, gloriously illustrated memoir of an artist born with disabilities who searches for freedom and connection in a society afraid of strange bodies “Golem Girl is luminous; a profound portrait of the artist as a young—and mature—woman; an unflinching social history of disability over the last six decades; and a hymn to life, love, family, and spirit.”—David Mitchell, author of Cloud Atlas WINNER OF THE BARBELLION PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS What do we sacrifice in the pursuit of normalcy? And what becomes possible when we embrace monstrosity? Can we envision a world that sees impossible creatures? In 1958, amongst the children born with spina bifida is Riva Lehrer. At the time, most such children are not expected to survive. Her parents and doctors are determined to "fix" her, sending the message over and over again that she is broken. That she will never have a job, a romantic relationship, or an independent life. Enduring countless medical interventions, Riva tries her best to be a good girl and a good patient in the quest to be cured. Everything changes when, as an adult, Riva is invited to join a group of artists, writers, and performers who are building Disability Culture. Their work is daring, edgy, funny, and dark—it rejects tropes that define disabled people as pathetic, frightening, or worthless. They insist that disability is an opportunity for creativity and resistance. Emboldened, Riva asks if she can paint their portraits—inventing an intimate and collaborative process that will transform the way she sees herself, others, and the world. Each portrait story begins to transform the myths she’s been told her whole life about her body, her sexuality, and other measures of normal. Written with the vivid, cinematic prose of a visual artist, and the love and playfulness that defines all of Riva's work, Golem Girl is an extraordinary story of tenacity and creativity. With the author's magnificent portraits featured throughout, this memoir invites us to stretch ourselves toward a world where bodies flow between all possible forms of what it is to be human. “Not your typical memoir about ‘what it’s like to be disabled in a non-disabled world’ . . . Lehrer tells her stories about becoming the monster she was always meant to be: glorious, defiant, unbound, and voracious. Read it!”—Alice Wong, founder and director, Disability Visibility Project