Previous ed. entitled: Offbeat bride: taffeta-free alternatives for independent brides, 2007.

#1 New York Times bestseller! Goodreads Choice Award for the best young adult novel of the year! In this sequel to the acclaimed Simon vs. the Homo Sapiens Agenda—now a major motion picture, Love, Simon—we follow Simon’s BFF Leah as she grapples with changing friendships, first love, and senior year angst. When it comes to drumming, Leah Burke is usually on beat—but real life isn’t always so rhythmic. She’s an anomaly in her friend group: the only child of a young, single mom, and her life is decidedly less privileged. She loves to draw but is too self-conscious to show it. And even though her mom knows she’s bisexual, she hasn’t mustered the courage to tell her friends—not even her openly gay BFF, Simon. So Leah really doesn’t know what to do when her rock-solid friend group starts to fracture in unexpected ways. With prom and college on the horizon, tensions are running high. It’s hard for Leah to strike the right note while the people she loves are fighting—especially when she realizes she might love one of them more than she ever intended. Plus don't miss Yes No Maybe So, Becky Albertalli's and Aisha Saeed's heartwarming and hilarious new novel, coming in 2020!

David Amram has been described as "the Renaissance man of American Music." His musical career has spanned participating with Jack Kerouac in the original jazz-poetry reading in 1957 in Greenwich Village to being honored as the first Composer-in-Residence for the New York Philharmonic and to playing in Farm Aid concerts. He's performed with an incredible variety of musical greats, such as Dizzy Gillespie, Thelonius Monk, Willie Nelson, and and Tito Puente, and he continues to compose and tour nationally. Now available in paperback, following the 50th anniversary of the publication of Kerouac's classic On The Road, Offbeat is the rollicking story of this legendary musician and his adventures with his close friend Jack Kerouac. Amram and Kerouac shared a relationship based on creativity, respect, and fun, and Offbeat offers the reader a full share of each. This wonderful memoir takes the reader from the coffee houses of New York to the San Francisco Opera House and into the making of the now-classic film Pull My Daisy. Offbeat is Amram's energetic and heartfelt account of Kerouac and the creative community of artists-including Allen Ginsberg, Gregory Corso, Langston Hughes, and Neal and Carolyn Cassady-that courageously explored their creative potential and, in doing so, changed American culture forever.

Offbeat continues the experimental poetic style of Robert Eldridge. In sharp contrast to his 2001 debut poetry-short story collection, Amber Spirit: Poems & Stories(Hats Off Books), this new collection sets a darker tone. Offbeat goes for the jugular and holds no remorse for its deep, sometimes Gothic themes and smash mouth way of expression. The book is comprised of poetry, skits, and a few off-the-wall interludes. Offbeat appeals to all the misfits, outcasts, and just plain unconventional who ride life off-center with a lot to say. It walks a tightrope between the sentimental, obnoxious, and demented expression.

Welcome to the seedy underbelly of nursery crime. From the New York Times bestselling author of the Thursday Next series comes a rollicking novel—“as if the Marx brothers were let loose in the children’s section of a strange bookstore” (USA Today). “A wonderfully readable riot . . . cleverly plotted, magically overstuffed yet amazingly digestible . . . [for] anyone who wants the thrill of a good crime novel larded with highly literate humor.”—The Wall Street Journal Meet Inspector Jack Spratt, family man and head of Reading’s Nursery Crime division. He’s investigating the murder of ovoid D-class nursery celebrity Humpty Dumpty, ex-convict and lover of women, found shattered to death beneath a wall in a shabby area of town. Yes, the big egg is down, and all those brittle pieces sitting in the morgue point to foul play. Spratt and his new partner, Sergeant Mary Mary, search through Humpty’s sordid past in hopes of finding the key to his death. Before long, Jack and Mary find themselves immersed in a bizarre case that reaches into the highest echelons of Reading society and business.

Cops everywhere have their stories. The retired police officers of the Oxnard Police Department are no exception. Like the stories told by officers anywhere, Oxnard PD's stories, too, seem to grow each time they are retold until few can offer an iron-clad guarantee that they are today the way the stories actually unfolded then. Some officers, however, offer an iron-clad guarantee that these stories reflect their current memory. Offbeat is a collection of their stories. In another sense, they represent the stories of all police departments everywhere for it is these stories that provide the perspective necessary for sanity in, at times, an insane world. Offbeat is the humor behind the badge.

For years there has been consensus about the merits of Britain’s ‘cult films’ — Peeping Tom, Witchfinder General, The Italian Job — but what of The Mark, Unearthly Stranger, The Strange Affair and The Squeeze? Revisionist critics wax lyrical over Get Carter and The Wicker Man, but what of Sitting Target, Quest for Love and The Black Panther? OFFBEAT redresses this imbalance by exploring Britain’s obscurities, curiosities and forgotten gems — from the buoyant leap in film production in the late fifties to the dying days of popular domestic cinema in the early eighties. Featuring essays, interviews and in-depth reviews, OFFBEAT provides an exhaustive, enlightening and entertaining guide through a host of neglected cinematic trends and episodes, including: • The last great British B-movies • ‘Anti-swinging sixties’ films • Sexploitation — from Yellow Teddy Bears to Emmanuelle in Soho • The British rock ‘n roll movie • CIA-funded British cartoons • Asylums in British cinema • The Children’s Film Foundation • The demise of the short as supporting feature • Val Guest, Sidney Hayers and the forgotten journeyman of British film • Swashbucklers, crime thrillers and other non-horror Hammers Now updated with more than 150 pages of new reviews and essays, featuring: • The Beatles in Colour! • The History of the AA Certificate • Ken Russell’s 1980s Films • Iris Murdoch’s A Severed Head • Curating Offbeat films in the Digital Age And much more!