All the best lines from the Saloon at the far-out edge of space-time! Off the Wall at Callahan's is a collection of epigrams, maxims, proverbs, observations, eye-watering puns, and original song lyrics distilled from the first five volumes of the Callahan's Place series (from Callahan's Crosstime Saloon to Lady Slings the Booze). After the original Callahan's Place was destroyed, all of these gems were painstakingly deciphered from blown-up old photos of the wall behind the bar, where Callahan let his customers scrawl graffiti in place of the usual mirror. So technically, every word is "off the wall." Further ennobled by numerous interior B&W illustrations by Phil Foglio, there are even capsule bios at the end for every person (real or imaginary) quoted in the graffiti section. Welcome to Callahan's Crosstime Saloon . . .There's no place like it in this, or any other, universe.

Callahan's Place is the neighborhood tavern to all of time and space, where the regulars are anything but. Pull up a chair, grab a glass of your favorite, and listen to the stories spun by time travelers, cybernetic aliens, telepaths...and a bunch of regular folks on a mission to save the world, one customer at a time.

Seventeen-year-old Mattie has a hidden obsession: escapology. Emphasis on hidden. If anyone from school finds out, she’ll be abandoned to her haters. Facing a long and lonely summer, Mattie finally seeks out Miyu, the reclusive daughter of a world-renowned escape artist. Following in Houdini’s footsteps, Miyu helps Mattie secretly transform herself into an escapologist and performance artist. When Will, a popular athlete from school, discovers Mattie’s act at an underground venue, Mattie fears her secret persona will be exposed. Instead of outing her, though, Will tells Mattie a secret not even his girlfriend knows. Through a blossoming friendship, the two must find a way to express their authentic selves. Told through the perspectives of the witty main characters, this funny and fresh debut explores the power of stage personas and secret spaces, and speaks to the uncanny ways in which friendships transform us.

"An atmospheric, compelling story of survival, tragedy, the enduring power of myth and memory, and the moments that change one's life." --Kristin Hannah, #1 New York Times bestselling author of The Four Winds "[An] enthralling and emotional tale...A story about strength and fate."--Woman's World “An epic novel that explores the metal of human spirit in crisis. It is an expertly told, fascinating story that runs fathoms deep on multiple levels.”—New York Journal of Books It was called "The Titanic of the South." The luxury steamship sank in 1838 with Savannah's elite on board; through time, their fates were forgotten--until the wreck was found, and now their story is finally being told in this breathtaking novel from the New York Times bestselling author of Becoming Mrs. Lewis. When Savannah history professor Everly Winthrop is asked to guest-curate a new museum collection focusing on artifacts recovered from the steamship Pulaski, she's shocked. The ship sank after a boiler explosion in 1838, and the wreckage was just discovered, 180 years later. Everly can't resist the opportunity to try to solve some of the mysteries and myths surrounding the devastating night of its sinking. Everly's research leads her to the astounding history of a family of eleven who boarded the Pulaski together, and the extraordinary stories of two women from this family: a known survivor, Augusta Longstreet, and her niece, Lilly Forsyth, who was never found, along with her child. These aristocratic women were part of Savannah's society, but when the ship exploded, each was faced with difficult and heartbreaking decisions. This is a moving and powerful exploration of what women will do to endure in the face of tragedy, the role fate plays, and the myriad ways we survive the surviving.

The discreet little bar that Jake Stonebender established a few blocks below Duval Street was named simply The Place. There, Fast Eddie Costigan learned to curse back at parrots as he played the house piano; the Reverend Tom Hauptman learned to tend bar bare-chested (without blushing), Long-Drink McGonnigle discovered the margarita and several señoritas, and all the other regulars settled into comfortable subtropical niches of their own. Nobody even noticed them save the universe. Over time, the twice-transplanted patrons of Callahan’s Place attracted a collection of local zanies so quintessentially Key West pixilated that they made the New York originals seem, well, almost normal. The elfin little Key deer, for instance--with a stevedore’s mouth; or the merman with eczema; or Robert Heinlein’s teleporting cat. For ten slow, merry years, life was good. The sun shone, the coffee dripped, the breeze blew just strongly enough to dissipate the smell of the puns, and little supergenius Erin grew to the verge of adolescence. Then disaster struck. Through the gate one sunny day came a malevolent, moronic, mastodon of a Mafioso named Tony Donuts Jr., or Little Nuts (don’t ask). He’d decided to resurrect the classic protection racket in Key West--and guess which tavern he picked to hit first? Then, thanks to very poor accessorizing (she chose the wrong belt--and no, we’re not going to explain that one), Jake’s wife, Zoey, suddenly found herself in a place with no light, no heat, and no air. And no way home. The urgent question was where--precisely where--but that turned out to be a problem so complex that even the entire gang, equipped with teleportation, time travel, and telepathic syntony (you can look it up) might not be able to crack it in time. And while all this was going on, Death himself walked into The Place. But this time he would not leave alone. . . .

‘Wynema’ (1891) is a novel by Native American writer Sophia Alice Callahan. Occupying the position as the first-ever novel written by a Native American woman, it is an important and gripping account of the hardships suffered by Native Americans, and further covers the infamous ‘Massacre at Wounded Knee’. When a married couple hears of the horrors at the battle of Wounded Knee, they decide to adopt a Native American orphan girl. But raising a Lakota girl in a white town influenced by Western values and Christianity inevitably leads to a clash of cultures. ́Wynema ́ is perfect for those interested in Native American history, as well as those familiar with Zitkala-Ša's ́American Indian Stories ́. Sophia Alice Callahan (1868 –1894) was a Native American novelist and teacher, best known for her novel, ‘Wynema’ (1891), which is the first novel written by a Native American woman. The book details the horrors of the battle at Wounded Knee and the treatment of Native Americans in 1890’s United States society. It has been declared a work of great historical importance and has been studied by scholars.