#1 New York Times bestseller! Goodreads Choice Award for the best young adult novel of the year! In this sequel to the acclaimed Simon vs. the Homo Sapiens Agenda—now a major motion picture, Love, Simon—we follow Simon’s BFF Leah as she grapples with changing friendships, first love, and senior year angst. When it comes to drumming, Leah Burke is usually on beat—but real life isn’t always so rhythmic. She’s an anomaly in her friend group: the only child of a young, single mom, and her life is decidedly less privileged. She loves to draw but is too self-conscious to show it. And even though her mom knows she’s bisexual, she hasn’t mustered the courage to tell her friends—not even her openly gay BFF, Simon. So Leah really doesn’t know what to do when her rock-solid friend group starts to fracture in unexpected ways. With prom and college on the horizon, tensions are running high. It’s hard for Leah to strike the right note while the people she loves are fighting—especially when she realizes she might love one of them more than she ever intended. Plus don't miss Yes No Maybe So, Becky Albertalli's and Aisha Saeed's heartwarming and hilarious new novel, coming in 2020!

Previous ed. entitled: Offbeat bride: taffeta-free alternatives for independent brides, 2007.

Off Beat: Pluralizing Rhythm draws attention to rhythm as a tool for analyzing various cultural objects. In fields as diverse as music, culture, nature, and economy, rhythm can be seen as a phenomenon that both connects and divides. It suggests a certain measure with which people, practices, and cultures may comply. Yet, for this very reason rhythm can also function as a field of exclusion, contestation, and debate. In that respect, rhythm possesses an underestimated meaning-creating potential. Whereas its connecting force is often accentuated in the aesthetic, political, and commercial usage of the term, the divisive aspect of rhythm is at least as important. This volume wants to rid rhythm of its harmless, nearly esoteric, reputation as a cosmic unifier by understanding it in the light of the contemporary medial turn. In the present collection of essays, we have encouraged approaches that combine political, aesthetic, musical, and theoretical dimensions of rhythm. Jan Hein Hoogstad is Assistant Professor in Comparative Literature and Cultural Analysis at the University of Amsterdam, the Netherlands. Birgitte Stougaard Pedersen is Associate Professor in the Section for Aesthetics and Culture, Department of Aesthetics and Communication, Aarhus University, Denmark.

Benji Moore is living his dream traveling as the lead singer of his band. His life would be perfect if he could get his boyfriend, Josh, to commit to an exclusive relationship. Even though Josh loves Benji, he has good reasons not to trust in long-term relationships. So Josh decides to take some time to himself and sublets a room at a friend’s beach house. But when he walks into the nearby Off Beat bar, he finds a bartender who may be a good distraction from his relationship problems. Van Holt doesn’t do anything deeper than sweaty one-night stands. But when Josh sets his sights on him, Van is surprised by their connection. Except Van also doesn’t do complicated, and the situation between Josh and Benji defines complicated. But the more time Van spends with them, the more he’s realizing how hard it would be to let Josh and Benji go. Can the three of them find a way together, or will they all end up going solo? Hot Licks is part of the Off Beat series by bestselling author A.M. Arthur

Everything is finally falling into place for Trey Cooper: his band has been accepted into one of the biggest music competitions in the country...too bad their drummer just quit to play with XYZ, their biggest rival. When Trey has a mind-blowingly hot hookup with a mysterious violinist, Trey definitely plans to see him again – just not on stage as a member of XYZ. Dominic Bounds’ time to make his musical dreams come true is running out. If something doesn’t happen fast, he has to head home to find a real job. This competition is his last chance, and Dom needs to come out on top – but he never expected to fall for his rival. As Dom and Trey risk everything to begin a secret affair, there’s no denying their chemistry is off the charts – but could their band rivalry turn their romance into a one-hit wonder?

After a tragic accident, Lincoln West’s dreams of making it big as a guitarist fell apart. Unable to play music, he’s battling a hopeless downward spiral, and takes his friend’s offer to stay at their beach house for the summer. While at an open mic night at local bar Off Beat, he locks eyes with a busboy who doesn’t make Linc feel so broken anymore. Emmett Westmore lives for the anonymity of busing tables in his aunt’s quirky bar where no one pities him for the fire that killed everyone he loved. He blames himself for the fire, and he doesn’t want anyone to see him—except for Linc. Emmett’s walls drop when he’s around the gorgeous blue-eyed guitarist, but he has a secret that could destroy his budding relationship with Linc. Both Linc and Emmett are looking for a way to live again...will they let their fears control them or take a chance on something real?

This memoir by the woman at the center of the Beat movement is “a great book as well as a wonderful autobiography” (The Washington Post Book World). Written by the woman who loved them all—as wife of Cassady, lover of Kerouac, and friend of Ginsberg—this riveting and intimate memoir spans one of the most vital eras in twentieth-century literature and culture, including the explosive successes of Kerouac’s On the Road and Ginsberg’s Howl, the flowering of the Beat movement, and the social revolution of the 1960s. Artist, writer, and designer Carolyn Cassady reveals a side of Neal Cassady rarely seen—that of husband and father, a man who craved respectability, yet could not resist the thrills of a wilder, and ultimately more destructive, lifestyle. “To the familiar history of the Beat generation, Carolyn Cassady adds a proprietary chapter marked with newness, self-exposure, love and poignancy.” —Publishers Weekly “Rich with gossip, historically significant photographs, intimate memories, [and] unpublished letters.” —The New York Times “A poignant recollection—truthful, coarse, and inviting—teeming with the spirit of the men who inspired and symbolized the dreams of a generation.” —San Francisco Chronicle