Until now the large body of socially focused Bengali literature has remained little known to Western readers. This collection includes some of the finest examples of Bengali short stories—stories that reflect the turmoil of a changing society traditionally characterized by rigid hierarchical structures of privilege and class differentiation. Written over a span of roughly ninety years from the early 1890s to the late 1970s, the twenty stories in this collection represent the work of five authors. Their characters, drawn from widely varying social groups, often find themselves caught up in tumultuous political and social upheaval.The reader encounters Rabindranath Thakur's extraordinarily spirited and bold heroines; Manik Bandyopadhyay's peasants, laborers, fisherfolk, and outcastes; and Tarashankar Bandyopadhyay's rural underclass of snake-charmers, corpse-handlers, stick-wielders, potters, witches, and Vaishnava minstrels. Mahasweta Devi gives voice to the semi-landless tribals and untouchables effectively denied the rights guaranteed them by the Constitution; Hasan Azizul Huq depicts the plight of the impoverished of Bangladesh.

This compelling social history uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country’s era of economic growth. Through vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, Mikiso Hane forces us to see Japan’s “modern century” (from the beginnings of contact with the West to World War II) through fresh eyes. In doing so, he mounts a formidable challenge to the success story of Japan’s “economic miracle.” Starting with the Meiji restoration of 1868, Hane vividly illustrates how modernization actually widened the gulf, economically and socially, between rich and poor, between the mo-bo and mo-ga (“modern boy” and “modern girl”) of the cities and their rural counterparts. He interlaces his scholarly narrative with sharply etched individual stories that allow us see Japan from the bottom up. We feel the back-breaking labor of a typical farm family; the anguish of poverty-stricken parents forced to send their daughters to Japan’s new mills, factories, and brothels; the hopelessness in rural areas scourged by famine; the proud defiance of women battling against patriarchy; and the desperation of being on strike in a company town, in revolt in the countryside, or conscripted into the army. This updated edition is enhanced by a substantive new introduction by Samuel H. Yamashita. By allowing the underprivileged to speak for themselves, Hane and Yamashita present us with a unique people’s history of an often-hidden world.

Uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country's booming economic growth.

This volume brings a variety of new approaches and contexts to modern and contemporary women’s writing. Contributors include both new and well-established scholars from Europe, Australia, the USA, and the Caribbean. Their essays draw on, adapt, and challenge anthropological perspectives on rites of passage derived from the work of Arnold van Gennep and Victor Turner. Collectively, the essays suggest that women’s writing and women’s experiences from diverse cultures go beyond any straightforward notion of a threefold structure of separation, transition, and incorporation. Some essays include discussion of traditional rites of passage such as birth, motherhood, marriage, death, and bereavement; others are interested in exploring less traditional, more fluid, and/or problematic rites such as abortion, living with HIV/AIDS, and coming into political consciousness. Contributors seek ways of linking writing on rites of passage to feminist, postcolonial, and psychoanalytic theories which foreground margins, borders, and the outsider. The three opening essays explore the work of the Zimbabwean writer Yvonne Vera, whose groundbreaking work explored taboo subjects such as infanticide and incest. A wide range of other essays focus on writers from Africa, the Americas, Asia, Australia, and Europe, including Jean Rhys, Bharati Mukherjee, Arundhati Roy, Jean Arasanayagam, Victoria Nalani Kneubuhl, and Eva Sallis. Rites of Passage in Postcolonial Women’s Writing will be of interest to scholars working in the fields of postcolonial and modern and contemporary women’s writing, and to students on literature and women’s studies courses who want to study women’s writing from a cross-cultural perspective and from different theoretical positions. Contributors: Lizzy Attree, Lopamudra Basu, Katrin Berndt, Gay Breyley, Helen Cousins, Tanya Dalziell, Alexandra Dumitrescu, Anna Gething, Jessica Gildersleeve, Sharanya Jayawickrama, Kimberley M. Jew, Polina Mackay, Alexandra W. Schultheis, Rachel Slater, Irene Visser.

This book presents an informative examination of how the issue of women’s land rights has been dealt with both in Indian literature, particularly Indian English fiction, and in Indian society. The human rights of women are a revolutionary notion that has opened the way for the definition, analysis, and articulation of women’s experiences of widespread violence, degradation, discrimination, and marginality. Globally, women’s land rights are becoming an area of increasing urgency and concern as discrimination against women over land, property and inheritance rights continues to keep them in a subordinate position even today. Land empowers, and equality in land rights is an indicator of women’s economic empowerment and at the same time helps in poverty reduction. Many Indian writers, especially Indian English women novelists, have dealt with issues of land, dispossession, hunger and poverty in rural India in particular, but none have explicitly referred to women’s land rights. For men, land is an essential element of their identity as ‘provider’, but for women it is a demand for recognition as a human being. However, women in India are rarely landowners, and in most Indian families women do not own any property in their own names. They are usually refused a share in the paternal property, although, according to the Indian Succession Act, 1925, everyone is entitled to equal inheritance. Unfortunately in India, law and society conspire to deny women their right to land ownership, although there have been several legal amendments to redress this gender inequality. This book deals with the gap that lies between women’s land rights in India and the actual ownership of land.

How do we define 'culture?' In this volume, Adam Muller brings together contributions from established and emerging scholars in a number of different disciplines who each examine the concept of culture as it is understood and deployed within their respective fields.