A beautiful lady who can only be seen from far away, a machine that generates an entire civilization, a king who loves the hidden life of an inanimate statue, a city that appears once a year across a great chasm, an ancient Korean king assassinated in the dark of the night, a ghost that haunts soldiers on the DMZ - these are just some of the marvels you will encounter in these stories from the transcultural and metafictional imagination of Minsoo Kang. In diverse narratives grouped under the titles of Tales from a Lost History, Fables of the Dream World, and Stories from an Imaginary Homeland, Kang explores the nature and possibilities of storytelling itself as he spins out variations on an episodic theme, reinterprets an old myth, and struggles with a past that seeks a voice in the present. The result is a marvelously surrealistic landscape where histories, ideas, and legends freely intermingle and dance to the music of wonder and longing.

The delightful tales and theatrical drawings of Edward Gorey (American, 1925-2000) reflect a special kind of genius for what is left unwritten and unseen. In Gorey's vaguely Victorian world of well-tended gardens and opulent estates, smoke-belching factories and fog-shrouded streets, nothing seems certain or quite as it should be. Chaos lurks just beneath life's tidy surface, occasionally erupting in surprising events with unexpected, often horrific consequences. But when tragedy befalls Gorey's quirky cast of characters-hapless waifs, dusty dowagers, scheming tycoons, and unhinged maidens-somehow we can't keep from laughing. Far from casting us into the abyss, Gorey reminds us to contemplate mortality with a smile. In Elegant Enigmas: The Art of Edward Gorey, more than 175 reproductions include samples from Gorey's books, illustrations produced for other writers, theatrical sets and costume designs, and a wealth of individual pieces, many never before published. Sketches, typewritten manuscripts, doodles, and musings join the generous selection of finished works. Published on the occasion of the first retrospective of Edward Gorey's work, at the Brandywine River Museum, Elegant Enigmas is a tribute to a master artist and writer, who with murderously dry humor created a body of work singular in its brilliance and charm.

From the dawn of European civilization to the twentieth century, the automaton—better known today as the robot—has captured the Western imagination and provided a vital lens into the nature of humanity. Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these ideas and examine how they were transformed by intellectual, cultural, and artistic appearances of the automaton throughout the history of the West. Kang tracks the first appearance of the automaton in ancient myths through the medieval and Renaissance periods, marks the proliferation of the automaton as a central intellectual concept in the Scientific Revolution and the subsequent backlash during the Enlightenment, and details appearances in Romantic literature and the introduction of the living machine in the Industrial Age. He concludes with a reflection on the destructive confrontation between humanity and machinery in the modern era and the reverberations of the humanity-machinery theme today. Sublime Dreams of Living Machines is an ambitious historical exploration and, at heart, an attempt to fully elucidate the rich and varied ways we have utilized our most uncanny creations to explore essential questions about ourselves.

In the tradition of Caleb Carr’s The Alienist and Eric Larsen’s The Devil in the White City comes The Paris Enigma, a gripping tale of murder and the art of crime solving. Written in a strikingly original voice, and poignantly evoking a world about to lose its innocence forever, The Paris Enigma features two detectives who find themselves in a race against time around glorious fin de siècle Paris, encountering all manner of secret societies and solving philosophical puzzles, while also trying to save a dangerously beautiful woman.

Did the illustrious Hoysala king, Vishnuvardhana, create a fictional tale about his dynasty’s founder? Is Bengaluru’s Kadlekai Parishe a wholly British invention with no roots to the City’s founding years? Acutely aware of their inferior status in the royal hierarchy, did the Wodeyars use the origin stories they had fabricated two centuries earlier to enter into matrimonial alliances in north India? Is the greatest icon of temple-building in Karnataka, Jakanacharai, a mere legend? Did Ramanuja, the famed Vishishtadvaita philosopher, order the disfigurement of the Gommateshwara statue to achieve narrow religious ends? The construct of Indian history is embellished with its fair share of assumptions and glaring omission of facts; much of it infused with bias. To add to the conundrum, many a time, our forebears in Karnataka devised their own version of events that were often steeped in legend. This propensity for myth-making tossed accuracy into a grey area, which gave birth to a wealth of enigmas in its wake. Backed by insights from esteemed scholars, this book aims to separate fiction from fact. Unlock the hidden truths behind hoary myths and legends shrouded in the mists of time. The reality of history as you know it will stagger you.

Einstein shocked the world by revealing that time can be different for different observers. This book offers a possible explanation of why it is so. It offers a never-attempted-before approach to understand the secret of time. As we all know, there is an intimate relationship between time and age of objects. But what is this relationship? The author dives deep into the possible relationships between time and age of objects- animate or inanimate- and, in turn, emerges with a novel concept of time- time is a measurement of age. The book proposes that time is acquired by age, not required for it; and thus, time is an acquired property of objects. The author also proposes that just as length, width and height are the measurements of physical extensions of objects (their three spatial dimensions) and not any independent entities; time too, being the measurement of their age, is not independent of objects. In this sense, time seems to be the fourth dimension of objects instead of space. The book attempts to justify its hypothesis by testing its compatibility with Theory of Relativity. Also discussed is the meaning of the so called passage of time and the arrow of time on the basis of the model of time proposed here. The meaning of the much debated concept of time-travel is thoroughly discussed here and it is proposed that this concept, in the sense that we usually take, is a myth. Even if you can manage to reach your future by overcoming all technological limitations (as we all know, theory of relativity allows it), all your friends will be there with you, witnessing the same future. The only difference will be- your clocks will not agree with those of your friends.

A collection of classic mysteries from around the world including those that are enigmatic, ancient riddles or oddities in the skies.