A beautifully designed introduction to art history by way of artworks that feature the mouse—from the ancient world to drawings by Picasso, Disney, and Art Spiegelman. Across centuries and civilizations, artists have used the mouse—the planet’s most common mammal after us—to illustrate our myths and beliefs. Mice have appeared as Japanese symbols of good luck or medieval emblems of evil, in Arab fables, Russian political satire and Nazi propaganda, as scientific tools and to help us challenge the way we see nature. With more than 80 rarely reproduced works—including paintings by Hieronymus Bosch and Gustav Klimt, a silkscreen by Andy Warhol, a print by Hokusai, a photograph by André Kertész, a sculpture by Claes Oldenburg, a video installation by Bruce Nauman, a performance by Joseph Beuys, and many more—Lorna Owen has created an engaging presentation of an extraordinary range. The pieces, which represent every period of visual art, are accompanied by Owen’s intriguing text about the story behind each work. She has combined her passion for art and her empathy for the unsung archetype of the animal kingdom to explain not only how or why the artist came to use the mouse as a subject, but how the art, in the end, reveals more about us than it could ever reveal about this humble creature.

Song- and dance-loving Thelonious the hipster mouse cannot keep himself from taunting the cat of the house, but it turns out he and the cat can make beautiful music together.

"A hilarious book about the city vs. suburb divide." --New York Post, a Must-Read Book "City Mouse is a sharp and sophisticated novel of suburban life with a narrative voice that is equal parts witty, observant, and vulnerable. A wonderful debut! --Susan Isaacs, New York Times best-selling author "For every city mom who fears death by suburbia--and for every suburban mom who wonders if it's just her--this insightful, funny trip into the secrets behind those picket fences is required reading." --Maureen Sherry, author of Opening Belle "City Mouse reminds mothers of that priceless lesson: the grass is always greener...and maybe even alcohol-soaked Astroturf. I tore through this book like a bored, competitive housewife tears through her Xanax." --Faith Salie, author of Approval Junkie "Lender sharply portrays the corrupt privilege of upper-middle-class suburbanites, and with a twist of her pen, the Stepford Wives take the upper hand over their husbands...the climactic explosion takes everyone by surprise. A bracingly tart portrait of suburban hell." --Kirkus Reviews "Lender's enlightening, beautifully plotted novel dives deep into the notion of having it all while playing with the shallow notions of the American dream." --Publishers Weekly "This defines a beach read for me! So relatable to our own lives as it is all about mom trying to find out exactly where she fits in the in the scheme of suburbia--all that goes along with it. Plus, when a book is described as The Stepford Wives meets Bad Moms, how can you go wrong?" --Mom of the Year (blog), included in 20 Best Summer Books "It's not long before neighborhood secrets give away to scandal, proving the grass--and the Astroturf--isn't always greener on the other side of the white-picket fence." --Star Magazine "With real estate prices on the rise, Jessica, Aaron, and their kids are forced to ditch their chichi Manhattan digs for the suburbs. Though she had her worries, Jessica settles into her new normal with ease--but when she embarks on a moms-only trip with her new galpals, she ends up learning a few eye-opening lessons that spur her to reevaluate her life." --OK! Magazine "Lender's debut novel is positively irresistible. It's hilarious and insightful and just the type of book any city girl needs to tote to her vacation rental this summer...even with three kids in tow." --Daytime Confidential Priced out of their Manhattan neighborhood, Jessica and Aaron move with their young daughters to the one place Jessica swore she'd never go: the suburbs. But to Jessica's surprise, life in the commuter belt makes a great first impression. She quickly falls in with a clique of helpful mom friends who welcome her with pitchers of margaritas, neighborhood secrets, and a pair of hot jeans that actually fit. Still, it's hard to keep up in a crowd where everyone competes for the most perfectly manicured home and latest backyard gadgets. And what's worse, as the only working mom in her circle, Jessica sometimes feels disconnected and alone. So she's thrilled when she's invited to a moms-only weekend at the beach, which she assumes will mean new opportunities for real talk and bonding. Instead, the trip turns into a series of eye-opening lessons, and Jessica must decide if she's strong enough to be honest with herself about the sort of life she really wants.

"A virtuosic, witty, charming translation of the greatest epic ever written about mice, with wonderful illustrations by Grant Silverstein. Stallings’ elegant rhyming couplets are the perfect choice to honor the mousy Muse."—Emily Wilson, Professor of Classics, University of Pennsylvania From the award-winning poet and translator A. E. Stallings comes a lively new edition of the ancient Greek fable The Battle between the Frogs and the Mice. Originally attributed to Homer, but now thought to have been composed centuries later by an unknown author, The Battle is the tale of a mouse named Crumbsnatcher who is killed by the careless frog King Pufferthroat, sparking a war between the two species. This dark but delightful parable about the foolishness of war is illustrated throughout in striking drawings by Grant Silverstein. The clever introduction is written from the point of view of a mouse who argues that perhaps the unknown author of the fable is not a human after all: “Who better than a mouse, then, to compose our diminutive, though not ridiculous, epic, a mouse born and bred in a library, living off lamp oil, ink, and the occasional nibble of a papyrus, constantly perched on the shoulder of some scholar or scholiast of Homer, perhaps occasionally whispering in his ear? Mouse, we may remember, is only one letter away from Muse.” "[Stallings] couplets . . . have a lively, nimble music that should captivate modern ears . . . Providing an earthy, oboe-like obligato to Ms. Stallings's airs are the illustrations of Grant Silverstein, cross-hatched sketches that multiply like mice on the page . . . The Battle, in which beans are happily worn rather than eaten, still has the power to delight."—Wall Street Journal A. E. Stallings is an American poet who has lived in Athens, Greece since 1999. She studied Classics at the University of Georgia, and later at Oxford University. She has published four collections of poetry, Archaic Smile (which won the 1999 Richard Wilbur Award), Hapax (recipient of the Poets’ Prize), Olives (a finalist for the National Book Critics Circle Award), and Like (a finalist for the Pulitzer Prize in Poetry). Her translation of Lucretius (into rhyming fourteeners), The Nature of Things, was called by Peter Stothard in the TLS “One of the most extraordinary classical translations of recent times.” Grant Silverstein is an American artist who specializes in etchings of a narrative character and in studies of figures, landscapes, and animals. With his wife and two cats, he spends winters holed up in his studio in rural Pennsylvania, where he uses a catch and release system for visiting mice and the occasional frog. Come spring, he ventures forth to display his work at outdoor festivals; he feels fortunate to have made his living this way for forty years. He has illustrated two previous Paul Dry Books titles, Davey McGravy by David Mason and The Verb 'To Bird' by Peter Cashwell.

A fascinating examination of the ambitions and friendships of a talented group of midcentury women artists Farewell to the Muse documents what it meant to be young, ambitious, and female in the context of an avant-garde movement defined by celebrated men whose backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s, and 1950s, Whitney Chadwick charts five female friendships among the Surrealists to show how Surrealism, female friendship, and the experiences of war, loss, and trauma shaped individual women’s transitions from someone else’s muse to mature artists in their own right. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the front line. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington’s lover Max Ernst and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s. This history brings a new perspective to the political context of Surrealism as well as fresh insights on the vital importance of female friendship to its progress.

The average contemporary English speaker knows 50,000 words. Yet stripped down to its origins, this apparently huge vocabulary is in reality much smaller, derived from Latin, French and the Germanic languages. It is estimated that every year, 800 neologisms are added to the English language: acronyms (nimby), blended words (motel), and those taken from foreign languages (savoir-faire). Laid out in an A-Z format with detailed cross references, and written in a style that is both authoritative and accessible, Word Origins is a valuable historical guide to the English language.

Walter Skeat (1835-1912) was one of the greatest investigators of the roots of the English language, and his remarkable scholarship was instrumental in the revival of the great works of early English Literature. His astonishing detective work into the origins and development of the world's most widely used language provides an unsurpassed guide to its flexibility and richness.