Stories are fascinating little bits of history that play out in several ways. Sometimes they are reflected as kaleidoscopic refractions that catch one’s attention fleetingly and at other times a string of experiences that stay forever. Long forgotten dreams, is an endeavour to showcase the alluring tug that I always felt especially as a child which unfolds even today when a story either stirs my soul, gets me thinking or takes me on intriguing flights of fancy. Punctuating these experiences was the persistent urge to share the ‘feeling of feeling a story’. A good story strikes like a bolt of lightning, yanking one out of eons of slumber, or perhaps light as a feather it leaves an imprint that surfaces every now and then. Reminiscing and retracting: reimagining and refurbishing is the bedrock of all the stories in this collection of Long forgotten Dreams ensuring that the reader reaches a destination of choice as they maneuver through its intrepid pages. Life is more often than not a Catch 22 situation: therefore 22 short stories have been carefully written, shaped and culled out of the threads intricately entwined in my heart and mind; each unique and independent in its own way yet with a very distinct thread running through them: holding all the independent and fiercely different characters together; sometimes places calling out loud and clear, sometimes just subtly making sure the reader notices the change, the fluttering heart, the quietude of a moment and the solemn and surreal, woven like an elaborate flying silk carpet that touches the clouds, bounces upon the rainbow and quietly sails away…

Offers not only an analytical study of the films of Herzog, perhaps the most famous living German filmmaker, but also a new reading of Romanticism's impact beyond the nineteenth century and in the present.

*** This is the story of the great lost Beatles album. The end of the Beatles wasn't inevitable. It came through miscommunication, misunderstandings and missed opportunities to reconcile. But what if it didn't end? What if just one of those chances was taken, and the Beatles carried on? What if they made one last, great album? In Like Some Forgotten Dream, Daniel Rachel - winner of the prestigious Penderyn Music Book Prize - looks at what could have been. Drawing on impeccable research, Rachel examines the the Fab Four's untimely demise - and from the ashes compiles a track list for an imagined final album, pulling together unfinished demos, forgotten B-sides, hit solo songs, and arguing that together they form the basis of a lost Beatles masterpiece. Compelling and convincing, Like Some Forgotten Dream is a daring re-write of Beatles history, and a tantalising glimpse of what might have been. Praise for Daniel Rachel: Walls Come Tumbling Down: 'Superlative...brilliant' - Q Magazine 'Triumphant' - The Guardian 'Brilliant' - Mojo Isle of Noises: 'In depth, scholarly' - Q Magazine 'Fascinating' - The Guardian / NME 'Fantastic, insightful interviews' - Noel Gallagher Don't Look Back in Anger: 'A-grade, A-list' - The Sunday Times 'A rollicking read' - Mail on Sunday 'Remarkable' - Art Review 'Book of the Week' - The Guardian

Is a sound an object, an experience, an event, or a relation? What exactly does the emerging discipline of sound studies study? Sound Objects pursues these questions while exploring how history, culture, and mediation entwine with sound’s elusive objectivity. Examining the genealogy and evolution of the concept of the sound object, the commodification of sound, acousmatic listening, nonhuman sounds, and sound and memory, the contributors not only probe conceptual issues that lie in the forefront of contemporary sonic discussions but also underscore auditory experience as fundamental to sound as a critical enterprise. In so doing, they offer exciting considerations of sound within and beyond its role in meaning, communication, and information and an illuminatingly original theoretical overview of the field of sound studies itself. Contributors. Georgina Born, Michael Bull, Michel Chion, Rey Chow, John Dack, Veit Erlmann, Brian Kane, Jairo Moreno, John Mowitt, Pooja Rangan, Gavin Steingo, James A. Steintrager, Jonathan Sterne, David Toop

The spirit that founded the volume and guided its development is radically inter- and transdisciplinary. Dispatches have arrived from anthropology, communications, English, film studies (including theory, history, criticism), literary studies (including theory, history, criticism), media and screen studies, cognitive cultural studies, narratology, philosophy, poetics, politics, and political theory; and as a special aspect of the volume, theorist-filmmakers make their thoughts known as well. Consequently, the critical reflections gathered here are decidedly pluralistic and heterogeneous, inviting—not bracketing or partitioning—the dynamism and diversity of the arts, humanities, social sciences, and even natural sciences (in so far as we are biological beings who are trying to track our cognitive and perceptual understanding of a nonbiological thing—namely, film, whether celluloid-based or in digital form); these disciplines, so habitually cordoned off from one another, are brought together into a shared conversation about a common object and domain of investigation. This book will be of interest to theorists and practitioners of nonfiction film; to emerging and established scholars contributing to the secondary literature; and to those who are intrigued by the kinds of questions and claims that seem native to nonfiction film, and who may wish to explore some critical responses to them written in engaging language.

The most sacred journey we will ever take is to seek and then live our own dreams. We always have had dreams. Children freely dream and joyfully create and explore them. We tell children that if They Dream It---They Can Do It! Now it is our turn to show that same faith and trust. If we are Dreaming It- We can Do It! Each dream, whether small, medium or large has the power to enrich our lives and gift us with joy. So why not Do It? This book is about that spiritual journey. First, we must be ready to Dream again. We have to be open to the process and the steps involved. We need to be Open to the idea that this will work for us. Then, we take the next step. We need to become willing to understand the process of Dream Weaving, Dream Catching, Dream Chasing and finally Dream Doing. The third step is to become able to manifest our personal Dreams. This step is about living in our world and understanding what we need to do to walk through our fear and get it done. Dream Do or Dream Destroy: The choice is ultimately yours. Here’s Praying that you choose to Dream Do! Happy Journey.

This book helps and motivates doctors facing or contemplating leaving the profession. It offers simple but comprehensive strategies, resources and reflections to explore where they are, where they want to be, how to get there, and how to lead a content and fulfilling life if and when they do leave medicine.