Reading, writing and the prosecution of warfare went hand in hand in the fifteenth century, demonstrated by the wide circulation and ownership of military manuals and ordinances, and the integration of military concerns into a huge corpus of texts; but their relationship has hitherto not received the attention it deserves, a gap which this book remedies, arguing that the connections are vital to the literary culture of the time, and should be recognised on a much wider scale. Beginning with a detailed consideration of the circulation of one of the most important military manuals in the Middle Ages, Vegetius' De re militari, it highlights the importance of considering the activities of a range of fifteenth-century readers and writers in relation to the wider contemporary military culture. It shows how England's wars in France and at home, and the wider rhetoric and military thinking those wars generated, not only shaped readers' responses to their texts but also gave rise to the production of one of the most elaborate, rich and under-recognised pieces of verse of the Wars of the Roses in the form of 'Knyghthode and bataile'. It also indicates how the structure, language and meaning of canonical texts, including those by Lydgate and Malory, were determined by the military culture of the period.

Wakelin uses new methods and theories in the history of reading to uncover fresh information about the design, ownership, and marginalia of books in a neglected period in English literary history. This is the first book to identify the origins of the humanist tradition in England in the 15th century.

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW

War was epidemic in the late Middle Ages. It affected every land and all peoples from Scotland and Scandinavia in the north to the southern Mediterranean Sea coastlines of Morocco, North Africa, Egypt, and the Middle East in the south, from Ireland and Spain in the west to Russia and Turkey in the east. Nowhere was peaceful for any significant amount of time. The period also saw significant changes in military theory and practice which altered the ways in which campaigns were conducted, battles fought, and sieges laid; and changes in the leadership, recruitment, training, supply and financing of armies. There were changes in the relationship between those waging warfare, from generals to irregular troops, and the society in which they lived and for or against which they fought; the frequency of popular rebellions and the participation in them by townspeople and peasants; changes in the desire to undertake Crusades, and changes in technology, including but not limited to gunpowder weapons. This collection gathers together some of the best published work on these topics. The first section of seven papers show that throughout Europe in the later Middle Ages generals led and armies followed what are usually defined as "modern" strategy and tactics, contrary to popular belief. The second part reprints nine works that examine the often neglected aspects of the process of putting and keeping together a late medieval army. In the third section the authors discuss various ways that warfare in the fourteenth and fifteenth century affected the society of that period. The final sections cover popular rebellions and crusading.

During and after the Hundred Years War, English rulers struggled with a host of dynastic difficulties, including problems of royal succession, volatile relations with their French cousins, and the consolidation of their colonial ambitions toward the areas of Wales and Scotland. Patricia Ingham brings these precarious historical positions to bear on readings of Arthurian literature in Sovereign Fantasies, a provocative work deeply engaged with postcolonial and gender theory. Ingham argues that late medieval English Arthurian romance has broad cultural ambitions, offering a fantasy of insular union as an "imagined community" of British sovereignty. The Arthurian legends offer a means to explore England's historical indebtedness to and intimacies with Celtic culture, allowing nobles to repudiate their dynastic ties to France and claim themselves heirs to an insular heritage. Yet these traditions also provided a means to critique English conquest, elaborating the problems of centralized sovereignty and the suffering produced by chivalric culture. Texts such as Sir Gawain and the Green Knight, the Alliterative Morte Arthure, and Caxton's edition of Malory's Morte Darthur provide what she terms a "sovereign fantasy" for Britain. That is, Arthurian romance offers a cultural means to explore broad political contestations over British identity and heritage while also detailing the poignant complications and losses that belonging to such a community poses to particular regions and subjects. These contestations and complications emerge in exactly those aspects of the tales usually read as fantasy-for example, in the narratives of Arthur's losses, in the prophecies of his return, and in tales that dwell on death, exotic strangeness, uncanny magic, gender, and sexuality. Ingham's study suggests the nuances of the insular identity that is emphasized in this body of literature. Sovereign Fantasies shows the significance, rather than the irrelevance, of medieval dynastic motifs to projects of national unification, arguing that medieval studies can contribute to our understanding of national formations in part by marking the losses produced by union.

Vegetius' late Roman text became a well-known and highly respected 'classic' in the Middle Ages, transformed by its readers into the authority on the waging of war. Christopher Allmand analyses the medieval afterlife of the De Re Militari, tracing the growing interest in the text from the Carolingian world to the late Middle Ages, suggesting how the written word may have influenced the development of military practice in that period. While emphasising that success depended on a commander's ability to outwit the enemy with a carefully selected, well-trained and disciplined army, the De Re Militari inspired other unexpected developments, such as that of the 'national' army, and helped create a context in which the role of the soldier assumed greater social and political importance. Allmand explores the significance of the text and the changes it brought for those who accepted the implications of its central messages.

This book explores the late medieval English cults which evolved around 'political martyrs'. By examining these cults the richness of political culture is revealed, and insights offered into the ways in which belief, worship, social and civic identities, and political language and practice were continuously constructed and re-constructed.