Weve all had nightmares. But what if you started to believe your scary dreams were somehow related to a series of grisly murders? Ethnobotanist Gareth McKenna faces just such a dilemma. In Of Blood and Blackwater, he struggles to piece together nightmares he cant quite remember. Dreams that leave him thinking of the years he spent living with an indigenous Amazon tribe. When a curare-laced dart recovered at one of the crime scenes matches the analytical fingerprint from a sample he collected years earlier in the Amazon, Gareth finds himself the lone suspect. His life begins to crumble as his name surfaces in the press. With nowhere else to turn, Gareth must do the unthinkable; he must look beyond science and trust in the strange dreams that offer the only clues to the killers identity. He travels back to the Amazon, and deep in the rainforest, makes a chilling discovery. One that sends him racing home, desperate to stop a brutal murderer intent on destroying his family.

A Globe and Mail Top 100 Book of the Year A Quill & Quire Book of the Year A CBC Books Nonfiction Book of the Year A Maclean’s 20 Books You Need to Read this Winter “An instant classic that demands to be read with your heart open and with a perspective widened to allow in a whole new understanding of family, identity and love.” —Cherie Dimaline In this bestselling memoir, a son who grew up away from his Indigenous culture takes his Cree father on a trip to the family trapline and finds that revisiting the past not only heals old wounds but creates a new future The son of a Cree father and a white mother, David A. Robertson grew up with virtually no awareness of his Indigenous roots. His father, Dulas—or Don, as he became known—lived on the trapline in the bush in Manitoba, only to be transplanted permanently to a house on the reserve, where he couldn’t speak his language, Swampy Cree, in school with his friends unless in secret. David’s mother, Beverly, grew up in a small Manitoba town that had no Indigenous people until Don arrived as the new United Church minister. They married and had three sons, whom they raised unconnected to their Indigenous history. David grew up without his father’s teachings or any knowledge of his early experiences. All he had was “blood memory”: the pieces of his identity ingrained in the fabric of his DNA, pieces that he has spent a lifetime putting together. It has been the journey of a young man becoming closer to who he is, who his father is and who they are together, culminating in a trip back to the trapline to reclaim their connection to the land. Black Water is a memoir about intergenerational trauma and healing, about connection and about how Don’s life informed David’s own. Facing up to a story nearly erased by the designs of history, father and son journey together back to the trapline at Black Water and through the past to create a new future.

Blackwater is the saga of a small town, Perdido, Alabama, and Elinor Dammert, the stranger who arrives there under mysterious circumstances on Easter Sunday, 1919. On the surface, Elinor is gracious, charming, anxious to belong in Perdido, and eager to marry Oscar Caskey, the eldest son of Perdido's first family. But her beautiful exterior hides a shocking secret. Beneath the waters of the Perdido River, she turns into something terrifying, a creature whispered about in stories that have chilled the residents of Perdido for generations. Some of those who observe her rituals in the river will never be seen again ... Originally published as a series of six volumes in 1983, Blackwater is the crowning achievement of Michael McDowell, author of the Southern Gothic classics Cold Moon Over Babylon and The Elementals and screenwriter of Beetlejuice and The Nightmare Before Christmas. This first-ever one-volume edition, with a new introduction by Shirley Jackson Award-winning author Nathan Ballingrud, marks Blackwater's first appearance in print in three decades and will allow a new generation of readers to discover this modern horror classic.

Keira Blackwater is human. She owns a classic car shop, hangs out with her two best friends, and goes clubbing on Friday nights. Her life is pretty typical for a twenty-two year old living in a world where supernaturals live out in the open. Except for one little thing...her blood. It alone has the ability to cure the virus that created supernaturals hundreds of years ago after the Great plague, and make them human again. She's accepted what it can do, and aside from her phobia of sharp, pointy needles, doesn't think about it too often. But then her blood goes missing from the local hospital, supernaturals start turning up dead with a strange anomaly in their system, and Keira is blamed. Vampires and werewolves suddenly hunt her at every turn, and not because they want the cure. As Keira fights to prove her innocence and track down whoever is responsible, she must come to terms with the staggering truth about her birthright, all while trying to protect the people she loves the most. Will she be able to prove her innocence before time runs out? Or will she lose everything she's worked so hard for...maybe even her life.

For years, children have been disappearing without a trace in the Florida Keys. And no one, not even the FBI, has suspected that it could be the work of a single twisted psychopath.

Merci Rayborn, T. Jefferson Parker's stubborn, principled Orange County detective, is almost alone in believing that deputy Archie Wildcraft didn't kill his beautiful young wife and then turn his service weapon on himself. The evidence against Wildcraft--now hospitalized with a bullet lodged in his head--seems overwhelming. But Merci, who's still unpopular for exposing an old police scandal that caused the death of one cop and the ruination of others (The Blue Hour), is resisting pressure from her boss and a headline-hunting D.A. to arrest Wildcraft and charge him with murder. Then the deputy, who's lost his memory and maybe his mind as a result of his injury, goes missing from his hospital room, intent on tracking down the real killers and managing to stay a step ahead of Merci. Soon, they both begin to realize that Gwen Wildcraft wasn't killed because she got in the way of an attempted hit on her husband--it was the other way around. Parker, whose skills at characterization are as well honed as his expert pacing and intricate plotting, has penned another standout that will keep readers guessing and gasping until the last dramatic page. --Jane Adams

From the author of The Master and Brooklyn, Colm Tóibín weaves together the lives of three generations of estranged women as they reunite to witness and mourn the death of a brother, a son, and a grandson. It is Ireland in the early 1990s. Helen, her mother, Lily, and her grandmother, Dora, have come together to tend to Helen's brother, Declan, who is dying of AIDS. With Declan's two friends, the six of them are forced to plumb the shoals of their own histories and to come to terms with each other.​ Shortlisted for the Booker Prize, The Blackwater Lightship is a deeply resonant story about three generations of an estranged family reuniting to mourn an untimely death. In spare, luminous prose, Colm Tóibín explores the nature of love and the complex emotions inside a family at war with itself. Hailed as "a genuine work of art" (Chicago Tribune), this is a novel about the capacity of stories to heal the deepest wounds.