This volume gives English readers the opportunity to enjoy the stories of Blume Lempel, Yiddish literature's most remarkable woman writer

This volume gives English readers the opportunity to enjoy the stories of Blume Lempel, Yiddish literature's most remarkable woman writer.

In these sixteen stories, available in English for the first time, prize-winning author Yenta Mash traces an arc across continents, across upheavals and regime changes, and across the phases of a woman's life. Mash's protagonists are often in transit, poised "on the landing" on their way to or from somewhere else. In imaginative, poignant, and relentlessly honest prose, translated from the Yiddish by Ellen Cassedy, Mash documents the lost world of Jewish Bessarabia, the texture of daily life behind the Iron Curtain in Soviet Moldova, and the challenges of assimilation in Israel. On the Landing opens by inviting us to join a woman making her way through her ruined hometown, recalling the colorful customs of yesteryear—and the night when everything changed. We then travel into the Soviet gulag, accompanying women prisoners into the fearsome forests of Siberia. In postwar Soviet Moldova, we see how the Jewish community rebuilds itself. On the move once more, we join refugees struggling to find their place in Israel. Finally, a late-life romance brings a blossoming of joy. Drawing on a lifetime of repeated uprooting, Mash offers an intimate perch from which to explore little-known corners of the twentieth and early twenty-first centuries. A master chronicler of exile, she makes a major contribution to the literature of immigration and resilience, adding her voice to those of Jhumpa Lahiri, W. G. Sebald, André Aciman, and Viet Thanh Nguyen. Mash's literary oeuvre is a brave achievement, and her work is urgently relevant today as displaced people seek refuge across the globe.

Ellen Cassedy’s longing to recover the Yiddish she’d lost with her mother’s death eventually led her to Lithuania, once the “Jerusalem of the North.” As she prepared for her journey, her uncle, sixty years after he’d left Lithuania in a boxcar, made a shocking disclosure about his wartime experience, and an elderly man from her ancestral town made an unsettling request. Gradually, what had begun as a personal journey broadened into a larger exploration of how the people of this country, Jews and non-Jews alike, are confronting their past in order to move forward into the future. How does a nation—how do successor generations, moral beings—overcome a bloody past? How do we judge the bystanders, collaborators, perpetrators, rescuers, and ourselves? These are the questions Cassedy confronts in We Are Here, one woman’s exploration of Lithuania’s Jewish history combined with a personal exploration of her own family’s place in it. Digging through archives with the help of a local whose motives are puzzling to her; interviewing natives, including an old man who wants to “speak to a Jew” before he dies; discovering the complications encountered by a country that endured both Nazi and Soviet occupation—Cassedy finds that it’s not just the facts of history that matter, but what we choose to do with them.

“[A] dark, elegant novel” of two women in ancient Greece, based on the great tragedies of Sophocles (Publishers Weekly). Thebes is a city in mourning, still reeling from a devastating plague that invaded every home and left the survivors devastated and fearful. This is the Thebes that Jocasta has known her entire life, a city ruled by a king—her husband-to-be. Jocasta struggles through this miserable marriage until she is unexpectedly widowed. Now free to choose her next husband, she selects the handsome, youthful Oedipus. When whispers emerge of an unbearable scandal, the very society that once lent Jocasta its support seems determined to destroy her. Ismene is a girl in mourning, longing for the golden days of her youth, days spent lolling in the courtyard garden, reading and reveling in her parents’ happiness and love. Now she is an orphan and the target of a murder plot, attacked within the very walls of the palace. As the deadly political competition swirls around her, she must uncover the root of the plot—and reveal the truth of the curse that has consumed her family. The novel is based on Oedipus Tyrannus and Antigone, two of Classical Greece’s most compelling tragedies. Told in intersecting narratives, this reimagining of Sophocles’s classic plays brings life and voice to the women who were too often forced to the background of their own stories. “After two and a half millennia of near silence, Jocasta and Ismene are finally given a chance to speak . . . Haynes’s Thebes is vividly captured. In her excellent new novel, she harnesses the mutability of myth.” —The Guardian

First published serially in the Yiddish daily newspaper di Varhayt in 1916–18, Diary of a Lonely Girl, or The Battle against Free Love is a novel of intimate feelings and scandalous behaviors, shot through with a dark humor. From the perch of a diarist writing in first person about her own love life, Miriam Karpilove’s novel offers a snarky, melodramatic criticism of radical leftist immigrant youth culture in early twentieth-century New York City. Squeezed between men who use their freethinking ideals to pressure her to be sexually available and nosy landladies who require her to maintain her respectability, the narrator expresses frustration at her vulnerable circumstances with wry irreverence. The novel boldly explores issues of consent, body autonomy, women’s empowerment and disempowerment around sexuality, courtship, and politics. Karpilove immigrated to the United States from a small town near Minsk in 1905 and went on to become one of the most prolific and widely published women writers of prose in Yiddish. Kirzane’s skillful translation gives English readers long-overdue access to Karpilove’s original and provocative voice.

Set in the shadows of the Spanish Inquisition, this is the coming-of-age story of José Alfaro, a young refugee who forms a powerful bond with the mysterious Pirate Captain Toledano. It’s also a dynamic pirate adventure on the high seas, with hand-to-hand combat and ship-to-ship action, and the powerful story of a dark time in history when people took different paths to survive. José Alfaro is a cocky, rambunctious teen in the 16th-century colony of Santo Domingo, pulling pranks and dodging the authorities. One day, José’s mischief lands him in serious trouble. Hoping for a fresh start, he stows away on the Laqish, not knowing that it’s a pirate ship. From his hiding place, he watches the pirates divide their loot and plan their attacks on long days at sea. He also takes note of the respect they have for their captain, the intimidating Toledano. But the captain has a secret—like José, he is a Jew. For him, piracy is not about the gold; it has a different purpose. Under the tutelage of the ship’s quartermaster, José learns the intricacies of pirate life. But when he can, the captain finds ways to pull José away from the crew, to teach him about his ancestors. José finds his community. His place. His voice. His purpose. This is a pirate story, but also a story of survival—a story of a young man’s deep need to know who he is, where he comes from, and where he’s going.