In early 2017 principal photography began in Toronto Canada on Deep Six, the latest in more than eleven decades of dramatic productions set in outer space. Creator and director Davin Legyel and Co-Creator Mika Collins were following in the footsteps of Stanley Kubrick and hundreds of other film makers in an attempt to create a hyper-realistic vision of life in space. In this special Deep Six Premiere Commemorative Edition of 2001: The Heritage and the Legacy of the Space Odyssey the reader is taken on a history tour of every major space themed movie and television show created since the inception of moving pictures. Since the first space movie in 1902 the allure of spaceflight has created such massive cultural epics as Star Wars and Star Trek as well as the latest box office block busters The Martian and The Arrival. However, despite almost 50 years of advances in space flight and movie-making it is still 2001: A Space Odyssey which most fans, film makers and critics use as the yardstick against which all other space films are measured. In 2001: The Heritage and Legacy of the Space Odyssey authors Frederick I Ordway III and Robert Godwin take a trip through the most important space films ever created. This fascinating study shows how far 2001: A Space Odyssey pushed the state of the art and how it continues to affect motion pictures today. This special edition includes forewords by Davin Lengyel and his science advisor Dr Jaymie Matthews, as well as some behind the scenes images of Deep Six. It also includes a new chapter by Robert Godwin about the team which brought the world 2001: A Space Odyssey.

In this study Karen Lawrence presents Joyce's Ulysses as it evolves through radical changes of style. She traces the abandonment of a narrative norm for a series of rhetorical masks, regarded as conscious aesthetic experiments, and considers the theoretical implication of this process, for both the writing and reading of novels. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Danny, Wayne and Michelle fight for their lives, and the survival of their nation, against oppression.

SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 SHORTLISTED FOR THE LONDON HELLENIC PRIZE 2017 WINNER OF THE PRIX MÉDITERRANÉE 2018 From the award-winning, best-selling writer: a deeply moving tale of a father and son’s transformative journey in reading – and reliving – Homer’s epic masterpiece.

An exploration of the contemporary influence of the Ottoman Empire on the wider world, as the author uncovers the new Ottoman legacy across Europe and the Middle East. Alev Scott’s odyssey began when she looked beyond Turkey’s borders for contemporary traces of the Ottoman Empire. Their 800 years of rule ended a century ago—and yet, travelling through twelve countries from Kosovo to Greece to Palestine, she uncovers a legacy that’s vital and relevant; where medieval ethnic diversity meets twenty-first century nationalism—and displaced people seek new identities. It's a story of surprises. An acolyte of Erdogan in Christian-majority Serbia confirms the wide-reaching appeal of his authoritarian leadership. A Druze warlord explains the secretive religious faction in the heart of the Middle East. The palimpsest-like streets of Jerusalem's Old Town hint at the Ottoman co-existence of Muslims and Jews. And in Turkish Cyprus, Alev Scott rediscovers a childhood home. In every community, history is present as a dynamic force. Faced by questions of exile, diaspora and collective memory, Alev Scott searches for answers from the cafes of Beirut to the refugee camps of Lesbos. She uncovers in Erdogan's nouveau-Ottoman Turkey a version of the nostalgic utopias sold to disillusioned voters in Europe and America. And yet—as she relates with compassion, insight, and humor—diversity is the enduring, endangered heart of this fascinating region.

In the early 1990s, Classics professor Mary Lefkowitz discovered that one of her faculty colleagues at Wellesley College was teaching his students that Greek culture had been stolen from Africa and that Jews were responsible for the slave trade. This book tells the disturbing story of what happened when she spoke out. Lefkowitz quickly learned that to investigate the origin and meaning of myths composed by people who have for centuries been dead and buried is one thing, but it is quite another to critique myths that living people take very seriously. She also found that many in academia were reluctant to challenge the fashionable idea that truth is merely a form of opinion. For her insistent defense of obvious truths about the Greeks and the Jews, Lefkowitz was embroiled in turmoil for a decade. She faced institutional indifference, angry colleagues, reverse racism, anti-Semitism, and even a lawsuit intended to silence her. In History Lesson Lefkowitz describes what it was like to experience directly the power of both postmodernism and compensatory politics. She offers personal insights into important issues of academic values and political correctness, and she suggests practical solutions for the divisive and painful problems that arise when a political agenda takes precedence over objective scholarship. Her forthright tale uncovers surprising features in the landscape of higher education and an unexpected need for courage from those who venture there.

Whether they focus on the bewitching song of the Sirens, his cunning escape from the cave of the terrifying one-eyed Cyclops, or the vengeful slaying of the suitors of his beautiful wife Penelope, the stirring adventures of Ulysses/Odysseus are amongst the most durable in human culture. The picaresque return of the wandering pirate-king is one of the most popular texts of all time, crossing East-West divides and inspiring poets and film-makers worldwide. But why, over three thousand years, has the Odyssey's appeal proved so remarkably resilient and long-lasting? In her much-praised book Edith Hall explains the enduring fascination of Homer's epic in terms of its extraordinary susceptibility to adaptation. Not only has the story reflected a myriad of different agendas, but - from the tragedies of classical Athens to modern detective fiction, film, travelogue and opera - it has seemed perhaps uniquely fertile in generating new artistic forms. Cultural texts as diverse as Joyce's Ulysses, Suzanne Vega's Calypso, Monteverdi's Il Ritorno d'Ulisse in Patria, the Coen Brothers' O Brother Where Art Thou?, Daniel Vigne's Le Retour de Martin Guerre and Anthony Minghella's Cold Mountain all show that Odysseus is truly a versatile hero. His travels across the wine-dark Aegean are journeys not just into the mind of one of the most brilliantly creative of all the ancient Greek writers. They are as much a voyage beyond the boundaries of a narrative which can plausibly lay claim to being the quintessential global phenomenon.