For more than a millennium, the people of Northern Europe venerated an Earth Mother, the oldest attested Germanic deity. Called by a number of names, when the accounts are compared, common traits emerge. Most often identified as Odin's wife, she is Queen of Heaven and Mother of the Gods, roles firmly rooted in her Indo-European pedigree.

Lady and protector of the home, wise counselor who foresees the fates of gods and humans, patroness of work and craft, wife of Odin. . . the old Scandinavian goddess Frigg is a deep and multifaceted goddess who wields power on many levels. Her maidens are goddesses in their own right, keeping ancient lore and healing skill, and bringing love, wisdom, and protection to those who call on them, Rev. Maire Durkan, a Godwoman in the Troth and a witch in the Assembly of the Sacred Wheel tradition, explores the nature of this powerful goddess. The old myths and stories of Frigg and her ladies are complemented with poems and rituals in their honor.

Johan Egerkrans long dreamed of illustrating the Norse mythology, and when he released Norse Gods in Swedish it was an immediate success. Egerkrans re-tells the most exciting and imaginative sagas of the Norse mythology: From the creation myth in which the first giant Ymer is hacked to pieces by Odin and his brothers, to the gods' final destruction in Ragnarök. This is a gorgeously illustrated book in which gods, giants, dwarves, monsters and heroes are presented in all their glory. A book for those who already know and love these stories, as well as for those who have yet to discover Scandinavian mythology. A definitive work for readers of all ages. “It is a pleasure to be enchanted by the suggestive visualizations of Angerboda, Hel, Freya, Utgarda-Loki, Mimer and Surt." Dick Harrison, Svenska Dagbladet

This book is about the Old Norse god Odin. It includes references to all occurrences of Odin in the Old Norse/Icelandic texts, including Saxo’s Gesta Danorum, the eddic poems, Snorri’s Edda, and Ynglinga saga and analyses the high medieval reception and literary representations of Odin rather than the religious character of the god. This is the only existing study of Odin in all the Old Norse/Icelandic texts and applies a contextual method: the different guises of Odin are studied on the basis of the various textual contexts and on their background in the literary and Christian intellectual milieu of the time. Contrary to existing studies, this method is non-reductive in that it does not aim at providing a synthesis about Odin’s original nature on the basis of the differing textual uses of Odin in the Middle Ages. The book argues that the perceived complexity of Odin, often highlighted in research, is first and foremost a function of the complex textual material spanning a wide variety of genres each with its particular literary conventions and of the reception of Odin in early modern and modern mythological studies.