What if your whole life has been a lie because you are no mere mortal? You are the daughter of a Norse god. Odin the Norse god of war and now you have to find a path through your human life and the lives of gods. Ohh! By the way, she is betrothed to a god. But you’re human life is twisted with a mythical world can Lila handle the new change in her life.

An epic fantasy trilogy from Norway about thousand-year-old secrets, forbidden romance, and what happens to those who make a deal with the devil comes at last to the United States! "Blood magic, blackmail, and battle rock a rich world of fading magic to its core in this internationally bestselling Norwegian epic fantasy." - Publishers Weekly reviews Odin's Child I loved (Odin's Child) deeply from the first to the last word, and was instantly and thoroughly immersed. -- Laini Taylor, bestselling author of Daughter of Smoke and Bone. ...The story examines and upends everything its characters believe in, including their world, their history, their faith, and themselves, while intertwining elements of politics and Norse mythology with a side of forbidden romance. Kirkus Reviews The intrigue, scope, and depth of His Dark Materials, set in an immersive Nordic world as fierce and unforgettable as its characters. Rosaria Munda, author Fireborne/Flamefall - Aurelian Cycle The world building is stupendous. MidWest Book Review Imagine lacking something that everyone else has. Something that proves you belong to this world. Something so vital, that without it, you are nothing. A plague. A myth. A human.” Fifteen winters old, Hirka learns that she is an Odin's child – a tailless rot from another world. Despised. Dreaded. And hunted. She no longer knows who she is, and someone wants to kill her to keep it a secret. But there are worse things than humans, and Hirka is not the only creature to have broken through the gates… Odin’s Child is unique fantasy with Norse roots. An epic clash of xenophobia, blind faith and the right or will to lead. The first in a trilogy, Odin's Child is a thrilling modern fantasy epic.

What if your whole life has been a lie because you are no mere mortal? You are the daughter of a Norse god. Odin the Norse god of war and now you have to find a path through your human life and the lives of gods. Ohh! By the way, she is betrothed to a god. But you're human life is twisted with a mythical world can Lila handle the new change in her life.

Surviving a battle to the death with a goddess would tax the greatest of heroes, but for Bannor Starfist it proves to be only the beginning of something much worse--a war with a whole pantheon of gods! The death of Hecate has triggered a rumble in the Vanir pantheon. AllFather Odin insists Bannor and all his friends must be brought to justice for the crime of murder. For the already battered Bannor, the ordeal is only beginning. His Elven fiancee's Sarai's mother and sister and all the rest of his friends have been captured and imprisoned in Niflheim, the land of the dead. Somehow, he must find a way to get them out without Odin imprisoning him as well. As if his challenge wasn't impossible enough, the battle with Hecate has taken away his most powerful weapon: His ability to bend reality...

The pagan mythology of the Vikings offers a rich metaphor for consciousness. This book presents the cosmography of Norse mythology as a landscape of human inner life. Each of the nine worlds of this cosmography is viewed as a symbol of a distinct type of consciousness that is emblematic of a particular perspective or way of relating to others. Individual gods and goddesses are considered nuanced personifications of their worlds. The philosophy of pagan mythology is explored by comparing and contrasting the Sayings of Odin from the Norse Edda with the Christian Ten Commandments.

This scholarly edition offers the first reliably identified collection of Walter Scott's original poetry in the Waverley Novels, the letters and the Journal. Past editors of Scott found it hard to recognise what is and is not quotation; but thanks to modern databases the poems in this volume have been identified as almost certainly his own.This collection demonstrates, again, Scott's brilliant versatility in the handling of verse forms and his extraordinary range of voice. The poetry of the Waverley Novels is often dramatic, being uttered or sung by one of the characters; mottoes at the heads of chapters stand in a critical relationship to the narrative; the poetry of the letters and Journal is often quizzical and self-mocking; and there are many superb parodies.As part of the 'meaning' of these poems lies in their context, this collection succinctly contextualises each one. It also provides full textual and explanatory annotation and an essay which explores, among other things, the wavering boundary between new creation and quotation.