A rich collection of poetry that celebrates the beauty and symbolism of flowers. Beautifully illustrated with nostalgic illustrations of a range of beautiful blooms, this book includes a diverse range of poems. From verses celebrating the beginning of spring with the emergence of the snowdrops, daffodils, and bluebells to poems that honour the summer colour of asters, the heady scent of jasmine, and the brazen sunflower. The classic poets are included, including Shakespeare, Tennyson, Thomas Hardy, Walt Whitman, Emily Dickinson and Seamus Heaney. There's also range of rich poetry from less-famous names which have stood the test of time and evoke nature’s beauty.

Winner of the Governor General's Literary Award for Children's Illustrated Book A New York Times Best Illustrated Children's Book of the Year In this wordless picture book, a little girl collects wildflowers while her distracted father pays her little attention. Each flower becomes a gift, and whether the gift is noticed or ignored, both giver and recipient are transformed by their encounter. “Written” by award-winning poet JonArno Lawson and brought to life by illustrator Sydney Smith, Sidewalk Flowers is an ode to the importance of small things, small people and small gestures. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.

Is there a brown girl in your life who needs to be empowered? This is the perfect book for you! Every brown girl should know that she is beautiful! Beautiful Flower is an ode to brown girls. Designed to boost confidence and build self-esteem, this beautifully illustrated picture book celebrates and praises the beauty of dark-skinned, African-American girls.

Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works—Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini’s poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was “a poet of the cinema,” as James Ivory says in the book’s foreword, who “left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot.” This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.

“An unabashed celebration of complexity in queerness and gender, an arresting snapshot of survival and a triumphant reclamation of language.” —Shelf Awareness (starred review) “Tongues make mistakes / and mistakes / make languages.” And Benjamin Garcia makes a stunning debut with Thrown in the Throat. In a sex-positive incantation that retextures what it is to write a queer life amidst troubled times, Garcia writes boldly of citizenship, family, and Adam Rippon’s butt. Detailing a childhood spent undocumented, one speaker recalls nights when “because we cannot sleep / we dream with open eyes.” Garcia delves with both English and Spanish into how one survives a country’s long love affair with anti-immigrant cruelty. Rendering a family working to the very end to hold each other, he writes the kind of family you both survive and survive with. With language that arrives equal parts regal and raucous, Thrown in the Throat shines brilliant with sweat and an iridescent voice. “Sometimes even a diamond was once alive” writes Garcia in a collection that National Poetry Series judge Kazim Ali says “has deadly superpowers.” And indeed these poems arrive to our hands through touch-me-nots and the slight cruelty of mothers, through closets both real and metaphorical. These are poems complex, unabashed, and needed as survival. Garcia’s debut is nothing less than exactly the ode our history and present and our future call for: brash and unmistakably alive. “Angry, tender, and resounding with the speech of flowers, birds, and diamonds, every syllable carries a glorious charge.” —The Boston Globe, “Best Books of 2020” “Electrifying . . . explores unrepentant sexual desire, interrogates fraught familial relationships, and examines our troubled cultural moment.” —Lambda Literary

A bilingual collection of 25 newly translated odes by the century's greatest Spanish-language poet, each accompanied by a pair of exquisite pencil drawings. From bread and soap to a bed and a box of tea, the "odes to common things" collected here conjure up the essence of their subjects clearly and wondrously. 50 b&w illustrations.

Simple text and photographs depict the parts of flowers and their pollination.