Another delightful excursion into the world of Marcus Didius Falco by multimillion-copy bestselling author Lindsey Davis. Bringing Ancient Rome to life with its vivid description and characterisation, this is perfect for fans of S. J. Parris, Donna Leon, Steven Saylor and C. J. Sansom. 'Davis's writing zings with fun' -- Daily Mail 'One of the best of the current writers in this field' -- Donna Leon, The Times 'Fantastic! I'm addicted to Falco!' -- ***** Reader review 'Totally brilliant!' -- ***** Reader review 'Wonderful plot - full of suspense, as usual. Brilliant!!!!' -- ***** Reader review 'Subline - can't put these books down!' -- ***** Reader review ******************************************************************************** WRITING FOR MONEY, PUBLISHING DEATH AD74: it's a long, hot summer and Marcus Didius Falco, private informer and spare-time poet, is giving a reading for his family and friends. Things get out of hand - as usual... The event is taken over by Aurelius Chrysippus, a wealthy Greek banker and patron to a group of struggling writers, who offers to publish Falco's work - a golden opportunity that rapidly palls. A visit to the Chrysippus scriptorium implicates him in a gruesome literary murder so when Petronius Longus, the over-worked vigiles enquiry chief, commissions him to investigate, Falco is forced to accept. Lindsey Davis' twelfth novel wittily explores Roman publishing and banking, taking us from the jealousies of authorship and the mire of patronage, to the darker financial world, where default can have fatal consequences...

When a wealthy Athenian banker is found gruesomely murdered, Marcus Didius Falco must scour the seedy streets of ancient Rome to hunt down the killer.

A witty, personal and entertaining reflection on the history and meaning of paper during the (passing) era of its universal importance.

A devastating tornado tears apart more than just houses in this striking novel in verse about a girl rebuilding herself. Before the storm, thirteen-year-old Quinn was happy flying under the radar. She was average. Unremarkable. Always looking for an escape from her house, where her bickering parents fawned over her genius big brother. Inside our broken home / we didn’t know how broken / the world outside was. But after the storm, Quinn can’t seem to go back to average. Her friends weren't affected by the tornado in the same way. To them, the storm left behind a playground of abandoned houses and distracted adults. As Quinn struggles to find stability in the tornado’s aftermath, she must choose: between homes, friendships, and versions of herself. Nothing that was mine / yesterday is mine today. Told in rich, spectacular verse, Caroline Brooks DuBois crafts a powerful story of redemption as Quinn makes her way from Before to After. There’s nothing average about the world Quinn wakes up to after the storm; maybe there’s nothing average about her, either. This emotional coming-of-age journey for middle grade readers proves that it’s never too late to be the person you want to be.

Now his mother's messages ramble on his answering machine when he wants no one but his one obsession, Richard, to call. Passionate and unflinchingly honest in its narrative, Ode to Lata scavenges the depths of one man's misguided search for love in a world of emotionally-void encounters and tangled memories. All the while, Ali's story is intertwined with the unraveling of his parents' own doomed relationship and the film music of Bollywood's eminent singer Lata Mangeshkar (Diva of Indian film music and the namesake of the book's title).