Our Stories Remember retells Native American stories.

Jeanne Villepreux-Power was never expected to be a scientist. Born in 1794 in a French village more than 100 miles from the ocean, she pursued an improbable path that brought her to the island of Sicily. There, she took up natural history and solved the two-thousand-year-old mystery of how of the argonaut octopus gets its shell. In an era when most research focused on dead specimens, Jeanne was determined to experiment on living animals. And to keep sea creatures alive for her studies, she had to invent a contraption to hold them—the aquarium. Her remarkable life story is told by author, marine biologist, and octopus enthusiast Danna Staaf.

The Columbia Guide to American Indian Literatures of the United States Since 1945 is the first major volume of its kind to focus on Native literatures in a postcolonial context. Written by a team of noted Native and non-Native scholars, these essays consider the complex social and political influences that have shaped American Indian literatures in the second half of the twentieth century, with particular emphasis on core themes of identity, sovereignty, and land. In his essay comprising part I of the volume, Eric Cheyfitz argues persuasively for the necessary conjunction of Indian literatures and federal Indian law from Apess to Alexie. Part II is a comprehensive survey of five genres of literature: fiction (Arnold Krupat and Michael Elliott), poetry (Kimberly Blaeser), drama (Shari Huhndorf), nonfiction (David Murray), and autobiography (Kendall Johnson), and discusses the work of Vine Deloria Jr., N. Scott Momaday, Joy Harjo, Simon Ortiz, Louise Erdrich, Leslie Marmon Silko, Gerald Vizenor, Jimmy Santiago Baca, and Sherman Alexie, among many others. Drawing on historical and theoretical frameworks, the contributors examine how American Indian writers and critics have responded to major developments in American Indian life and how recent trends in Native writing build upon and integrate traditional modes of storytelling. Sure to be considered a groundbreaking contribution to the field, The Columbia Guide to American Indian Literatures of the United States Since 1945 offers both a rich critique of history and a wealth of new information and insight.

A guide to the colonization and projected decolonization of Native America In The Colonial Construction of Indian Country, Eric Cheyfitz mounts a pointed historical critique of colonialism through careful analysis of the dialogue between Native American literatures and federal Indian law. Illuminating how these literatures indict colonial practices, he argues that if the decolonization of Indian country is to be achieved, then federal Indian law must be erased and replaced with independent Native nation sovereignty—because subordinate sovereignty, the historical regime, is not sovereignty at all. At the same time, Cheyfitz argues that Native American literatures, specifically U.S. American Indian literatures, cannot be fully understood without a knowledge of U.S. federal Indian law: the matrix of colonialism in Indian country. Providing intersectional readings of a range of literary and legal texts, he discusses such authors as Louise Erdrich, Frances Washburn, James Welch, Gerald Vizenor, Simon Ortiz, Leslie Marmon Silko, and others. Cheyfitz examines how American Indian writers and critics have responded to the impact of law on Native life, revealing recent trends in Native writing that build upon traditional modes of storytelling and governance. With a focus on resistance to the colonial regime of federal Indian law, The Colonial Construction of Indian Country not only elucidates how Native American literatures and federal Indian law are each crucial to any reading of the other, it also guides readers to better understand the genocidal assault on Indigenous peoples by Western structures of literacy, politics, and law.

The latter part of the twentieth century has seen a renaissance of the enduring spoken art of storytelling. Stories told by real people, in person, counterbalance the impersonal, computer communication so much a part of present society. This work profiles 120 English-speaking performers worldwide and describes how they make their words come alive, what their styles of presentation are. Each entry provides pertinent information on the storyteller (address, phone and fax numbers, e-mail address, and Web site information), categorizes their work (e.g., original tales, imaginative stories, historical), notes the audience level, and lists the instruments or props used. Style comments, such as witty, dramatic, gesturing, musical, and so on are also given. Detailed biographies reveal how the storyteller got started and their career achievements and other pertinent details. The entries conclude with an audiography, videography, bibliography, listing of awards, and sources for further information for each teller.