Ochre and Rust offers a fresh perspective on frontier relations between Australian Aboriginal people and European colonists. Nine museum artefacts take the reader into a fascinating zone of encounter and mutual curiosity between collectors and those indigenous people who piqued or responded to their interest. While colonialism is the broad frame, details gleaned from archives, images and the objects themselves reveal a new picture of interaction between individual Aboriginal people and European collectors. Philip Jones explores and makes sense of particular historical moments in colonial history, when Aboriginal people perceived and expected other, more elusive outcomes. Ochre and Rust, an elegantly written challenge to received wisdom about the colonial frontier, has won Australia's inaugural Prime Minister's Award for Literary Non-Fiction.

Ochre and Rust offers a fresh perspective on frontier relations between Australian Aboriginal people and European colonists. Nine museum artefacts take the reader into a fascinating zone of encounter and mutual curiosity between collectors and those indigenous people who piqued or responded to their interest. While colonialism is the broad frame, details gleaned from archives, images and the objects themselves reveal a new picture of interaction between individual Aboriginal people and European collectors. Philip Jones explores and makes sense of particular historical moments in colonial history, when Aboriginal people perceived and expected other, more elusive outcomes. Ochre and Rust, an elegantly written challenge to received wisdom about the colonial frontier, has won Australia's inaugural Prime Minister's Award for Literary Non-Fiction.

George French Angas (1822-1886) spent 18 months sketching and observing in Australia and New Zealand between 1844 and 1845. It was a period of decisive and irreversible cultural change. The young Angas excelled at capturing the minute detail of plants and people, objects and landscapes, and rapidly assembled a portfolio of 250 fine watercolours. In this fully illustrated volume, Philip Jones has used Angas's sketches, watercolours, lithographs and journal accounts to retrace his Antipodean journeys in vivid detail. Set in the context of his time, Angas emerges both as a brilliant artist and as a flawed Romantic idealist, rebelling against his father's mercantilism while entirely reliant upon the colonial project enabling him to depict pre- and early colonial ways of life.

William Fox's writing for the last several years has been focused on how we construct aerial views, either physically (by flying) or in our imaginations. In Aereality, he flies over earthworks in Nevada and Utah, soars through the world's largest open pit mine, and surveys Los Angeles, circumnavigating large swaths of true American urban sprawl. On the East Coast, he examines the elevated art of the Hudson River Valley and New York City. And finally, in Australia, Fox examines the history and current practice of both Euro–Australian and Aboriginal aerial views, and searches for the cognitive roots of our aerial imagination. Accompanying Fox throughout his travels is a rolling cast of enlightened fliers: geographers, museum curators, landscape photographers, anthropologists, and artists. He traverses the sky in prop planes, helicopters, and hot air balloons, all with the ultimate goal of knowing and experiencing the earth from the air.

Describes the traditional making and uses of the boomerang. Provides information about topics such as boomerangs in fighting, fishing, rituals and trade, decorating boomerangs, and the differences in appearance and usage across Australia. Includes a bibliography. The author has published widely on Aboriginal history and art.

From the New York Times bestselling author of the Thursday Next series comes a “laugh-out-loud funny” (Los Angeles Times) and “brilliantly original” (Booklist, starred review) novel of a man attempting to navigate a color-coded world. “A rich brew of dystopic fantasy and deadpan goofiness.”—The Washington Post Welcome to Chromatacia, where the Colortocracy rules society through a social hierarchy based on one’s limited color perception. In this world, you are what you can see. Eddie Russet wants to move up. When he and his father relocate to the backwater village of East Carmine, his carefully cultivated plans to leverage his better-than-average red perception and marry into a powerful family are quickly upended. Eddie must content with lethal swans, sneaky Yellows, inviolable rules, an enforced marriage to the hideous Violet deMauve, and a risky friendship with an intriguing Grey named Jane who shows Eddie that the apparent peace of his world is as much an illusion as color itself. Will Eddie be able to tread the fine line between total conformity—accepting the path, partner, and career delineated by his hue—and his instinctive curiosity that is bound to get him into trouble?

A splendidly written portrait of Mozambique in the colonial and post-colonial eras, by the premier historian of the country.