The continuing emphasis in this second edition is on everyday occupation as experience. It motivates occupational therapists to think about how occupation is experienced in everyday life, to absorb the complexity of meanings imbedded in daily life, and to value the personal and social significance of everyday occupation in their own and their clients' lives.

This book examines the social, political, and cultural factors that have and continue to influence the evolution of the urban waterfront as seen through production created from art and design practices. Reaching beyond the disciplines of architecture and urban design, Occupation: Boundary distills the dual roles art and culture have played in relation to the urban waterfront, as mediums that have recorded and instigated change at the threshold between the city and the sea. At the moment in time that demands innovative approaches to the transformation of urban waterfronts, and strategies to foster of resilient boundaries, architect Cathy Simon recounts her career building at and around the water's edge and in service of the public realm. In so doing, the work of contemporary architects is presented, while the origins and principles of a guiding design philosophy are located in meditations on art and observations on coastal cities around the world. The port cities of New York and San Francisco emerge as case studies that structure the reflections and mediate a narrative that is at once a professional and personal memoir, richly illustrated with images and drawings. Comprising three parts, the first two corresponding parts of Occupation: Boundary draw connections between the past and present by tracing the rise and fall of urban, industrial ports and providing context--in the forms of textual and visual media--for their recent transformations. Such reinterpretations, achieved via design, often serve the public through environmentally conscious strategies realized through inventive approaches to cultural and recreational programs. The work of visual artists, both historical and contemporary, appears alongside architecture, poetry, and literary references that illustrate and draw connections between each of these sections. The third section features select architectural work by the author, framed by critic John King and the architect and urbanist Justine Shapiro-Kline. Introduced with a foreword by the prominent landscape architect Laurie Olin, Occupation: Boundary draws on artistic and cultural intuitions and the experience of an architect whose practice negotiates the boundary between urban contexts and the bodies of water that sustain them. Together, the instincts, reflections, and architectural production collected here evidence the role of art and design in the creation of an equitable and inviting public realm.

Develop the understanding you need to meet the unique needs of your occupational therapy clients. This comprehensive presentation of the most widely-used model in occupational therapy today delivers the latest in Models of Human Occupation theory, research, and application to practice. Throughout the book, see a client-centered approach used to explore what motivates each individual, how they select occupations and establish everyday routines, and how environment influences occupational behaviors. Key Features: New! Learning Outcomes alert you to what you should know by the time you complete each chapter. New! MOHO Problem-Solver Cases show how client issues can be addressed with MOHO. New End-of-Chapter Resources, including Quiz Questions, Homework Assignments, and Self-Reflection Exercises help you master key concepts, New Case Examples to Test Your Knowledge are followed by Questions to Encourage Critical Thinking and Discussion to help you deepen your understanding as you apply the model to practice. Key Terms and their definitions help you master the specialized vocabulary you'll need to succeed in practice. Book jacket.

A captivating literary and historical record, Jean Giono's Occupation Journal offers a glimpse into life in collaborationist France during the Second World War, as seen through the eyes and thoughts of one of France's greatest and most independent writers. Written during the years of France's occupation by the Nazis, Jean Giono's Occupation Journal reveals the inner workings of one of France's great literary minds during one of the country's darkest hours. A renowned writer and committed pacifist throughout the 1930s--a conviction that resulted in his imprisonment before and after the Occupation--Giono spent the war in the village of Contadour in Provence, where he wrote, corresponded with other writers, and cared for his consumptive daughter. This journal records his musings on art and literature, his observations of life, his interactions with the machinery of the collaborationist Vichy regime, as well as his forceful political convictions. Giono recounts the details of his life with fierce independence of thought and novelistic attention to character and dialogue. Occupation Journal is a fascinating historical document as well as a unique window into one of French literature's most voracious and critical minds.

"This is one beautiful book."—Mia CoutoKnown and celebrated in Brazil and abroad for his novel Resistance , Julián Fuks returns to his auto-fictional alter ego Sebastián in a narrative alternating between the writer’s conversations with refugees occupying a building in downtown São Paulo, his father’s sickness, and his wife’s pregnancy. With impeccable prose, the author builds associations that go beyond the obvious, not only between glimpsing a life's beginning and end, but also between the building’s occupation and his wife's pregnancy — showcasing the various forms of occupation while exposing the frailty of life, the risk of solitude and the brutality of not belonging.

From “America’s preeminent spy novelist” (The New York Times) comes a fast-paced, mesmerizing thriller of the French resistance fighters working secretly and bravely to defeat Hitler. Occupied Paris, 1942. Just before he dies, a man being chased by the Gestapo hands off a strange-looking document to the unsuspecting novelist Paul Ricard. It looks like a blueprint of a part for a military weapon, one that might have important information for the Allied forces. Ricard realizes he must try to get the diagram into the hands of members of the resistance network. As Ricard finds himself drawn deeper and deeper into anti-Nazi efforts and increasingly dangerous espionage assignments, he travels to Germany and along the escape routes of underground resistance safe houses to spy on Nazi maneuvers. When he meets the mysterious and beautiful Leila, a professional spy, they begin to work together to get crucial information out of France and into the hands of the Allied forces in London.

In February 2003, Patrick Cockburn secretly crossed the Tigris river from Syria into Iraq just before the US/British invasion, and has covered the war ever since. In The Occupation, he provides a vivid and disturbing picture of a country in turmoil, and the dangers and privations endured by its people. The Occupation explores the mosaic of communities in Iraq, the US and Britain's failure to understand the country they were invading and how this led to fatal mistakes. Cockburn, who has been visiting Iraq since 1978, describes the disintegration of the country under the occupation. Travelling throughout Iraq, from the Kurdish north, to Baghdad, Falluja and Basra, he records the response of the country's population - Shia and Sunni, Arab and Kurd - to the invasion, the growth of the resistance and its transformation into a full-scale uprising. He explains why deepening religious and ethnic divisions drove the country towards civil war. Above all, Cockburn traces how the occupation's failure led to the collapse of the country, and the high price paid by Iraqis. He charts the impact of savage sectarian killings, rampant corruption and economic chaos on everyday life: from the near destruction of Baghdad's al-Mutanabi book market to the failure to supply electricity, water and, ironically, fuel to Iraq's population. The Occupation is a compelling portrait of a ravaged country, and the appalling consequences of imperial arrogance.