Turlough O'Carolan is the most revered of all Irish harpers and composers. This collection, epertly transcribed in notation and tablature, presents 30 beloved O'Carolan medoldies featuring a uniquely Irish collection of moods and meditations. the arrangements are designed for the intermediate to advanced player, performing on a dulcimer with a 6 and 1/2 fret. the book also includes playing tips and a biographical sketch of Turlough O'Carolan.

Bing Futch's "Method For Beginning Mountain Dulcimer" is the most comprehensive how-to-learn-the-dulcimer book available. You'll learn the basics, sure, and start playing songs right away. Even better, though, is the depth of content that Bing provides for you in this one incomparable volume - technique, repertoire, theory, history, and FUN! Once you've worked your way through this book, you'll be a competent dulcimer player that can enjoy playing with any group. You'll have a great time honing your skills with Bing, and you'll end up with a wealth of technical skills, music fundamentals, and dulcimer repertoire!

Put some aloha into your playing with Hawaiian & Polynesian Music for Appalachian Dulcimer! More than just a repertoire collection of classic Pacific island melodies, this book includes the history and background stories of the individual tunes and a brief language pronunciation guide. In addition, the author provides humorous and insightful observations on interpretation, fingerstyle technique, and Hawaiian slack-key guitar style as applied to the mountain dulcimer. Written in standard notation and tablature for the 3-course dulcimer with the 6+ or 6½ fret, these fingerstyle arrangements are for intermediate to advanced mountain dulcimer players who are looking for a challenge and want to try something new. These arrangements sound best played fingerstyle, and make use of polyphony, harmonics, hammer-ons and pull-offs, and the sweet chords beloved by Island musicians. Some selections like “Aloha ‘Oe” are instantly recognizable, while others such as “Wehiwehi ‘Oe” or “Pauoa Liko ka Lehua” may be unfamiliar outside of Hawaii. Includes access to online audio of all 22 examples and melodies in DAD, CGC and DGD tunings. To help the student master these arrangements, the author provides detailed performance notes for each tune. Includes access to online audio.

This classic collection provides fretted dulcimer players with an authentic Irish repertoire. The 31 selections include jigs, slides, hornpipes, polkas, reels, slow airs, harp tunes, and songs. Accompaniment chords and musical notation are provided for other instruments. The modal music of Ireland fits well to the modal techniques and nuances of the dulcimer. It can drone like the uillean pipes, be rhythmic as a bodhran, and melodic like a fiddle. Lois gives the dulcimer player an important introduction to the techniques of applying Irish music to the dulcimer. Consider this the beginning of a new approach to an old music, and a point of departure for your own interpretations of tunes you love

"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.

This book presents fretted dulcimer arrangements of 58 Stephen Collins Foster classics. Each song is written as a melody line in standard notation with dulcimer tablature beneath plus complete lyrics, historical notes, and suggested guitar chords. Cover graphics from the original nineteenth century sheet music publications lend grace and authenticity, and songwriters and music historians will find much interest in this book. the tunings used are DAD, DAA, DGD, and DAA#D. Intended for experienced beginners to intermediate players, many of these pieces require a 6 1/2 fret dulcimer and a capo.

These compositions are collaborations based on texts and tunes from a variety of sources, including the Bible, the 1940 Episcopal Hymnal, George Herbert, Thomas Tallis and others. Arranged for the mountain dulcimer, these renditions provide traditional repertoire for individuals, house churches and congregations without an organ, as well as a musical change of pace. They can be sung by soloists, choirs and congregations alike. Written in standard notation and tablature in DAD tuning.