Argues that most adult sexual behavior is influenced by childhood experiences, and looks at perversion, fetishes, obscenity, homosexuality, transvestism, and psychoanalytic treatment

This book focuses on the subject of the development of masculinity and femininity. It shows that the perverse scene aims not only at denying castration, but also at securing a more solid basis for a jeopardized sexual identity.

Twelve diverse articles cover topics including fetishism and parody in Stein's Tender Buttons, male hysteria and the US invasion of Panama, and the crisis of femininity and modernity in the Third World. Lacks an index. Annotation copyright by Book News, Inc., Portland, OR

The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

This book argues that conventional interpretation of Freudian psychology has not accounted for the death anxiety and its relation to illusions and delusions. It contends that there is evidence to support the view that death anxiety is a very normal and central emotional threat human beings deal with by impeding awareness of the threat.

Drawing upon feminist, anthropological, and postcolonial approaches, Munich searches out the myriad, often contradictory incarnations of Queen Victoria in the minds of her subjects.