Although this monograph focuses on the sculpture, installations, drawings and writings of Phyllida Barlow it also provides an opportunity to chart the vagaries of sculpture, since the 1960s, which Barlow has witnessed, been influenced by and critical of. Her work consists predominantly of large, three dimensional installations in which the use of space--and our relationship to it--plays an important role. As if watching a play unfold on stage, the viewer witnesses the work and its carefully constructed plot.

Psychoanalysis has always been a source of controversy throughout academic and popular culture. This controversy relates to questions of its true value, its scientific status, its politics and its therapeutic effectiveness. Psychoanalysis' defenders regard it as a body of knowledge built on careful and painstaking exploration of complex clinical encounters, offering more detailed and valid insights than can be obtained from other sources. Psychoanalysis is also a building block for considerations of human subjectivity in a wide range of academic disciplines and practical areas of work, from social theory to feminist studies, to counselling and psychotherapy. In this thoroughly revised and updated second edition of For and Against Psychoanalysis, Stephen Frosh examines the arguments surrounding psychoanalysis at some key points: its standing as a scientific theory, its value as a method of therapy, its potency as a contributor to debates around identity construction, gender, homosexuality and racism. At each of these points, there is something to be said 'for and against' psychoanalysis, with the balance depending on whether it deepens our understanding of human functioning, whether it is consistent with its own perceptions and theories or seems subservient to social pressures and norms, and whether it is coherent or muddled, evocative or sterile. For and Against Psychoanalysis provides an accessible introduction and critical guide to the current standing of psychoanalysis. It is essential reading for students of psychoanalysis, counselling, psychotherapy and psychology, and for social researchers and social theorists, as well as for those who are simply interested in what place psychoanalysis has in the modern world.

The humanities continue to ride a wave of interest in the material or phenomenological object world. Early in the boom in what we might call Thing Studies, Brown observed that "these days you can read books on the pencil, the zipper, the toilet, the banana, the chair, the potato, the bowler hat." By now the list is a good deal longer. How should we understand the broad spotlight now being cast on the inanimate object world within various disciplines? This book sets out to answer that question by reference to objects as various as puppets and glass plate, writers ranging from Virginia Woolf to Philip K. Dick, and artists as various as Rodin and Man Ray. Taken together, the essays in "Other Things" explain modernism's investment in disclosing an object world whose enchantment persists in the face of disenchantment. Working with conceptual tools derived from the work of Martin Heidegger, Walter Benjamin, and Jacques Lacan, Brown advances an object/thing distinction that grasps the unanticipated force of an object, no matter how banal that object may be. For Brown, gaining purchase on the world we inhabit requires theory to engage the everyday object world, just as it requires us to ask new questions of material culture, including the question of what we mean by materiality itself.

"This work provides an exciting and new understanding of primate social behavior that emerges from a fresh approach to research findings that scientists have long taken for granted"--