Collects the first three sold-out monographs by Swedish illustrator, Kilian Eng.

Blending architecture, design, and technology, a visual tour through futures past via the objects we have replaced, left behind, and forgotten. So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.

The Illustrated Compendium of Weirdly Specific Words is an illustrated dictionary of the 300+ most specific words in the English language, along with their definitions, roots, and (hilarious) usage quotes! Have you ever been lying in your bed, surrounded by crumbs and wrappers, feasting on your fifth pop tart and thought, I wish there was a word for this? Well, there is! Accubationis - the practice of eating and drinking while lying down. The English language is populated by many words that have a regular place in everyday conversation, and The Illustrated Compendium of Weirdly Specific Words celebrates these words by featuring definitions, origins and usage, and coupling illustrations. Words include: Badling (noun) - a group of ducks. Crapulence (noun) - sickness resulting from eating too much. Guddle (verb) - fishing only with your hands. Kaiju (noun) - A film genre characterized by giant, terrifying monsters. Slugabed (noun) - A lazy person who stays in bed late. Wegotism (noun) - The excessive use of the word ‘we'. With more than 300 insanely specific words, you'd think that you would know a few of them, right? Well, think again! We're willing to wager that you don't know a single one of these words! Unless, of course, you have a special interest in the smell of horse urine (the word for that particular odor is jumentuous). The Illustrated Compendium of Weirdly Specific Words not only captures these words through equally specific illustrations, it also tells you what they mean! And like so many great reference books before it, it is organized in alphabetical order, from aglet to zopissa. Readers will close this book a little bit smarter than they were when they picked it up!

Karl Gerstner is one of Switzerland's—and therefore the world's—best and best-known graphic and typographic designers. His high ambition in this book, first published in German in 1972, is to provide a complete and systematic taxonomy of writing, a programmed investigation into the underlying structure of script and type; Gerstner writes that his book is meant to "encompass the aspects and possibilities of the alphabet in their totality." It is this systematic and programmatic approach that sets the book apart. Most studies of typography and its larger graphic setting and context are concerned with the history of the development of writing and printing, or are collections of typographic models or typical examples, or are textbooks on layout and design. This one is organized into five sections that take up, in turn, Script and Speech—the relation between writing and language, different alphabets, reading directions (the eye follows directions and moves in a direction), style; Manual Graphics or craft—materials, tools, methods, procedures, reproductive techniques; Images—letter pictures, word pictures, sentence pictures, handwriting, size, proportion, type weight, form, harmony, texture, brightness, color; Function—as effected through dimensioning, spacing, grouping, layout, integration; and Expression—as achieved through coordination, articulation, emphasis, diversion, and the spirit of play. As a physical object, the book is more than a passive repository of examples of typographic display. It makes a dynamic and integrated typographic statement of its own and as a whole as it progresses and develops in accordance with its internal program. The book is nearly square and opens vertically rather than horizontally. Type is printed on only one side of the sheets, which are folded back on themselves along the outer edge to form double leaves, so that there is no distracting show-through "noise." There are words printed in blind embossing and stencil cutouts. And color is used with an elegant restraint, appearing only at the book's mid-section climax—its very sparseness amid the prevailing sharp black and white contributes a luxurious effect.

Found materials are taking the craft world by storm because the creative potential is tremendous. Contemporary mosaic artists--who continue to expand the limits of construction and materials--can benefit greatly from this movement toward reuse. Even the mosaic neophytes among us can explore the myriad possibilities of these new materials with this fabulous guide. Learn everything you need to get started in the world of found art mosaics, from materials, glass, ceramics, natural materials, grouts, surfaces, sealants, safety gear, and more. The 27 projects here--including the Buttons & Pebbles Vase, Glittering Jewels Belt Buckle, and Recycled Bathtub Garden Planter--each reuse and repurpose objects differently, as the found object may be the surface, the tesserae, or both.