Long ago magical and human’ realms lived in harmony with one another. However, from the darkness creatures of evil hungered for the lands. Lead by the Red Dragon who bewitches a young Creation Creature of magic Kin. The Yellow Dragon tries to defend his sister but cannot defeat the Red Dragon. The Old Ones find Halflings Kin to guard and protect the realms from them all. They are known as Healers

Zachary "Zach" Huff, 55, a billionaire, family face secrets and buried hurt that haunts them. Allison, 48, an elegant woman Zach loves and respect. She births Joshua, Madelyn, and Holly. During a visit to New York, Allison is raped by the family chauffeur, Carlos. Joshua, 30, meets Heather Booking on a 5-days cruise, they engage in a love affair and after leaving the cruise ship, Heather discovers Joshua is Zach's son, and Zach is her former lover. Madelyn, 25, marries Todd Whittaker and births Carla and Hilton. She goes home with Bart and he kills her. Hilton, Madelyn's son, has an affair with a same sex partner. The affair ends when Hilton's car is recovered, but not his body. Holly, 23, has an affair with Victor Sanchez, caretaker of the horses and stable, she gets pregnant, Zach is told Victor is the father, and he gives Victor $100 thousand dollars to leave the mansion and never return.

The anthology " My Oak Tree " is a collection of short stories, poems and articles that deals with special characters that stands as a symbol of strength, stability, power, honour, love, nobility, protection and other values of highest order.The sublime feelings and emotions are well articulated through the works that would definitely be a delight to the readers. This anthology would enthrall the readers with a cluster of interesting works of a variety of perceptions on the special characters of sublime qualities. The anthology has been compiled by P.ArunKumar. The compiler assures that this anthology will provide the best experience to it's readers.

Rodger and Jacob are officially military kids. Theyve had to move to new communities across America since they were babies. In South Carolina, the children had an especially difficult time settling in. This move was particularly difficult because it was the first time their dad couldnt come. His orders delayed him for eight months in Kansas. When he finally joined the family in South Carolina, he had to deploy to Kuwait for almost a year. Their mom knew the boys were having a rough time fitting in at school, 2nd and 4th grade was challenging. One good thing about the move was the family lived near the boys grandparents. Grandma loved to cook and Granddad was always outside fixing something. After school, though, when the boys came home they were so unhappy. Jacob insisted on having a bedtime story before he would go to sleep at night. So their mom would make up these really awesome bedtime stories with the boys as the main characters. It helped them to dream of a place where they were happy all the time. This lifted their spirits on the nights they could not sleep. The story begins with Rodger and Jacob visiting their grandmother who is secretly married to the keeper of the old oak tree, Mr. Stimer, whom the boys meet on accident. Later on, the boys begin to realize that the Oak tree is really magical and that little angel children from heaven called Quiblings, make the magic and that the Stimers vow to live this secret double life so the Quiblings dont have to be sad.

You will see no false nothing false tonight the Hypnotist Tim Crouch's second play collapses a tale of loss and grief into an exploration of theatrical representation, in a piece of theatre that is at once formally innovative and profoundly moving. Written for two actors, An Oak Tree depicts the fraught meeting of a grieving father and the stage hypnotist who was behind the wheel of the car that killed his daughter, with the father played by a different actor at each performance, walking on stage with no prior knowledge of the play. Catherine Love explores An Oak Tree's connections with conceptual art, the unique process of its creation, its interrogation of stage representation, its relationship with audiences, and its place as part of Crouch's ongoing body of work.

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