Acclaimed novelist, editor, and critic Eric Miles Williamson, with the publication of his first book of nonfiction, establishes himself as one of the premier critics of his generation. There is no other book that resembles Oakland, Jack London, and Me. The parallels between the lives of Jack London and Eric Miles Williamson are startling: Both grew up in the same waterfront ghetto of Oakland, California; neither knew who his father was; both had insane mothers; both did menial jobs as youths and young men; both spent time homeless; both made their treks to the Northlands; both became authors; and both cannot reconcile their attitudes toward the poor, what Jack London calls "the people of the abyss." With this as a premise, Williamson examines not only the life and work of Jack London, but his own life and attitudes toward the poor, toward London, Oakland, culture and literature. A blend of autobiography, criticism, scholarship, and polemic, Oakland, Jack London, and Me is a book written not just for academics and students. Jack London remains one of the best-selling American authors in the world, and Williamson's Oakland, Jack London, and Me is as accessible as any of the works of London, his direct literary forbear and mentor.

"The first authorized biography of a great American novelist"--

Jack London (1876–1916) lived a life of excess by conventional standards. Daring, outspoken, politically radical, amazingly imaginative, and emotionally complicated, the author of literary classics such as The Call of the Wild and The Sea-Wolf emerges in Kenneth K. Brandt’s new biography as a vital and flawed embodiment of conflicting yearnings. London’s exuberant energies propelled him out of the working class to become a world-famous writer by the age of twenty-seven—after stints as a child laborer, an oyster pirate, a Pacific seaman, and a convict. He wrote extensively about his travels to Japan, the Yukon, the slums of London’s East End, Korea, Hawaii, and the South Seas. Swiftly paced, intellectually engaging, and richly dramatic, London’s writings—bolstered by their wildly clashing philosophical viewpoints derived from thinkers like Nietzsche, Marx, and Darwin—continue to engross readers with their depictions of primal urges, raw sensations, and reformist politics.

"The Star Rover is an imaginative flight into man's history, rendered in London's most realistic terms. It is the story of Darrell Standing, condemned to solitary confinement in a corrupt prison, who learns to free his soul from his body and escape his pain, to go winging off through space and time."-From dust jacket.