O livro, "... Não Verá a Deus" é um livro que tenta transmitir, não a ideia de que o Homem morre na Terra, sem ver Deus porque como Deus transmitiu ao Homem, este vê-lo-á aquando do seu julgamento no Céu, mas sim, que o Homem não verá a Deus só porque não acredita na existencia de Deus. Pode-se até considerar a morte do Homem, na Terra, como a razão do sentido da vida do Homem, que é ver Deus e, por isso, o Homem não morre por morrer, mas sim, com a razão de ver a Deus, no Seu dominio que é o Céu, pelo que se não fosse esta razão, a morte não existia. E, por isso, tal como a montanha não vai a Maomé, embora existindo, vai Maomé à montanha e, da mesma forma, não vindo Deus ao Homem, embora já o tenha feito hão dois mil anos atrás, sem ter sido reconhecido pelo Homem, vai este a Deus que tambem existe, tal como a montanha.

22 White, wide and scattered: picturing her housing career -- 23 Toward a theory of Interior -- 24 Repositioning. Theory now. Don't excavate, change reality! -- Part VII: Forms of engagement -- 25 (Un)political -- 26 Prince complex: narcissism and reproduction of the architectural mirror -- 27 Less than enough: a critique of Aureli's project -- 28 Repositioning. Having ideas -- 29 Post-scriptum. 'But that is not enough' -- Index

Anti-Literature articulates a rethinking of what is meant today by "literature." Examining key Latin American forms of experimental writing from the 1920s to the present, Adam Joseph Shellhorse reveals literature's power as a site for radical reflection and reaction to contemporary political and cultural conditions. His analysis engages the work of writers such as Clarice Lispector, Oswald de Andrade, the Brazilian concrete poets, Osman Lins, and David Vi–as, to develop a theory of anti-literature that posits the feminine, multimedial, and subaltern as central to the undoing of what is meant by "literature." By placing Brazilian and Argentine anti-literature at the crux of a new way of thinking about the field, Shellhorse challenges prevailing discussions about the historical projection and critical force of Latin American literature. Examining a diverse array of texts and media that include the visual arts, concrete poetry, film scripts, pop culture, neo-baroque narrative, and others that defy genre, Shellhorse delineates the subversive potential of anti-literary modes of writing while also engaging current debates in Latin American studies on subalternity, feminine writing, posthegemony, concretism, affect, marranismo, and the politics of aesthetics.

The texts presented in Proportion Harmonies and Identities (PHI) Creating Through Mind and Emotions were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. This platform also aims to foster the awareness and discussion on Creating Through Mind and Emotions, focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. The idea of Creating Through Mind and Emotions has been a powerful motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.