What do you prescribe a depressed sea nymph? A handsome tree nymph, of course. Grinka can’t stop dreaming of Bello, the hunky tree nymph she met a couple years ago. Unfortunately, sharing her bed with her drama llama teen nymph sister has put a damper on her love life. Who’s she kidding? Her love life was nonexistent even before she took in her runaway sister. Well, aside from the incident with her goblin ex-boyfriend and his dwarven girlfriend – an event that continues to haunt her in the form of the stalker dwarf. But Grinka’s not-so-giant giant best friend brings her the gift of Bello’s phone number. Can she summon the courage to call him for a date? And if so, what will her sister and the fairy brats do to ruin it for her this time?

Take one grouchy sea nymph, add a woeful human-sized giant, and mix in two lewd, drunken fairies. What do you get? An unsavory blend of immortals attempting to live together in the real world. 7 Humorous Fantasy Tales in the Fractured Fairies series, including: Immortal Woes Nothing like having a suicidal not-so-giant giant as a best friend. Unless you also have a couple of drunken fairy pests tormenting him about his small stature. Grinka's the lucky sea nymph who has both. Between comforting her friend and stopping the lewd fairies from taunting him with a death powder, her temper gets the best of her. And when it does, things explode. Ode To Buses And Libraries A maddening itch on the back of Grinka’s neck drives her to seek answers. Unfortunately, the information about her skin condition can only be found at the Immortal Library. Getting to the library proves difficult, especially when riding the Immortal Express bus line. Between a lackadaisical centaur and the drunken fairy siblings, it's a wonder Grinka hasn't exploded them all. Oh wait, she has. S.O.L. Air That whole “life’s a journey, not a destination” nonsense doesn’t hold water with Grinka. Especially when she books a flight to Vegas to get away from the two fairy nitwits. She fails to consider the aquatic ramifications of a sea nymph in the air. And a chance encounter with her goblin ex-boyfriend, Hrelm, threatens to delay her even further. Seriously, what’s it going to take for Grinka to get to Vegas and gamble away her meager savings? Monster In The Room What does a sea nymph do when she comes home to find a monster filling her entire living room? Find out in this bite-sized gulp of Grinka. A Very Grinka Christmas Grinka's main goal for Christmas: survive without celebrating a damned thing. Between playing an elf to her mopey human-sized giant friend’s Santa and contending with the fairy siblings’ holiday revelries, she’s got her work cut out for her. When uninvited guests appear on her doorstep, she’s forced to face a party of all the people she ran from when she left the Immortal World. No thanks to that torture! Grinka plots to avoid the party, until she meets a handsome tree nymph who agrees to attend. Maybe, just maybe, this year Grinka will have a Merry Christmas. Bytes Bite, And So Do Fairies As usual, Grinka the sea nymph can’t catch a break. She simply wants to publish her novel. Unfortunately, the two fairy thorns in her side mess with her computer. Too bad they’re immortal and can’t meet the same demise as the innumerable fairies in her book. If that isn’t enough of a plague, Grinka’s sister Raina pops in from the Immortal World, bringing the first immortal virus with her. And now, Grinka is quarantined in her room with the two fairy nitwits. Will she survive to hit publish, or will the rainbows and fairies win? Nymphs Need Love Too What do you prescribe a depressed sea nymph? A handsome tree nymph, of course. Grinka can’t stop dreaming of Bello, the hunky tree nymph she met a couple years ago. Unfortunately, sharing her bed with her drama llama teen nymph sister has put a damper on her love life. Who’s she kidding? Her love life was nonexistent even before she took in her runaway sister. Well, aside from the incident with her goblin ex-boyfriend and his dwarven girlfriend – an event that continues to haunt her in the form of the stalker dwarf. But Grinka’s not-so-giant giant best friend brings her the gift of Bello’s phone number. Can she summon the courage to call him for a date? And if so, what will her sister and the fairy brats do to ruin it for her this time? Trigger Warning: Suicide mentioned, albeit concerning immortals only.

In a magical world where being different is the norm, why must Rye Woods fear for her life if the truth about her hidden identity is revealed? When Rye Woods, a fairy, meets the beautiful dryad Flora Withe, her libido, as squashed and hidden as her wings, reawakens along with her heart. But Rye is a poor builder's labourer with a teenage sister to raise, while Flora is a wealthy artist-celebrity with a tree-top condominium and a sporty, late-model flying carpet. If those arenÕt obstacles enough to the scorching attraction that rapidly develops, Rye lives under the pall of a dark secret that has made her a fugitive in the very land where she sought freedom. The more Rye reveals to Flora, the more vulnerable she is to her past catching up with her. Can she and Flora find their way to loving one another in the face of their social and cultural differences while struggling with the dark forces that threaten Rye?

In many ways, this is the story of the birth of the American style in classical music. George Whitefield Chadwick (1854-1931) was one of the most significant and influential American composers at the turn of the twentieth century and a leading light of the Boston cultural scene. Bill F. Faucett offers a detailed exploration of Chadwick's life and art utilizing archival material only recently made available. These crucial primary sources, including letters, diaries, and memoirs, enable a deeper and more nuanced understanding of Chadwick's music and aesthetic perspective, and provide a clearer lens through which to view his life, career, and times. The book traces Chadwick's story from his earliest musical education to his surging career in Boston's nascent musical culture of the 1880s, to his fruitful middle years, and finally to his later life and towering legacy. In addition to bringing newfound appreciation of Chadwick's life, Faucett's book offers penetrating examinations of his major compositions and a vivid re-creation of Boston's rich and influential musical and cultural scene.

Now it is possible for the first time to trace in a systematic way the language patterns of one of the greatest poets who have written in English, W. B. Yeats. Like A Concordance to the Poems of Matthew Arnold, the first of the Cornell Concordances that are under the general editorship of Professor Parrish, this volume was produced on an IBM 704 electronic data-processing machine. Computer technique has so advanced that the Yeats concordance includes punctuation and gives cross references for the second parts of hyphenated words. The frequency of every word in Yeats's poems is given, and an appendix lists all indexed words in order of frequency. The body of this book consists of an index of all significant words in Yeats, each word listed in the line or lines in which it occurs. The concordance is based on the variorum text of Yeats, edited by Alspach and Allt, and includes all variants that occur in printed versions of Yeats's poems.