This book is the first full-length study of the museum object as a memory medium in history exhibitions about the Nazi era, the Second World War, and the Holocaust. Over recent decades, German and Austrian exhibition-makers have engaged in significant programmes of object collection, often in collaboration with witnesses and descendants. At the same time, exhibition-makers have come to recognise the degree to which the National Socialist era was experienced materially, through the loss, acquisition, imposition, destruction, and re-purposing of objects. In the decades after 1945, encounters with material culture from the Nazi past continued, both within the family and in the public sphere. In analysing how these material engagements are explored in the museum, the book not only illuminates a key aspect of German and Austrian cultural memory but contributes to wider debates about relationships between the human and object worlds.

A look at Adolf Hitler’s residences and their role in constructing and promoting the dictator’s private persona both within Germany and abroad. Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the Führer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him. “Inarguably the powder-keg title of the year.”—Mitchell Owen, Architectural Digest “A fascinating read, which reminds us that in Nazi Germany the architectural and the political can never be disentangled. Like his own confected image, Hitler’s buildings cannot be divorced from their odious political hinterland.”—Roger Moorhouse, Times

'Traumascapes are a distinctive category of places transformed physically and psychically by suffering, part of a scar tissue that stretches across the world.' Maria Tumarkin grew up in the old Soviet Union, and emigrated to Australia as a teenager. In 2004, she embarked on an international odyssey to investigate and write about major sites of violence and suffering. Traumascapes is a powerful meditation on the places she visited: Bali, Berlin, Manhattan, Moscow, Port Arthur, Sarajevo, and the field in Pennsylvania where the fourth plane involved in the attacks of September 11 2001 crashed. In a time when terror and tragedy flourish these locations exhibit a compelling power, drawing pilgrims and tourists from around the world who want to understand the meaning of the traumatic events that unfolded there. In traumascapes, life goes on but the past is still unfinished business.

The book showcases more than 100 independent magazines from 30 countries¦around the globe with stunning spreads and layouts. Edited by passionate magazine¦connoisseurs, it features exclusive interviews with international experts and¦at the same time illustrates the diverse topics that are fundamental to magazine¦publishing such as the golden rules of advertising, the secret to success, finding¦out who your readers are and how to go about making each issue.¦We Make Magazines includes a magazine directory on over 700 of the most cutting-¦edge independent magazines worldwide and is presented in a visually driven¦format with cover images, spreads as well as websites. Ten guest magazines at¦the vanguard of independent magazine publishing are also highlighted with indepth¦interviews with the editors and founders. These include BabyBabyBaby¦(Mexico), Good (US), idN (Hong Kong) Karen (UK), Kasino A4 (Finland), Las Mas Bella¦(Spain), Liebling (Germany), Nuke (France), Sang Bleu (Switzerland) and Volume¦(Netherlands).¦

Studying Cultural Landscapes combines a collection of lively and engaging essays covering the symbolic reading of a wide variety of landscapes. It offers historical, cultural, political, visual and poetic perspectives, offering analyses of landscape forms from the rural to the celluloid. Essential reading for any student of cultural geography, as well as students taking related interdisciplinary subjects, who would like to explore the multiple meaning of landscape.

Wallpaper* City Guides are a ruthlessly-researched, design-conscious guide, for the discerning traveller who wants to come away with a true taste of the best a city has to offer.