Read the heart wrenching stories of Aaron, Billy, and Derek, who have been sexually abused and are roommates in King Behavioral Health Center for Troubled Youths, as they weave through life painfully discovering that it is...Nowhere Near Fair

Following up her acclaimed debut, Because You'll Never Meet Me, Leah Thomas continues the stories of Ollie and Moritz in another heart-warming story of unique friendship

Milkwood is not a nice place to be. With the passing of generations, it has curdled. At night it casts a buttery light on the moon. Fortunately, all the action in this book occurs elsewhere. It mostly happens in a warped version of the music industry or in an impossible tavern or in a future where everything is illegal. It sometimes even happens outside the narrative. But never in Milkwood. Never. Milkwood is barely even mentioned. For it is not a nice place to be.

The New York Times bestselling author of Never Less Than a Lady “will draw the readers into a world of espionage and danger” (Fresh Fiction). Mary Jo Putney’s riveting Lost Lords series unleashes a high stakes royal plot—which may prove easier for Damian Mackenzie to handle than his own unruly desire . . . He’s a bastard and a gambler and society’s favorite reprobate. But to Lady Kiri Lawford he’s a hero—braver than the smugglers he rescues her from, more honorable than any lord she’s ever met, and far more attractive than any man has a right to be. How can she not fall in love? But Damian Mackenzie has secrets that leave no room in his life for courting high-born young ladies—especially not the sister of one of his oldest friends. Yet when Kiri’s quick thinking reveals a deadly threat to England’s crown, Damian learns that she is nowhere near as prim and respectable as he first assumed—and the lady is far more alluring than any man can resist . . . Praise for Mary Jo Putney and the Lost Lords series “Romance at its best!”—Julia Quinn “Intoxicating, romantic and utterly ravishing. . .”—Eloisa James “Putney’s endearing characters and warm-hearted stories never fail to inspire and delight.”—Sabrina Jeffries “Adventure, passion and pure reading pleasure!”—Jo Beverley “No one writes historical romance better.”—Cathy Maxwell “Delivers captivating characters, an impeccably realized Regency setting, and a thrilling plot rich in action and adventure.”—Booklist (starred review)

In The Ethics of Parenthood Norvin Richards explores the moral relationship between parents and children from slightly before the cradle to slightly before the grave. Richards maintains that biological parents do ordinarily have a right to raise their children, not as a property right but as an instance of our general right to continue whatever we have begun. The contention is that creating a child is a first act of parenthood, hence it ordinarily carries a right to continue as parent to that child. Implications are drawn for a wide range of cases, including those of Baby Jessica and Baby Richard, prenatal abandonment, babies switched at birth and sent home with the wrong parents, and families separated by war or natural disaster. A second contention is that children have a claim of their own to have their autonomy respected, and that this claim is stronger the better the grounds for believing that what the child's actions express is a self of the child's own. A final set of chapters concern parents and their grown children. Views are offered about what duties parents have at this stage of life, about what is required in order to treat grown children as adults, and about what obligations grown children have to their parents. In the final chapter Richards discusses the contention that parents sometimes have an obligation to die rather than permit their children to make the sacrifices needed to keep them alive, arguing that a leading view about this undervalues both love and autonomy.