This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.

DIVDIVAn unforgettable chronicle of an era by one of America’s wildest—and most brilliant—comedic and literary minds/divDIV /divDIVEdited by Nile Southern and Josh Alan Friedman/divDIV Starting with his landing at the Battle of the Bulge, Terry Southern showed a knack for winding up in the world’s most interesting places. He spent the fifties on the Left Bank of Paris, the sixties in mod London, and the seventies touring with the Rolling Stones. When the Beatles rolled out their famous pantheon of movers and shakers for the cover of Sgt. Pepper, Terry was the only guy wearing shades. When police broke heads during the ’68 democratic convention in Chicago, Southern was there to bear witness. And when Stanley Kubrick needed someone to make Dr. Strangelove funny, there was only one man qualified for the job. /divDIV /divDIVAs the golden age of rock ’n’ roll wound down, Southern never stopped writing, and his prose never lost its trademark intensity. Filthy, fierce, and relentlessly dazzling, these letters, essays, stories, and interviews are an electric testament to one of the keenest wits of the twentieth century./divDIV /divDIVThis ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate./div/div

Dig deep into the origins of building. The ground, now often used as a passive foundation for going higher, is rife with possibilities. Bjarne Mastenbroek investigates the relationship architecture has, had, and will have, with site and nature. Dissecting structures from the past millennia, this nearly 1,400 page global survey, designed by...

Winner of the Michael L. Printz Medal ★“King’s narrative concerns are racism, patriarchy, colonialism, white privilege, and the ingrained systems that perpetuate them. . . . [Dig] will speak profoundly to a generation of young people who are waking up to the societal sins of the past and working toward a more equitable future.”—Horn Book, starred review “I’ve never understood white people who can’t admit they’re white. I mean, white isn’t just a color. And maybe that’s the problem for them. White is a passport. It’s a ticket.” Five estranged cousins are lost in a maze of their family’s tangled secrets. Their grandparents, former potato farmers Gottfried and Marla Hemmings, managed to trade digging spuds for developing subdivisions and now they sit atop a million-dollar bank account—wealth they’ve refused to pass on to their adult children or their five teenage grandchildren. “Because we want them to thrive,” Marla always says. But for the Hemmings cousins, “thriving” feels a lot like slowly dying of a poison they started taking the moment they were born. As the rot beneath the surface of the Hemmings’ white suburban respectability destroys the family from within, the cousins find their ways back to one another, just in time to uncover the terrible cost of maintaining the family name. With her inimitable surrealism, award winner A.S. King exposes how a toxic culture of polite white supremacy tears a family apart and how one determined generation can dig its way out.

How Archaeologists Uncover Our Past

Filled with reproductions of Kehinde Wiley’s bold, colorful, and monumental work, this book encompasses the artist’s various series of paintings as well as his sculptural work—which boldly explore ideas about race, power, and tradition. Celebrated for his classically styled paintings that depict African American men in heroic poses, Kehinde Wiley is among the expanding ranks of prominent black artists—such as Sanford Biggers, Yinka Shonibare, Mickalene Thomas, and Lynette Yiadom-Boakye—who are reworking art history and questioning its depictions of people of color. Co-published with the Brooklyn Museum of Art for the major touring retrospective, this volume surveys Wiley’s career from 2001 to the present. It includes early portraits of the men Wiley observed on Harlem’s streets, and which laid the foundation for his acclaimed reworkings of Old Master paintings by Titian, van Dyke, Manet, and others, in which he replaces historical subjects with young African American men in contemporary attire: puffy jackets, sneakers, hoodies, and baseball caps. Also included is a generous selection from Wiley’s ongoing World Stage project; several of his enormous Down paintings; striking male portrait busts in bronze; and examples from the artist’s new series of stained glass windows. Accompanying the illustrations are essays that introduce readers to the arc of Wiley’s career, its critical reception, and ongoing evolution.

Before the "new journalism" of Wolfe, Talese, and Kubrick, before the Brave Gonzo World of Hunter S. Thompson, there was legendary cult writer Terry Southern. This widely recognized underground classic is a collection of Southern's short pieces--two dozen hilarious, well-observed sketches which expose the hypocrisy of American social mores.