BONUS: This edition contains an excerpt from Tom Piccirilli's The Last Kind Words. Two years ago Shad Jenkins went to prison for assaulting his sister’s attacker. Now he has returned to the southern mountain town of Moon Run Hollow, only to find that Megan is dead. No one knows how she died–or why she was found on Gospel Trail Road, a dirt path leading up to the gorge high above the Chatalaha River, where victims of yellow fever were once brought to die. Navigating a world filled with abnormal children and clandestine snake handlers, one that is slowly being poisoned by illegal moonshine, Shad must pierce the townsfolk’s superstitions and terrible secrets to find out the truth about his sister’s death. But the Blood Dreams he’s suffered from since childhood have taken on an eerie urgency, revealing to Shad the nightmarish form of an unseen adversary. Plagued by the wraiths that haunt the hollow, Shad finds himself increasingly unsure of his own sanity as he begins to piece together what may have happened to his sister–and who exactly his enemy is....

Returning to the Southern mountain town of Moon Run Hollow after serving time in prison for assaulting his sister's attacker, Shad Jenkins discovers that his sister Megan has been found dead of unknown causes and, tormented by the dark Blood Dreams from which he has suffered since childhood, must confront a nightmarish adversary whose evil permeates the hollow. Original.

At the time of his death in 2004, Jacques Derrida was arguably the most influential and the most controversial thinker in contemporary philosophy. But how does one respond to the death of Jacques Derrida? How does one mourn for Derrida, who spent thirty years warning of the dangers of mourning, while insisting that mourning is both unavoidable and impossible? In this original and engaging response to Derrida's death, Sean Gaston re-examines his own relationship with this great thinker and traces his own mourning, while examining the very nature of mourning in Derrida's work. Written in the immediate aftermath of Derrida's death, this insightful and touching account offers a fresh analysis of a vital element of Derrida's thought and a genuine reflection on the implications of Derrida's death for how we will now address his work.

Of 37,000 reports of mourning dove band recoveries in the files of the Migratory Bird Populations Station on October 30, 1967, 1,120 came from Mexico, and half of those were from Jalisco and Michoacan, both in west-central Mexico; Jalisco alone accounted for nearly a third. Few recoveries were reported from the area between the U.S. border and mid-Mexico. Generally, lower proportions of total recoveries were reported from Mexico under the current pre-hunting season banding program for flying birds than were reported from the nestling dove banding program of the 1950's. Bandings in the northern U.S. States produced proportionally more recoveries than bandings in the southern U.S. States. Doves banded over diverse areas of the United States were harvested in common migration with wintering areas in Mexico. Possible explanations of the heterogeneous distribution of recoveries throughout Mexico are discussed. Of the banded birds for which "how obtained" was known, 83.5 percent were reported as shot (or killed) and only 3.2 percent reported as captured or trapped. Among 658 persons who gave their name and residence when they reported bands, 95.7 percent had typically Spanish surnames and were residents of Mexico. Depending upon actual banding reporting rates and the representativeness of the banding data analyzed, the Mexican dove harvest may equal or exceed harvests in leading U.S. States. Factors influencing band reporting rates must be resolved before Mexico's importance as a harvest area can be accurately determined.

Though it has often been passionately criticized--as fraudulent, exploitative, even pagan--the American funeral home has become nearly as inevitable as death itself, an institution firmly embedded in our culture. But how did the funeral home come to hold such a position? What is its history? And is it guilty of the charges sometimes leveled against it? In Rest in Peace, Gary Laderman traces the origins of American funeral rituals, from the evolution of embalming techniques during and after the Civil War and the shift from home funerals to funeral homes at the turn of the century, to the increasing subordination of priests, ministers, and other religious figures to the funeral director throughout the twentieth century. In doing so he shows that far from manipulating vulnerable mourners, as Jessica Mitford claimed in her best-selling The American Way of Death (1963), funeral directors are highly respected figures whose services reflect the community's deepest needs and wishes. Indeed, Laderman shows that funeral directors generally give the people what they want when it is time to bury our dead. He reveals, for example, that the open casket, often criticized as barbaric, provides a deeply meaningful moment for friends and family who must say goodbye to their loved one. But he also shows how the dead often come back to life in the popular imagination to disturb the peace of the living. Drawing upon interviews with funeral directors, major historical events like the funerals of John F. Kennedy and Rudolf Valentino, films, television, newspaper reports, proposals for funeral reform, and other primary sources, Rest in Peace cuts through the rhetoric to show us the reality--and the real cultural value--of the American funeral.

This book questions the junctions of the private and the public when it comes to trauma, loss, and the work of mourning - notions which, it is argued, challenge our very ideas of the individual and the shared. It asks, to paraphrase Adorno, 'What do we mean by "working through the past"?, 'How is a shared work of mourning to be understood?', and 'With what legitimacy do we consider a particular social or cultural practice to be "mourning"?' Rather than aiming to present a diagnosis of the political present, this volume instead takes one step back to pose the question of what mourning might mean and what its social dimension consists in. Contributors reflect on the trauma of the Holocaust, the after-effects of the Vietnam War in the US, the Lebanese war-torn experience, victims of the Pacific War in Taiwan, and the Chilean dictatorship.

Death is a sensitive subject for most people. Whether due to fear or superstition, many individuals avoid the topic of mortality. For teens, the subject is taboo as well. Most young adults believe that death won’t affect them, so they’d rather not talk about it. But death is a natural course of life, and everyone—including teens—will encounter it at some time in their lives, some sooner than later, and some unexpectedly. In Dealing with Death: The Ultimate Teen Guide, Kathlyn Gay addresses this difficult subject, providing matter-of-fact discussions on a number of issues that help teens better understand the nature of mortality. This book looks at the personal, legal, and moral questions related to death, including How do you deal with the deal of a loved one? What’s it like to live with a terminal illness? What happens after you die? Featuring real stories and quotes from teens about their experiences, this book shows young adults a variety of views on dying and grieving. This book will help readers deal with death—not only the reality that death is inevitable for all of us—but also the many ways people face death and bereavement. Dealing with Death serves as a valuable resource for all teens, whether they are dealing with tragedy or just looking for more information on a tough subject.