"The Insulted and Injured, which came out in 1861, was Fyodor Dostoevsky's first major work of fiction after his Siberian exile and the first of the long novels that made him famous. Set in nineteenth-century Petersburg, this gripping novel features a vividly drawn set of characters - including Vanya (Dostoevsky's semi-autobiographical hero), Natasha (the woman he loves), and Alyosha (Natasha's aristocratic lover) - all suffering from the cruelly selfish machinations of Alyosha's father, the dark and powerful Prince Valkovsky. Boris Jakim's fresh English-language rendering of this gem in the Doestoevsky canon is both more colorful and more accurate than any earlier translation." --from back cover.

The book description for the previously published "Dostoevsky: The Stir of Liberation, 1860-1865" is not yet available.

Most discussions of sexuality in the work of Dostoevsky have been framed in Freudian terms. But Dostoevsky himself wrote about sexuality from a decidedly pre-Freudian perspective. By looking at the views of human sexual development that were available in Dostoevsky's time and that he, an avid reader and observer of his own social context, absorbed and reacted to, Susanne Fusso gives us a new way of understanding a critical element in the writing of one of Russia's literary masters. Beyond discovering Dostoevsky's own views and representations of sexuality as a reflection of his culture and his time, Fusso also explores his artistic treatment of how children and adolescents discover sexuality as part of their growth. Some of the topics Fusso considers are Dostoevsky's search for an appropriate artistic language for sexuality, a young narrator's experimentation with homoerotic desire and unconventional narrative in A Raw Youth; and Dostoevsky's approach to a young man's sexual development in A Raw Youth and The Brothers Karamazov. She also explores his complex treatment of a child's secret sexuality in his account of the Kroneberg child abuse case in A Writer's Diary; and his conception of the ideal family, a type of family that appears in his works mainly by negative example. Focusing mainly on sexual practices considered "deviant" in Dostoevsky's time--both because these are the practices that his young characters confront and because they offer the most intriguing interpretive problems--Fusso decodes the author's texts and their social contexts. In doing so, she highlights one thread in the intricate thematic weave of Dostoevsky's novels and newly illuminates his artistic process.