An evocative portrait of the beloved and acclaimed poet, whose late-in-life success took the literary world by storm. “Clampitt comes to life here...Spiegelman’s Nothing Stays Put embodies a different kind of investigation, not surveillance but a thoughtful examination that at times still spins off into a kind of awe.” —The Washington Post With the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we’ve invented to describe it. Giving equal weight to the life and the poetry, Spiegelman untangles Clampitt’s famously allusive lines to reveal the experiences they emerged from, pulling the curtain back on her nearly four decades of artistic anonymity, and in doing so assembling a rich period piece of Manhattan during the days in which Clampitt worked for Oxford University Press and the National Audubon Society—writing cheery, discursive office memos, and two novels that never got published, before hitting her stride in verse. Nothing Stays Put is a gift to poetry fans, an inspiration to artists striving at any age, and an ode to this most unlikely of literary celebrities, who would publish five acclaimed books and win a MacArthur “Genius Grant” nearly all in the final decade of her life.

The Monkeewrench crew returns to face the city of Minneapolis's worst nightmare--a rampant serial killer on the loose--in this electrifying thriller from the author of The Sixth Idea. When Minneapolis homicide detectives Leo Magozzi and Gino Rolseth are called to a crime scene in a heavily wooded city park, everything about the setting is all too familiar. And when they discover a playing card on the victim's body, their worst fears are confirmed--there's a serial killer operating in the city for the first time in years. Across town, Grace MacBride and her unconventional partners at Monkeewrench Software find themselves at both personal and career crossroads. Weary of the darker side of their computer work for law enforcement, they agree to take on a private missing-persons case in a small farming community in southwestern Minnesota. As the violence accelerates in Minneapolis, Magozzi and Gino soon realize their killer is planning to complete the deck, and they enlist Monkeewrench to help stop the rampage. As a baffling tangle of evidence accumulates, the cops and Monkeewrench make the unlikely connections among a farmer's missing daughter, a serial killer, and a decades-old stabbing that brings them face-to-face with pure evil.

Now, for the first time, Clammpitt's five poetry collections are brought together in a single volume, allowing us to experience anew the distinctiveness of her voice: the brilliant language--an appealing mix of formal and everyday expression--that poured out with such passion and was shaped in rhythms and patterns entirely her own. • With a foreword by Mary Jo Salter The Collected Poems offers us a chance to consider freshly the breadth of Amy Clampitt's vision and poetic achievement. It is a volume that her many admirers will treasure and that will provide a magnificent introduction for a new generation of readers. When Amy Clampitt's first book of poems, The Kingfisher, was published in January 1983, the response was jubilant. The poet was sixty-three years old, and there had been no debut like hers in recent memory. "A dance of language," said May Swenson. "A genius for places," wrote J. D. McClatchy, and the New York Times Book Review said, "With the publication of her brilliant first book, Clampitt immediately merits consideration as one of the most distinguished contemporary poets." She went on to publish four more collections in the next eleven years, the last one, A Silence Opens, appearing in the year she died. Amy Clampitt's themes are the very American ones of place and displacement. She, like her pioneer ancestors, moved frequently, but she wrote with lasting and deep feeling about all sorts of landscapes--the prairies of her Iowa childhood, the fog-wrapped coast of Maine, and places she visited in Europe, from the western isles of Scotland to Italy's lush countryside. She lived most of her adult life in New York City, and many of her best-known poems, such as "Times Square Water Music" and "Manhattan Elegy," are set there. She did not hesitate to take on the larger upheavals of the twentieth century--war, Holocaust, exile--and poems like "The Burning Child" and "Sed de Correr" remind us of the dark nightmare lurking in the interstices of our daily existence. It is impossible to speak of Amy Clampitt's poetry without mentioning her immense, lifelong love of birds and wildflowers, a love that produced some of her most profound images--like the kingfisher's "burnished plunge, the color / of felicity afire," which came "glancing like an arrow / through landscapes of untended memory" to remind her of the uninhabitable sorrow of an affair gone wrong; or the sun underfoot among the sundews, "so dazzling / . . . that, looking, / you start to fall upward."

From Ron Rash, PEN / Faulkner Award finalist and New York Times bestselling author of Serena, comes a new collection of unforgettable stories set in Appalachia that focuses on the lives of those haunted by violence and tenderness, hope and fear—spanning the Civil War to the present day. The darkness of Ron Rash’s work contrasts with its unexpected sensitivity and stark beauty in a manner that could only be accomplished by this master of the short story form. Nothing Gold Can Stay includes 14 stories, including Rash’s “The Trusty,” which first appeared in The New Yorker.

The Monkeewrench crew returns to face the city of Minneapolis’s worst nightmare—a rampant serial killer on the loose—in this electrifying thriller from the author of The Sixth Idea. When Minneapolis homicide detectives Leo Magozzi and Gino Rolseth are called to a crime scene in a heavily wooded city park, everything about the setting is all too familiar. And when they discover a playing card on the victim's body, their worst fears are confirmed—there’s a serial killer operating in the city for the first time in years. Across town, Grace MacBride and her unconventional partners at Monkeewrench Software find themselves at both personal and career crossroads. Weary of the darker side of their computer work for law enforcement, they agree to take on a private missing-persons case in a small farming community in southwestern Minnesota. As the violence accelerates in Minneapolis, Magozzi and Gino soon realize their killer is planning to complete the deck, and they enlist Monkeewrench to help stop the rampage. As a baffling tangle of evidence accumulates, the cops and Monkeewrench make the unlikely connections among a farmer’s missing daughter, a serial killer, and a decades-old stabbing that brings them face-to-face with pure evil.

"After one of the most extraordinary late starts in our literature . . . Amy Clampitt has become one of our poetry's necessary imaginations."---William Logan, Chicago Tribune --

The plays in this collection reflect on the political and social issues of contemporary Indian society. Stone Idols retells the story of Buddha through the experience of an actress in a theatre group. The play addresses the complexities of self and identity while deconstructing the mythical story of Buddha. The Beauty Parlour shows the contradictions of an urban middle class girl who is victimized by the male gaze and market economy. The play is set in an Indian urban metropolis where the central character lives a life with tremendous pressure in terms of day-to-day living. The plays in this collection address the issues of sexuality and gender politics that are widespread in Indian social and cultural life. This is a rare collection of two plays with a rare combination of innovative style, literary brilliance and philosophical insights. The book includes critical essays and production photographs.