'Vibrant, warm and often hilarious. An absolute delight' JANE FALLON 'Read Nothing Left Unsaid in two greedy stints. It's a novel written with wit, righteous rage and compassion' NIGELLA LAWSON 'A warm, touching and humorous hymn of praise to those she describes as "wee warrior women"' SUNDAY TIMES SCOTLAND GLASGOW, 2019. Sharon has rushed home at the news her mother has been admitted to hospital. It's clear Senga's life is coming to an end. As Sharon gathers family and friends together to say goodbye, Senga, as always, does things in her own mysterious way. She instructs Sharon to find the red diary she kept in the 1970s and to read it. There's something Senga needs to talk about while she still has time. The journey into her mother's past is both shocking and surprising, forcing Sharon to re-evaluate her own childhood, her marriage and what she wants her own future to hold. GLASGOW, 1976. Life in the tenements of Shettleston is a daily struggle. You need your wits about you to survive, and your friends. Senga has both in spades: she is part of the Shettleston 'menage' alongside her friends Bunty,Sandra, Philomena and Isa, and whatever life hands to them - cheating husbands, poverty, illness, threats and abuse - they throw something back just as hard. These women are strong because they need to be. And they never, ever walk away in times of crisis - as Sharon is about to find out. Praise for Janey Godley: 'Sharpest-elbowed comedy in the world' The New York Times 'A great comic' Billy Connolly

Since lockdown began, people have woken up to Janey Godley's comedy by the hundreds of thousands... [She] has provided much-needed relief throughout the coronavirus pandemic with her gallus Glesga interpretations which have been shared around the country with much glee. – Daily Record 'Ye've been TELT. Everybuddy's gonnae die if yeez aw keep gaun aboot an meetin each other an gaun hame wi a virus oan ye. So Ah've telt ye wance an Ah'm no gonnae tell ye again. This is the official line. If Ah see any o you oot there, Ah'm gonnae take a run an pit ma toe up the crack o yer arse. SO QUIT IT! Stey in the hoose, wash yer hands an keep yer family safe.'

Brought up amid near-Dickensian squalour in the tough East End of Glasgow and sexually abused by her uncle, Janey married into a Glasgow criminal family as a teenager, then found herself having to cope with the murder of her mother, violence, religious sectarianism, abject poverty and a frightening family of in-laws. First-hand, Janey saw the gangland violence and met extraordinary characters within an enclosed and seldom-revealed Glasgow underworld - from the grim and far-from-Swinging 60s, to the discos of the 70s, to the tidal wave of heroin addiction which swept through and engulfed Glasgow's East End during the 1980s. This evocative, intimate and moving portrayal of a woman forced to fight every day for her family's future will strike a chord with anyone who has ever struggled against adversity.

NOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • “A stunning novel about the transformative power of relationships” (People) from the author of Conversations with Friends, “a master of the literary page-turner” (J. Courtney Sullivan). “[A] novel that demands to be read compulsively, in one sitting.”—The Washington Post ONE OF ENTERTAINMENT WEEKLY’S TEN BEST NOVELS OF THE DECADE TEN BEST BOOKS OF THE YEAR: People, Slate, The New York Public Library, Harvard Crimson Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other. Normal People is the story of mutual fascination, friendship, and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t. WINNER: The British Book Award, The Costa Book Award, The An Post Irish Novel of the Year, Sunday Times Young Writer of the Year Award BEST BOOKS OF THE YEAR: The New York Times, The New York Times Book Review, Oprah Daily, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town & Country

2022 LA TIMES BOOK PRIZE FINALIST AND INTERNATIONAL BESTSELLER A Phenomenal Book Club Pick! For fans of Everything I Never Told You and The Mothers, a deeply moving and unflinching debut following a young Vietnamese-Australian woman who returns home to her family in the wake of her brother’s shocking murder, determined to discover what happened—a dramatic exploration of the intricate bonds and obligations of friendship, family, and community. Just let him go. These are the words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation with friends. That night, Denny—optimistic, guileless, brilliant Denny—is brutally murdered inside a busy restaurant in the Sydney suburb of Cabramatta, a refugee enclave facing violent crime, an indifferent police force, and the worst heroin epidemic in Australian history. Returning home to Cabramatta for the funeral, Ky learns that the police are stumped by Denny’s case: a dozen people were at Lucky 8 restaurant when Denny died, but each of the bystanders claim to have seen nothing. Desperately hoping that understanding what happened might ease her suffocating guilt, Ky sets aside her grief and determines to track down the witnesses herself. With each encounter, she peels back another layer of the place that shaped her and Denny, exposing the seeds of violence that were planted well before that fateful celebration dinner: by colonialism, by the war in Vietnam, and by the choices they’ve all made to survive. Alternating between Ky’s voice and the perspectives of the witnesses, Tracey Lien’s extraordinary debut is at once heart-pounding and heart-rending as it probes the intricate bonds of friendship, family, and community through an unforgettable cast of characters, all connected by a devastating crime. Combining evocative family drama and gripping suspense, All That’s Left Unsaid is a profound and moving page turner, perfect for readers of Liz Moore, Brit Bennett, and Celeste Ng.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

A “shrewd, funny, and sometimes devastating” novel about the things we desire and the things we throw away (Entertainment Weekly). A New York Times Notable Book A highly inventive, corrosively funny story of our times, Want Not exposes three different worlds in various states of disrepair—a young freegan couple living off the grid in New York City; a once-prominent linguist, sacked at midlife by the dissolution of his marriage and his father’s losing battle with Alzheimer’s; and a self-made debt-collecting magnate, whose brute talent for squeezing money out of unlikely places has yielded him a royal existence, trophy wife included. Want and desire propel these characters forward toward something, anything, more, until their worlds collide, briefly, randomly, yet irrevocably, in a shattering ending that will haunt readers long after the last page is turned. “Its pleasures are endless."—Joshua Ferris, author of Then We Came to the End “Terrific…The novel may begin with prickly satire, it may dig deep into America’s disposable lifestyle, but it ultimately pivots to scenes of surprising tenderness…a novel to hoard.”—The Washington Post “Leaps nimbly from topic to topic…from freeganism to conspicuous consumption; from Manhattan's Alphabet City to residential New Jersey to the backwoods of Tennessee; and from neighbors with nothing but geographical location in common to sisters who share nothing but blood….Sitting down with Want Not is like finding yourself opposite the most interesting person at a dinner party. It pulls you in immediately; makes you shake your head in wonder and delight at your new companion's wit, originality, and compelling turns of phrase; and, best of all, surprises you into laughter.”—Pittsburgh Post-Gazette “For readers who relish extravagant language, scathing wit and philosophical heft, Want Not wastes nothing.”—Kirkus Reviews (starred review)