When strangers take part in a series of group suicides, everything suggests that a cult is to blame. How do you stop a cult when nobody knows they are a member? ***Telegraph Book of the Year*** ***Longlisted for Goldsboro Books Glass Bell Award*** ***Longlisted for Theakston's Old Peculier Crime Novel of the Year Award 2020*** 'Heavy gusts of bedsit nihilism usher in this strange mystery ... weirdly page-turning' Sunday Times 'Laying bare our 21st-century weaknesses and dilemmas, Carver has created a highly original state-of-the-nation novel' Literary Review 'Arguably the most original crime novel published this year' Independent _________________ Nine suicides One Cult No leader Nine people arrive one night on Chelsea Bridge. They've never met. But at the same time, they run, and leap to their deaths. Each of them received a letter in the post that morning, a pre-written suicide note, and a page containing only four words: Nothing important happened today. That is how they knew they had been chosen to become a part of the People Of Choice: A mysterious suicide cult whose members have no knowledge of one another. Thirty-two people on that train witness the event. Two of them will be next. By the morning, People Of Choice are appearing around the globe; it becomes a movement. A social media page that has lain dormant for four years suddenly has thousands of followers. The police are under pressure to find a link between the cult members, to locate a leader that does not seem to exist. How do you stop a cult when nobody knows they are a member? _________________ 'Cements Carver as one of the most exciting authors in Britain. After this, he'll have his own cult following' Daily Express 'At once fantastical and appallingly plausible ... this mesmeric novel paints a thought-provoking if depressing picture of modern life' Guardian 'This book is most memorable for its unrepentant darkness...' Telegraph 'Unlike anything else you'll read this year' Heat 'Utterly mesmerising...' Crime Monthly

When strangers take part in a series of group suicides, everything suggests that a cult is to blame. How do you stop a cult when nobody knows they are a member? ***Telegraph Book of the Year*** ***Longlisted for Goldsboro Books Glass Bell Award*** ***Longlisted for Theakston's Old Peculier Crime Novel of the Year Award 2020*** 'Heavy gusts of bedsit nihilism usher in this strange mystery ... weirdly page-turning' Sunday Times 'Laying bare our 21st-century weaknesses and dilemmas, Carver has created a highly original state-of-the-nation novel' Literary Review 'Arguably the most original crime novel published this year' Independent _________________ Nine suicides One Cult No leader Nine people arrive one night on Chelsea Bridge. They've never met. But at the same time, they run, and leap to their deaths. Each of them received a letter in the post that morning, a pre-written suicide note, and a page containing only four words: Nothing important happened today. That is how they knew they had been chosen to become a part of the People Of Choice: A mysterious suicide cult whose members have no knowledge of one another. Thirty-two people on that train witness the event. Two of them will be next. By the morning, People Of Choice are appearing around the globe; it becomes a movement. A social media page that has lain dormant for four years suddenly has thousands of followers. The police are under pressure to find a link between the cult members, to locate a leader that does not seem to exist. How do you stop a cult when nobody knows they are a member? _________________ 'Cements Carver as one of the most exciting authors in Britain. After this, he'll have his own cult following' Daily Express 'At once fantastical and appallingly plausible ... this mesmeric novel paints a thought-provoking if depressing picture of modern life' Guardian 'This book is most memorable for its unrepentant darkness...' Telegraph 'Unlike anything else you'll read this year' Heat 'Utterly mesmerising...' Crime Monthly

More than 20 years after it was first broadcast, The X-Files still holds the public imagination. Over nine seasons and two feature films, agents Mulder and Scully pursued monsters, aliens, mutants and shadowy conspirators across the American landscape. Running for more than 200 episodes, the series transformed television, crafting a postmodern mythology that spoke to the anxieties and uncertainties of the end of the 20th century. Covering the entire series from its debut through the second feature film, this book examines how creator Chris Carter and his team of writers turned a scrappy cult favorite on Fox into a global phenomenon.

The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.

“After years of debate and inquiry, the key to a great marriage remained shrouded in mystery. Until now...”—Carol Dweck, author of Mindset: The New Psychology of Success Eli J. Finkel's insightful and ground-breaking investigation of marriage clearly shows that the best marriages today are better than the best marriages of earlier eras. Indeed, they are the best marriages the world has ever known. He presents his findings here for the first time in this lucid, inspiring guide to modern marital bliss. The All-or-Nothing Marriage reverse engineers fulfilling marriages—from the “traditional” to the utterly nontraditional—and shows how any marriage can be better. The primary function of marriage from 1620 to 1850 was food, shelter, and protection from violence; from 1850 to 1965, the purpose revolved around love and companionship. But today, a new kind of marriage has emerged, one oriented toward self-discover, self-esteem, and personal growth. Finkel combines cutting-edge scientific research with practical advice; he considers paths to better communication and responsiveness; he offers guidance on when to recalibrate our expectations; and he even introduces a set of must-try “lovehacks.” This is a book for the newlywed to the empty nester, for those thinking about getting married or remarried, and for anyone looking for illuminating advice that will make a real difference to getting the most out of marriage today.

The complete critical companion to The X-Files, covering every episode and both films and featuring interviews with screenwriters and stars. In Monsters of the Week: The Complete Critical Companion to The X-Files, TV critics Zack Handlen and Emily Todd VanDerWerff look back at exactly what made the long-running cult series so groundbreaking. Packed with insightful reviews of every episode—including the tenth and eleventh seasons and both major motion pictures—Monsters of the Week leaves no mystery unsolved and no monster unexplained. This crucial collection includes a foreword by series creator Chris Carter as well as exclusive interviews with some of show’s stars and screenwriters, including Carter, Vince Gilligan, Mitch Pileggi, James Wong, Robert Patrick, Darin Morgan, and more. Monsters of the Week is the definitive guide to The X-Files—whether you’re a lifelong viewer or a new fan uncovering the conspiracy for the first time. “This rich critical companion provides what evert X-Files fan deserves.” —Entertainment Weekly “The X-Files is my favorite show and Zack and Emily are my favorite reviewers of my favorite show and this is my favorite quote about it.” —Kumail Nanjiani, writer and star of The Big Sick; creator of The X-Files Files podcast “If Mulder and Scully had access to this terrific book, they would’ve solved every mystery of The X-Files in a single season. . . . The truth is in here!” —Damon Lindelof, co-creator of Lost and The Leftovers