'The following collections reached my hands in a more or less fragmentary state, The bulk of the work had been written at one time, and little was needed to put it into a state for publication. But other portions, and those not the least important, had been written at different times and with different objects, and the task of weaving them all together in the author's absence was not a light one. Thus, though the author has read the proofs of all but Appendix II, it will be easily understood that the difficulties involved in passing a book of this kind through the press, while he was residing several thousand miles away, are such as to account for many imperfections, which would have been rectified had he been able himself to determine its final form and to superintend its publication. The sins of omission, of occasional repetition, and perhaps of occasional obscurity, that may be found, must therefore be laid at the editor's, and not at the author's door. I can only hope that the circumstances may be taken into account to extenuate these offences. The difficulties I have referred to would, indeed, have been insuperable had it not been for the incessant help of Miss Kingsley. The debt due to her is by no means confined to the writing of her interesting and valuable introduction and the arrangement of Appendix I. She read all the manuscripts and selected in the first instance those most suitable for publication. Innumerable questions of detail have arisen in the course of printing, making it necessary to refer constantly to her, and in every case her knowledge of the country and the people, her time and thought, have been ungrudgingly placed at the service of the Folk-Lore Society. Lastly, she selected the photographs to be reproduced for the plates, and laid her own stock of negatives under contribution for the purpose of adding to them. It has been a matter of regret that the Society has been unable to avail itself to a greater extent of her kindness in this direction.

Most vols. for 1890- contain list of members of the Folk-lore Society.

Mythology and religious-studies teachers will appreciate World Mythology for its thematic approach, historical background information, commentary, and discussion questions provided for each myth from a range of geographic regions. For the same reasons, any reader interested in mythology will enjoy the contents and format of the book.

". . . its pages come alive with wonderful illustrative material coupled with sensitve and insightful commentary." —Reviews in Anthropology " . . . the scope, breadth, and lucidity of this excellent study confirm that Okpewho is undoubtedly the most important authority writing on African oral literature right now . . . " —Research in African Literatures "Truly a tour de force of individual scholarship . . . " —World Literature Today " . . . excellent . . . " —African Affairs " . . . a thorough synthesis of the main issues of oral literature criticism, as well as a grounding in experienced fieldwork, a wide-ranging theoretical base, and a clarity of argument rare among academics." —Multicultural Review "This is a breathtakingly ambitious project . . . " —Harold Scheub " . . . a definitive accounting of the evidence of living oral traditions in Africa today. Professor Okpewho's authority as an expert in this important new field is unrivaled." —Gregory Nagy "Isidore Okpewho's African Oral Literature is a marvelous piece of scholarship and wide-ranging research. It presents the most comprehensive survey of the field of oral literature in Africa." —Emmanuel Obiechina " . . . a tour de force of scholarship in which Okpewho casts his net across the African continent, searching for its verbal forms through voluminous recent writings and presents African oral literature in a new voice, proclaiming the literariness of African folklore." —Dan Ben-Amos "This is an outstanding book by a scholar whose work has already influenced how African literature should be conceived. . . . Professor Okpewho is a scholar with a special talent to nurture scholarship in others. After this work, African literature will never be the same." —Mazisi Kunene Isidore Okpewho, for many years Professor of English at the University of Ibadan, is one of the handful of African scholars who has facilitated the growth of African oral literature to its status today as a literary enterprise concerned with the artistic foundations of human culture. This comprehensive critical work firmly establishes oral literature as a landmark of high artistic achievement and situates it within the broader framework of contemporary African culture.