A hands-on gardener, Henry Homeyer gives practical advice on how to garden, whether building a hot box, transplanting peonies, defeating the deer, growing ladyslipper orchids and shiitake mushrooms, or keeping the birds out of the berry bushes. Each month covers a range of topics relevant to the season: starting seedlings, edging and mulching, gardening with children, getting rid of invasive plants, pruning , planting shrubs for attracting and feeding birds, putting the garden to bed, growing houseplants, . . . These are just a few of Homeyer's 69 short "reflections and observations" on matters of interest to amateur, dedicated, and armchair gardeners alike. Homeyer grew up in the 1950s learning about organic gardening from a grandfather who used manure tea and compost, not 10-10-10, herbicides, and DDT. For him, organic gardening is not a political position, but a common sense approach to having the best soil and the healthiest plants. Of special relevance to denizens of zones 3-5, the climatic belt which includes New England and runs across southern Canada and west to the Rockies, each of the twelve chapters (one for each month) contains several pieces combining technical information, practical tips, personal reflections, and more than a little humor. An unusual feature is Homeyer's interviews with other gardeners. Meet Joe Mooney, the aging wizard of turf at Fenway Park. Spend an afternoon in the garden with Jamaica Kincaid. Visit Jean and Wes Cate, growers of heirloom vegetables at Fox Run Farm. Learn more about the White House gardens from chief horticulturist Dale Haney. Or marvel at Marguerite Tewksbury, an 85-year-old organic gardener who single-handedly runs a farm stand, drives her 1950 Ford Ferguson tractor, and weeds her 6,000-square-foot vegetable patch with a full-sized rototiller. "She doesn't say that keeping active and eating organically keeps her healthy and vigorous, but I have a feeling that it does," writes Homeyer.

I know from my own experience that an evening spent tending my garden, after another incomprehensible day, brings a strength and calmness that no other activity can match. Is it the qualities associated with gardening, such as nurturing and the hard work of hands and heart, that are deficient in our culture? Much good writing has been done about the garden as a special place.  Madeleine Wilde's woodland garden on the south slope of Seattle's Queen Anne Hill was more than a "special place." It was her Sanctuary, her prism through which she explored the world and accomplished "much good writing." For two decades, starting in the early 1990s, Madeleine's "Notes from the Garden" delighted readers of the Queen Anne & Magnolia News in Seattle. Here, in luminous prose, is the best of her work from those years, ranging from hands-on advice for gardeners and would-be gardeners to poetically charged, often wry, insights into life in the tradition of Thoreau. Madeleine, who died in 2018, has left us a book to savor from solstice to solstice. This is a book that gardeners and lovers of cooking, food and life well-lived will savor. It will also inspire fans of the personal essay and those interested in the cycle of the seasons and intentional living. The book is edited by her former publisher, Mike Dillon, illustrated with charming drawings by noted American architect and author Mark Hinshaw, features cover illustration and design by Annie Brulé, and a foreword by Madeleine's husband David Streatfield, professor emeritus in the department of Landscape Architecture at the University of Washington.

Madoo is an artist's unusual and beautiful garden at the far end of Long Island. Described in the New York Times as "Robert Dash's ever-changing masterpiece," it has been pictured in many books and magazines and visited by lovers of gardens from this country and abroad. Now the author/artist/gardener describes his making of Madoo in a book that is as charming and entertaining as it is enlightening. Dash’s artist's sense --or senses -- of the movement of air and the effects of light and color suffuse all his writings, and show us new ways to look at our own gardens. As with Henry Mitchell's books, one learns more from reading these essays than from a dozen how-to books. And whether we like to make gardens or simply to look at them, Dash has given us a book to keep by the bedside, where we can read and reread our favorite pieces ("Fairies"? "Manuring"? "The Name of the Rose"? "The Garden Tour"? Too many to list!) over and over again.

A colorfully illustrated round of the season in the garden of the best-selling novelist, memoirist, and champion putterer with a wheelbarrow On the perimeter of Israel’s Jezreel Valley, with the Carmel mountains rising up in the west, Meir Shalev has a beloved garden, “neither neatly organized nor well kept,” as he cheerfully explains. Often covered in mud and scrapes, Shalev cultivates both nomadic plants and “house dwellers,” using his own quirky techniques. He extolls the virtues of the lemon tree, rescues a precious variety of purple snapdragon from the Jerusalem–Tel Aviv highway, and does battle with a saboteur mole rat. He even gives us his superior private recipe for curing olives. Informed by Shalev’s literary sensibility, his sometime riotous humor, and his deep curiosity about the land, My Wild Garden abounds with appreciation for the joy of living, quite literally, on Earth. Our borrowed time on any particular patch of it is enhanced, the author reminds us, by our honest, respectful dealings with all manner of beings who inhabit it with us.

Thirty years ago journalist Joan Marble and her sculptor husband, Robert Cook, bought an unpromising piece of land near the little hamlet of Canale, north of Rome where the ancient Etruscans once lived. Here they built a house and, more important, set out to start a wonderful garden. All was not easy, however. They faced blank incomprehension from the local inhabitants. "Why do you want to have a garden here?" they were asked. "There's no water, the ground is like cement, it's too cold in winter and too hot in summer, it never rains. . . ." But Joan and Robert's enthusiasm for the land, their ignorance of the obstacles that faced them, their downright obstinacy and the unexpected friends who helped them -- all served to conquer the intransigent terrain. "I fell in love with Etruria one chilly evening in the middle of winter," says Joan. "They were having a New Year's Eve festival in a little town near Campagnano, and a group of local boys dressed in Renaissance costumes were marching in a torchlight parade down the main street. As I stood there in the cold watching the flames lurching to the sky, I realized that I felt very much at home in this ancient place. If ever we should decide to move to the country, this was the kind of place I would choose....." Inspirational, aspirational, enchanting -- this is an account of a passion for a place and an obsession with a garden that will charm all who love Italy, gardening, and life.

In 1925 Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine’s first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, White set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled “Onward and Upward in the Garden,” a critical review of garden catalogs, in which White extolled the writings of “seedmen and nurserymen,” those unsung authors who produced her “favorite reading matter.” Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.

“A Way to Garden prods us toward that ineffable place where we feel we belong; it’s a guide to living both in and out of the garden.” —The New York Times Book Review For Margaret Roach, gardening is more than a hobby, it’s a calling. Her unique approach, which she calls “horticultural how-to and woo-woo,” is a blend of vital information you need to memorize and intuitive steps you must simply feel and surrender to. In A Way to Garden, Roach imparts decades of garden wisdom on seasonal gardening, ornamental plants, vegetable gardening, design, gardening for wildlife, organic practices, and much more. She also challenges gardeners to think beyond their garden borders and to consider the ways gardening can enrich the world. Brimming with beautiful photographs of Roach’s own garden, A Way to Garden is practical, inspiring, and a must-have for every passionate gardener.