'Poised and pitch-perfect throughout' Mail on Sunday Set in Cornwall, the bestselling novel of artistic compulsion, marriage, and the secrets left behind. 'This book is complete perfection' Stephen Fry Celebrated artist Rachel Kelly dies alone in her Penzance studio, after decades of struggling with the creative highs and devastating lows that have coloured her life. Her family gathers, each of them searching for answers. They reflect on lives shaped by the enigmatic Rachel - as artist, wife and mother - and on the ambiguous legacies she leaves them, of talent, torment and transcendent love. 'An uplifting, immensely empathetic novel' Guardian What readers love about NOTES FROM AN EXHIBITION: ' A shifting, multi-layered, beautifully textured portrait of not-quite ordinary family life' ⭐ ⭐ ⭐ ⭐ ⭐ 'The word that shimmers with me is empathy. Gale has such a sensitive understanding of how minds and hearts work and react on one another amid the chaos and sometimes intense joys of real living' ⭐ ⭐ ⭐ ⭐ ⭐ 'I loved the exhibition-style notes at the beginning of each chapter, which heralded a hint of the chapter's contents. Beautifully woven back and forth in time to reveal the complexities of fascinating family members and their relationships' ⭐ ⭐ ⭐ ⭐ ⭐

Emsley describes chemicals which affect every aspect of our daily lives, including anecdotes about their proper or improper uses.

Writing exercises and creativity advice from Barry's pioneering, life-changing workshop The award-winning author Lynda Barry is the creative force behind the genre-defying and bestselling work What It Is. She believes that anyone can be a writer and has set out to prove it. For the past decade, Barry has run a highly popular writing workshop for nonwriters called Writing the Unthinkable, which was featured in The New York Times Magazine. Syllabus: Notes from an Accidental Professor is the first book to make her innovative lesson plans and writing exercises available to the public for home or classroom use. Barry teaches a method of writing that focuses on the relationship between the hand, the brain, and spontaneous images, both written and visual. It has been embraced by people across North America—prison inmates, postal workers, university students, high-school teachers, and hairdressers—for opening pathways to creativity. Syllabus takes the course plan for Barry’s workshop and runs wild with it in her densely detailed signature style. Collaged texts, ballpoint-pen doodles, and watercolor washes adorn Syllabus’s yellow lined pages, which offer advice on finding a creative voice and using memories to inspire the writing process. Throughout it all, Barry’s voice (as an author and as a teacher-mentor) rings clear, inspiring, and honest.

For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle. What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden’s examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of “exhibition and “exhibitionmaker.” A thought-provoking volume on the practice of curatorial work and the mission of modern museums, What Makes A Great Exhibition? will be indispensable reading for all art professionals and scholars working today.

Four siblings discover truths about their late mother, a troubled artist—and themselves—in this “uplifting, immensely empathetic novel” (The Guardian). Gifted painter Rachel Kelly lived a life of manic highs and suicidal lows. Her husband, a gentle, devout Quaker, gave her a safe haven where she could create and be herself, but her mental illness still took its toll on her family. Now, after a fatal heart attack, a retrospective of Rachel’s work attracts art lovers who marvel at her skill, but her grown children are busy coping with the shattering effects of her death—and her life. Her eldest son has been bequeathed a letter that shakes him to his core. Another son reflects on the years he spent trying not to upset his mother’s delicate equilibrium while negotiating his own relationship with his lover. The youngest son was much beloved by Rachel, for reasons not everyone knows. And Rachel’s only daughter seems to have inherited her talent—but also her demons. Set against the wild and beautiful landscape of Cornwall, this novel by the acclaimed author of A Place Called Winter and A Perfectly Good Man shifts back and forth in time and place as it moves effortlessly between characters, offering a revealing window into the symbiotic relationship between genius and mental illness and the effects both have on maternal love and the creation of enduring art. In the words of Armistead Maupin, “few writers have grasped the twisted dynamics of family the way Gale has. There’s really no one he can’t inhabit, understand, and forgive.”

A sweeping and sensuous novel of a son’s quest to recover his family’s lost masterpieces, looted by the Nazis during the occupation. Max Berenzon’s father is the most successful art dealer in Paris, owner of the Berenzon Gallery, home to both Picasso and Matisse. To Max’s great surprise, his father forbids him from entering the family business, choosing instead to hire a beautiful and brilliant gallery assistant named Rose Clément. When Paris falls to the Nazis, the Berenzons survive in hiding, but when they return in 1944 their gallery is empty, their priceless collection vanished. In a city darkened by corruption and black martketers, Max chases his twin obsessions: the lost paintings and Rose Clément.

“It never occurred to me while growing up that art is an industry involving countless jobs, so if this book helps shed light to just one kid that it is a viable career option, then it has done its job, as art is indescribably important!” —Oliver Jeffers, Artist and Illustrator “This book so beautifully explains to kids what goes into making an art exhibition. It’s not just about an artist hanging something on a wall for people to see: it’s so much more lively, layered, and community-driven. Even I learned a ton about what truly goes into a fantastic art show!” —Joy Cho, Author and Founder of Oh Joy! “I wish I’d had this book when I was a kid! I always wanted my art to be in a big museum one day but, growing up in a small town, that just seemed impossible. Making a Great Exhibition is a beautifully illustrated behind-the-scenes peek at exactly how art makes its way from an artist’s mind to the big white walls of a fancy gallery. Turns out, there are a lot of people, with some very cool jobs, who make the magic happen—and any book that shows kids (and parents!) they can grow up to have a career in the arts is okay by me!” —Danielle Krysa, The Jealous Curator An exciting insight into the workings of artists and museums, Making a Great Exhibition is a colorful and playful introduction geared to children ages 3-7 How does an artist make a sculpture or a painting? What tools do they use? What happens to the artwork next? This fun, inside look at the life of an artwork shows the journey of two artists’ work from studio to exhibition. Stopping along the way we meet colorful characters—curators, photographers, shippers, museum visitors, and more! Both illustrator and author were raised in the art world, spending their time in studios, doing homework in museum offices, and going to special openings. They have teamed up to share their experiences and love for this often mysterious world to a young audience. London-based illustrator Rose Blake is best known for her work in A History of Pictures for Children, by David Hockney and Martin Gayford, which has been a worldwide success. Author Doro Globus brings her love for the arts and kids together with this fun journey.