Relatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short-story collection Whatever Happened to Interracial Love? Said Zadie Smith, “To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us.” That rediscovery continues in Notes from a Black Woman’s Diary, which spans genres to reveal the breadth and depth of the late author’s talent. The compilation is anchored by more of Collins’s striking short stories, which explore the ways in which relationships both are formed and come undone. Also collected here is the work Collins wrote for the screen and stage, including the screenplay of her pioneering film Losing Ground and the script for The Brothers, which powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African American experience. And finally, it is in Collins’s raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman’s Diary is a brilliant compendium of the works of an inimitable talent, and a rich portrait of a writer hard at work.

In the tradition of Reflections of an Affirmative Action Baby, The Alchemy of Race and Rights, and The Sweeter the Juice, Notes of a White Black Woman explores the meaning of race in the United States, the power of racial categories in our lives, and the personal experience of being a black professional in an overwhelmingly white world.

This historical biography provides a scholarly analysis of the personal diaries of a young, freeborn mulatto woman during the Civil War years. In Notes from a Colored Girl, Karsonya Wise Whitehead examines the life and experiences of Emilie Frances Davis through a close reading of three pocket diaries she kept from 1863 to 1865. Whitehead explores Davis’s worldviews and politics, her perceptions of both public and private events, her personal relationships, and her place in Philadelphia’s free black community in the nineteenth century. The book also includes a six-chapter historical reconstruction of Davis’s life. While Davis’s entries provide brief, daily snapshots of her life, Whitehead interprets them in ways that illuminate nineteenth-century black American women’s experiences. Whitehead’s contribution of edited text and original narrative fills a void in scholarly documentation of women who dwelled in spaces between white elites, black entrepreneurs, and urban dwellers of every race and class. Drawing on scholarly traditions from history, literature, feminist studies, and sociolinguistics, Whitehead investigates Davis’s diary both as a complete literary artifact and in terms of her specific daily entries. With few primary sources written by black women during this time in history, Davis’s diary is a rare and extraordinarily valuable historical artifact.

Mixing cultural criticism, literary history, biography, and memoir, an exploration of Alice Walker’s critically acclaimed and controversial novel, The Color Purple Alice Walker made history in 1983 when she became the ï¬?rst black woman to win the Pulitzer Prize and the National Book Award for The Color Purple. Published in the Reagan era amid a severe backlash to civil rights, the Jazz Age novel tells the story of racial and gender inequality through the life of a 14-year-old girl from Georgia who is haunted by domestic and sexual violence. Prominent academic and activist Salamishah Tillet combines cultural criticism, history, and memoir to explore Walker’s epistolary novel and shows how it has influenced and been informed by the zeitgeist. The Color Purple received both praise and criticism upon publication, and the conversation it sparked around race and gender still continues today. It has been adapted for an Oscar-nominated ï¬?lm and a hit Broadway musical. Through archival research and interviews with Walker, Oprah Winfrey, and Quincy Jones (among others), Tillet studies Walker’s life and how themes of violence emerged in her earlier work. Reading The Color Purple at age 15 was a groundbreaking experience for Tillet. It continues to resonate with her—as a sexual violence survivor, as a teacher of the novel, and as an accomplished academic. Provocative and personal, In Search of The Color Purple is a bold work from an important public intellectual, and captures Alice Walker’s seminal role in rethinking sexuality, intersectional feminism, and racial and gender politics.

Electa Rome Parks paints a powerful portrait of a crazed fan who can't seem to close the book on the affair after a one-night-stand with a famous author—and who will stop at nothing to make him hers. Even if that means killing him. . . Bestselling author Xavier Preston is used to women throwing themselves at him. On top of being a successful writer, he's also tall, dark and sexy as sin. He's always relished the attention, in fact, and is ever-willing to entertain the erotic urges of women wanting to get between more than the covers of his novels. Except once he meets Kendall, he decides it's time to put his womanizing ways behind him and devote himself to her entirely. Well, almost. . . Gorgeous Pilar is the last decadent treat Xavier decides he'll help himself to—thinking they are both on the same "no strings" page. Except behind Pilar's fine façade beats the heart of a raving maniac—a fatally attracted fan addicted to the kind of hot loving only Xavier can give her. And she's not about to let him get away from her so easily. So what starts out as a discreet dalliance soon spirals into a deadly game of obsession and pain—which can only have one winner. . .

The diary of Charlotte Forten, a sixteen-year-old free African American who lived in Massachusettts in 1854 who records her schooling, participation in the anti-slavery movement, and concern for an arrested fugitive slave. Includes activities and a timeline related to this era.

Emilie Davis was a free African American woman who lived in Philadelphia during the Civil War. She worked as a seamstress, attended the Institute for Colored Youth, and was an active member of her community. She lived an average life in her day, but what sets her apart is that she kept a diary. Her daily entries from 1863 to 1865 touch on the momentous and the mundane: she discusses her own and her community’s reactions to events of the war, such as the Battle of Gettysburg, the Emancipation Proclamation, and the assassination of President Lincoln, as well as the minutiae of social life in Philadelphia’s black community. Her diaries allow the reader to experience the Civil War in “real time” and are a counterpoint to more widely known diaries of the period. Judith Giesberg has written an accessible introduction, situating Davis and her diaries within the historical, cultural, and political context of wartime Philadelphia. In addition to furnishing a new window through which to view the war’s major events, Davis’s diaries give us a rare look at how the war was experienced as a part of everyday life—how its dramatic turns and lulls and its pervasive, agonizing uncertainty affected a northern city with a vibrant black community.