When an old friend asked him to write a weekly dispatch from New Hampshire for the Mail on Sunday's Night and Day magazine, Bill Bryson firmly turned him down. So firm was he, in fact, that gathered here are nineteen months' worth of his popular columns about the strangest of phenomena -- the American way of life.Whether discussing the dazzling efficiency of the garbage disposal unit, the mind-boggling plethora of methods by which to shop, the exoticism of having your groceries bagged for you, or the jaw-slackening direness of American TV, Bill Bryson brings his inimitable brand of bemused wit to bear on the world's richest and craziest country.

Before New York Times bestselling author Bill Bryson wrote The Road to Little Dribbling, he took this delightfully irreverent jaunt around the unparalleled floating nation of Great Britain, which has produced zebra crossings, Shakespeare, Twiggie Winkie’s Farm, and places with names like Farleigh Wallop and Titsey.

"After nearly two decades in Britain, Bill Bryson took the decision to move Mrs Bryson, little Jimmy et al. back to the States for a while. But before leaving his much-loved Yorkshire, Bryson insisted on taking one last trip around old Blighty, a sort of valedictory tour of the green and kindly island that had for so long been his home. The resulting book, Notes from a Small Island, is a eulogy to the country that produced Marmite, George Formby, by-elections, milky tea, place names like Farleigh Wallop, Titsey and Shellow Bowells, Gardeners' Question Time and people who say, 'Mustn't grumble.' Britain will never seem the same again. Once ensconced back home in New Hampshire, Bryson couldn't resist the invitation to write a weekly dispatch for the Mail on Sunday's Night & Day magazine. Notes from a Big Country is a collection of eighteen months' worth of his popular columns about that strangest of phenomena - the American way of life. Whether discussing the dazzling efficiency of the garbage disposal unit, the exoticism of having your groceries bagged for you, or the mind-numbing frequency of commercial breaks on American TV, Bill Bryson brings his inimitable brand of bemused wi

“This is a story of faith: in human nature, in love, in romance, in connections that cannot be broken . . . [an] original and funny romantic thriller.” —New York Journal of Books Andie Miller wants to marry her fiancé and leave behind everything in her past, especially her ex-husband, North Archer, but he asks one final favor of her before they go their separate ways forever. A very distant cousin of his has died and left North as the guardian of two orphans who have driven out three nannies already, and things are getting worse. He needs a very special person to take care of the situation and he knows Andie can handle anything. Carter and Alice, aren’t your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What’s worse, Andie’s fiancé thinks this is all a plan by North to get Andie back, and he may be right. Andie’s dreams have been haunted by North since she arrived at the old house. And that’s not the only haunting. What follows is a hilarious adventure in exorcism, including a self-doubting parapsychologist, an annoyed medium, her Tarot-card reading mother, an avenging ex-mother-in-law, and, of course, her jealous fiancé. And just when she thinks things couldn’t get more complicated, North shows up on the doorstep making her wonder if maybe this time things could be different between them. If Andie can just get rid of all the guests and ghosts, she’s pretty sure she can save the kids, and herself, from the past. But fate might just have another thing in mind . . .

ABOUT THE BOOK The first time I read a Bill Bryson book, I was not expecting much at all. For many years my family shared a rustic cottage on a lake with all the other members of my mother's family. Entertainment on nice days usually involved swimming, swimming, more swimming, and the occasional nap. On gray days, we read. Over the years four generations of the family left behind a muddled collection of books. When I read through the books I had brought with me, I'd grab whatever my relations had left behind. That's how I first encountered Bill Bryson. I found a well-worn, tattered copy of A Walk in the Woods, left behind by a relative. I picked it up with uncertainty, not sure I was completely interested in a stranger's account of a summer spent hiking the Appalachian Trail. As for a stranger who told that story while trying to be funny? I suspended my disbelief. But, Bryson really was funny. So funny that when I returned home I promptly ordered a copy and made my husband read it. After finishing it, he went out and got still more Bryson books. They were funny, too. That's the first thing that should be said about Bryson, and about Notes from a Big Land: It's a funny book written by a man who has a mastery of funny. MEET THE AUTHOR Peg Robinson holds a BA in Religious Studies from the University of California at Santa Barbara, and has partially completed an MA/PhD in Mythological Studies from Pacifica Graduate Institute. She holds a certificate in copy editing from Media Bistro. Her publishing career started in 1998, on winning a place in Simon and Schuster's Star Trek: Strange New Worlds competition. Her novelette "Tonino and the Incubus" qualified for the 2007 Nebula Awards. She has worked as a content provider, copy writer, informational writer, copy editor, and developmental editor. EXCERPT FROM THE BOOK Notes from a Big Country is the British version of a book published in the United States under the title I'm a Stranger Here, Myself. Both books are compiled of essays written for the British publication, Mail on Sunday's Night and Day, edited by Simon Kelner, a friend and associate of Bryson's. There are extensive differences between the two books. Notes from a Big Country contains a full 78 essays; I'm a Stranger Here, Myself contains only 70. Editorial adjustments were made to take the language and assumptions of each nation into account. An extensive comparison of the two volumes can be found from the Department of Translation Studies, at the University of Tanjere. The linguistic analysis may not interest everyone, but it provides a fairly extensive overview of the changes made in adapting the book for two distinct audiences. There is no question to an American reader that Notes from a Big Country was written for an English audience. While Bryson is on record as considering his identity in England that of an outsider it's impossible to read the essay chapters without realising how deeply Bryson has adapted to English culture. It's equally impossible to miss how profoundly he felt the culture-shock on returning to the United States. Buy a copy to keep reading! CHAPTER OUTLINE Quicklet on Bill Bryson's Notes from a Big Country Bill Bryson’s Notes from a Big Country + Introduction + Biographical Information + Overview: Notes from a Big Country + Material and Tone + ...and much more

Winner of the Overseas Press Club of America's Cornelius Ryan Award • Finalist for the Pulitzer Prize in Nonfiction A New York Times Book Review Notable Book • Named a Best Book of the Year by New York Magazine and The Progressive "A deeply honest and brave portrait of of an individual sensibility reckoning with her country's violent role in the world." —Hisham Matar, The New York Times Book Review In the wake of the September 11 attacks and the U.S.-led invasion of Iraq, Suzy Hansen, who grew up in an insular conservative town in New Jersey, was enjoying early success as a journalist for a high-profile New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul. Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.” Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.

Brilliant and engagingly written, Why Nations Fail answers the question that has stumped the experts for centuries: Why are some nations rich and others poor, divided by wealth and poverty, health and sickness, food and famine? Is it culture, the weather, geography? Perhaps ignorance of what the right policies are? Simply, no. None of these factors is either definitive or destiny. Otherwise, how to explain why Botswana has become one of the fastest growing countries in the world, while other African nations, such as Zimbabwe, the Congo, and Sierra Leone, are mired in poverty and violence? Daron Acemoglu and James Robinson conclusively show that it is man-made political and economic institutions that underlie economic success (or lack of it). Korea, to take just one of their fascinating examples, is a remarkably homogeneous nation, yet the people of North Korea are among the poorest on earth while their brothers and sisters in South Korea are among the richest. The south forged a society that created incentives, rewarded innovation, and allowed everyone to participate in economic opportunities. The economic success thus spurred was sustained because the government became accountable and responsive to citizens and the great mass of people. Sadly, the people of the north have endured decades of famine, political repression, and very different economic institutions—with no end in sight. The differences between the Koreas is due to the politics that created these completely different institutional trajectories. Based on fifteen years of original research Acemoglu and Robinson marshall extraordinary historical evidence from the Roman Empire, the Mayan city-states, medieval Venice, the Soviet Union, Latin America, England, Europe, the United States, and Africa to build a new theory of political economy with great relevance for the big questions of today, including: - China has built an authoritarian growth machine. Will it continue to grow at such high speed and overwhelm the West? - Are America’s best days behind it? Are we moving from a virtuous circle in which efforts by elites to aggrandize power are resisted to a vicious one that enriches and empowers a small minority? - What is the most effective way to help move billions of people from the rut of poverty to prosperity? More philanthropy from the wealthy nations of the West? Or learning the hard-won lessons of Acemoglu and Robinson’s breakthrough ideas on the interplay between inclusive political and economic institutions? Why Nations Fail will change the way you look at—and understand—the world.